| Chishû Ryû | ... | Himself | |
| Werner Herzog | ... | Himself | |
| Yûharu Atsuta | ... | Himself | |
| rest of cast listed alphabetically: | |||
| Chris Marker | ... | Himself (uncredited) | |
Directed by | |||
| Wim Wenders | |||
Writing credits(in alphabetical order) | ||
| Wim Wenders | ||
Produced by | |||
| Chris Sievernich | .... | producer | |
| Wim Wenders | .... | producer | |
Original Music by | |||
| Laurent Petitgand | |||
Cinematography by | |||
| Edward Lachman | |||
Film Editing by | |||
| Solveig Dommartin | |||
| Jon Neuburger | |||
| Wim Wenders | |||
Sound Department | |||
| Hartmut Eichgrün | .... | sound re-recording mixer | |
Other crew | |||
| Lilyan Sievernich | .... | production assistant | |
| Ulla Zwicker | .... | production assistant | |
Thanks | |||
| Shigehiko Hasumi | .... | special thanks | |
| Recent Posts (updated daily) | User |
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| Where can I find this? | bulldogproductions |
| Coming from Criterion in May | thedavidrobson |
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| Empire of the Sun | Pearl Harbor | The Toxic Avenger Part II | Lost in Translation | Land of the Rising Fastball |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
the footage is lush and gorgeous, German camera-work of the 70s-80s of the highest caliber. but...the content I found ... appalling! it's been 15 or so years since I saw it and haven't thought about it in a long time, but was just reminded while suffering through this documentary about a feature film called "Jew Süss" ... but my impression of the overall tone is ineradicable . . . I have to admit I'd entirely forgotten the "Ozu love letter" element of the whole thing.
more enjoyable is a documentary about designer Yojhi Yamamoto that I saw at about the same time in this big Wim Wenders retrospective. another film that was a very sweet standout was "A Trick of the Light" about film pioneers whose work was eclipsed by developments of Lumiere in France starring Udo Kier, which I recommend highly.
Wim Wenders...is kind of a shallow filmmaker in my estimation. As with Tokyo Ga I'm sure he had no idea what a potentially offensive film he made. I remember particularly a sequence about some sort of Japanese pinball game that is insanely popular there, his reflections upon which seemed the fruit of a (lack of) intelligence of the sort that characterizes also that cinema excreta "Lost in Translation". the deep meaning of which seems to be "god what a bunch of freaks these Japs are for not speaking English and not modeling themselves after the oh so kewl savvy ironic US population what in god's name is wrong with them?!