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| William Petersen | ... | Richard Chance (as William L. Petersen) | |
| Willem Dafoe | ... | Eric Masters | |
| John Pankow | ... | John Vukovich | |
| Debra Feuer | ... | Bianca Torres | |
| John Turturro | ... | Carl Cody | |
| Darlanne Fluegel | ... | Ruth Lanier | |
| Dean Stockwell | ... | Bob Grimes | |
| Steve James | ... | Jeff Rice | |
| Robert Downey Sr. | ... | Thomas Bateman (as Robert Downey) | |
| Michael Greene | ... | Jim Hart | |
| Christopher Allport | ... | Max Waxman | |
| Jack Hoar | ... | Jack | |
| Valentin de Vargas | ... | Judge Filo Cedillo (as Val DeVargas) | |
| Dwier Brown | ... | Doctor | |
| Michael Chong | ... | Thomas Ling | |
| Jacqueline Giroux | ... | Claudia Leith (as Jackely Giroux) | |
| Michael Zand | ... | Terrorist | |
| Bobby Bass | ... | FBI Agent | |
| Dar Robinson | ... | FBI Agent (as Dar Allen Robinson) | |
| Anne Betancourt | ... | Nurse | |
| Katherine M. Louie | ... | Ticket Agent | |
| Edward Harrell | ... | Airport Guard | |
| Gilbert Espinoza | ... | Bartender | |
| John Petievich | ... | Agent | |
| Zarko Petievich | ... | Agent | |
| Rick Dalton | ... | Agent | |
| Richard L. Lane | ... | Agent | |
| Jack Cota | ... | Agent | |
| Shirley J. White | ... | Airline Passenger | |
| Gerald H. Brownlee | ... | Visiting Room Guard | |
| David M. DuFriend | ... | Tower Guard | |
| Rubén García | ... | Inmate Ruben | |
| Joe Duran | ... | Prison Guard | |
| Bufort McClerkins | ... | Prison Inmate (as Buford McClerkins) | |
| Gregg Dandridge | ... | Prison Inmate | |
| Donnie Williams | ... | Rick's Friend | |
| Earnest Hart Jr. | ... | Rick's Friend | |
| Thomas F. Duffy | ... | Credit Card Counterfeiter | |
| Gerald Petievich | ... | Special Agent (as Gerry Petievich) | |
| Mark Gash | ... | Mark Gash | |
| Pat McGroarty | ... | Criminal | |
| Brian Bradley | ... | Tourist | |
| Jane Leeves | ... | Serena / dancer (as Jane Leaves) | |
| Cherise Bates | ... | Dancer (as Cherise Bate) | |
| Michael Higgins | ... | Dancer (as Michael W. Higgins) | |
| Chris Latanzi | ... | Dancer (as Chris Lattanzi) | |
| Shaun Earl | ... | Dancer | |
| rest of cast listed alphabetically: | |||
| Alan Baltes | ... | Driver (uncredited) | |
| Gary Cole | ... | Man Chased by Richard Chance (uncredited) | |
| Stevie Mack | ... | Basketball Player (uncredited) | |
| Joey Sotello | ... | Secret Service Agent (uncredited) | |
Directed by | |||
| William Friedkin | |||
Writing credits | ||
| Gerald Petievich | (novel) | |
| William Friedkin | (screenplay) & | |
| Gerald Petievich | (screenplay) | |
Produced by | |||
| Irving H. Levin | .... | producer | |
| Samuel Schulman | .... | executive producer | |
| Bud S. Smith | .... | co-producer (as Bud Smith) | |
Original Music by | |||
| Wang Chung | |||
Cinematography by | |||
| Robby Müller | (director of photography) (as Robby Muller) | ||
Film Editing by | |||
| M. Scott Smith | (as Scott Smith) | ||
Casting by | |||
| Robert Weiner | (as Bob Weiner) | ||
Production Design by | |||
| Lilly Kilvert | |||
Art Direction by | |||
| Buddy Cone | |||
Set Decoration by | |||
| Cricket Rowland | |||
Costume Design by | |||
| Linda M. Bass | (as Linda Bass) | ||
Makeup Department | |||
| Jeff Dawn | .... | head makeup artist (as Jefferson Dawn) | |
| Peter Tothpal | .... | hair stylist | |
Production Management | |||
| John J. Smith | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Charles Myers | .... | first assistant director | |
| Bob Roe | .... | second assistant director | |
| Bud S. Smith | .... | second unit director (as Bud Smith) | |
Art Department | |||
| Raymond Camaioni | .... | carpenter | |
| Dins W.W. Danielsen | .... | assistant art director (as Dins Danielson) | |
| Rainer Fetting | .... | painter: Masters' paintings | |
| Amanda J. Flick | .... | painter (as Amanda Flick) | |
| Dennis Hoerter | .... | carpenter | |
| Richard K. Hummel | .... | assistant set decorator (as Richard Hummel) | |
| Jon Hutman | .... | set dresser | |
| Portia Iversen | .... | assistant set decorator (as Portia Iverson) | |
| William C. Jones | .... | carpenter (as William Jones) | |
| Gavin McCune | .... | carpenter | |
| John Stadelman | .... | set dresser | |
| Frank Viviano | .... | construction coordinator | |
| David E. Harshbarger | .... | props (uncredited) | |
Sound Department | |||
| Gary Alexander | .... | sound re-recording mixer | |
| Jeff Bushelman | .... | sound effects editor | |
| Mike Dobie | .... | sound effects editor (as Michael Dobie) | |
| Jean-Louis Ducarme | .... | sound recordist (as Jean-Louis DuCarme) | |
| Louis L. Edemann | .... | sound effects editor | |
| Jim Fitzpatrick | .... | stereo sound consultant: Dolby | |
| Robert Glass | .... | sound re-recording mixer | |
| J. Paul Huntsman | .... | dialogue editor | |
| Chris Jenkins | .... | sound re-recording mixer (as Christopher Jenkins) | |
| Rodger Pardee | .... | sound recordist | |
| Craig Clark | .... | assistant sound editor (uncredited) | |
| Samuel C. Crutcher | .... | sound editor/design (uncredited) | |
| Larry Kemp | .... | sound editor (uncredited) | |
| Jerry Trent | .... | foley artist (uncredited) | |
| Jay Wilkinson | .... | sound editor (uncredited) | |
Special Effects by | |||
| Phil Cory | .... | special effects (as Phil Corey) | |
| Rocky Gehr | .... | special effects technician | |
Camera and Electrical Department | |||
| Robert K. Feldmann | .... | key grip (as Robert Feldman) | |
| Bob Field | .... | electrician (as Robert Field) | |
| Kevin Galbraith | .... | electrician | |
| Greg Gardiner | .... | chief lighting technician | |
| Bill Guerre | .... | grip | |
| Scott Guthrie | .... | best boy electric | |
| Tim Moore | .... | grip (as Timothy Moore) | |
| Jane O'Neal | .... | still photographer | |
| Les Percy | .... | best boy grip (as Lesley Percy) | |
| Robert D. Yeoman | .... | director of photography: second unit (as Robert Yeoman) | |
| Henry Minski | .... | assistant camera (uncredited) | |
| Randy Nolen | .... | Steadicam operator (uncredited) | |
| Vance Piper | .... | assistant camera (uncredited) | |
| Jonathan Sharpe | .... | first assistant camera: second unit (uncredited) | |
| Newton TerMeer | .... | gaffer: second unit (uncredited) | |
Casting Department | |||
| Gregg Smith | .... | dance casting | |
| Gary M. Zuckerbrod | .... | casting associate | |
Costume and Wardrobe Department | |||
| Susie DeSanto | .... | costume supervisor | |
| Marina Spadafora | .... | wardrobe | |
Editorial Department | |||
| Sonny Baskin | .... | assistant film editor | |
| Donah Bassett | .... | negative cutter | |
| Aubrey Head | .... | color timer | |
| Jere Huggins | .... | additional editor | |
| Joe Mosca | .... | assistant film editor (as Joseph Mosca) | |
| Richard Ritchie | .... | color timer (as Dick Ritchie) | |
| Bud S. Smith | .... | supervising film editor (as Bud Smith) | |
| Jill Smith | .... | assistant film editor | |
Music Department | |||
| Wang Chung | .... | music performer | |
Transportation Department | |||
| Richard M. Brasic | .... | transportation captain (as Richard Brasic) | |
| Jeff F. Renfro | .... | transportation coordinator (as Jeffrey Renfro) | |
| Olivia Varnado | .... | transportation captain | |
| Jack Carpenter | .... | driver: camera car (uncredited) | |
| Ralph D. Carpenter | .... | driver: camera car (uncredited) | |
| Hugh Kelly | .... | driver (uncredited) | |
| Frank Khoury | .... | driver (uncredited) | |
Other crew | |||
| Cherise Bates | .... | dancer (as Cherise Bate) | |
| Barry Bedig | .... | consultant | |
| Cynthia Chvatal | .... | assistant: William Friedkin (as Cindy Chvatal) | |
| Kevin Deon | .... | production assistant | |
| Shaun Earl | .... | dancer | |
| Pablo Ferro | .... | consultant | |
| Lesli Linka Glatter | .... | choreographer | |
| Diana Gold | .... | post-production auditor | |
| Michael Healy | .... | location manager | |
| Michael Helfand | .... | assistant location manager | |
| Michael Higgins | .... | dancer (as Michael W. Higgins) | |
| Robert Jellen | .... | insurance provider: Albert G. Ruben & Company, Inc. (as Bob Jellen) | |
| Adele Joseph | .... | assistant: William Friedkin | |
| Chris Latanzi | .... | dancer (as Chris Lattanzi) | |
| Jane Leeves | .... | dancer (as Jane Leaves) | |
| Betsy Oliver Luhrsen | .... | production secretary | |
| Dianne Mapp-Cheek | .... | production coordinator (as Dianne Lisa Cheek) | |
| Gil Miller | .... | institutional coordinator: prison | |
| Larry Rovetti | .... | lab consultant | |
| Jackie Saunders | .... | script supervisor | |
| Michelle Troxell | .... | assistant to producers (as Michele Troxell) | |
| Woody Wilcoxan | .... | technical advisor: prison | |
| Bill Bennett | .... | terra-flite operator (uncredited) | |
| Terry Edinger | .... | post-production accountant (uncredited) | |
| Gerald Petievich | .... | police technical advisor (uncredited) | |
| Theresa Shepherd | .... | caterer (uncredited) | |
| Mike Sudrow | .... | weapons specialist (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
When Friedkin went "back on the streets" in 1985 to make TO LIVE AND DIE IN L.A., he made a classic that will endure and that perfectly captures its 80's milieu.
I don't understand these idiots who complain how a film is "dated" by its music. Of course a film is "dated" by its specific elements, but so what. This superb film, which has an amazingly kinetic Wang Cheung score, is about a time (the mid-eighties) and place (L.A.) that is now history, and it is a punishing document.
The film works on many levels. Yes, it is about counterfeiting and superficial (re: counterfeit) relationships. It is about greed, survival, justice and morality. It is also about human beings using and laying to waste other human beings.
These powerful ingredients weave their way through a police procedural/action thriller plot that never stops to catch its breath and is pure cinema.
Willem Dafoe is totally engrossing as the film's villain, while William Peterson delivers a highly focused, tough turn. Dean Stockwell is also a stand-out as a crook lawyer and real cop Jack Hoar is quietly spectacular as Dafoe's mule.
And the film boasts one unbelievable car chase that has not been equaled since.
But LIVE AND DIE is also a film that expertly marries the visual to the aural and depicts a part of Southern California that has not been so credibly depicted before.
Dynamite!