"The Driver" is a specialist in a rare business: he drives getaway cars in robberies. His exceptional talent prevented him from being caught yet. After another successful flight from the ... See full summary »
Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan. In Japan, ... See full summary »
Two cops in Los Angeles try to track down the vicious criminal Eric Masters. Then, one of them is killed by Masters and the other one swears revenge no matter what the cost. After that, the hunt becomes an ob- session and the law he once swore to uphold becomes meaningless to him. Written by
Harald Mayr <email@example.com>
William Friedkin specifically asked Wang Chung to NOT do a song titled "To Live and Die in LA," since he thought it would be too cheesy. Wang Chung went ahead and did the title track and played it for Friedkin, who changed his mind and loved the song. See more »
Jim Hart arrives at Lancaster early morning to stake-out Rick Master's warehouse. As he scans the area through binoculars he is visibly affected by the bitter cold. Once Jim jumps over the fence, Rick Master is seen hiding inside the empty trailer. Suggesting that Rick must have anticipated Jim Harts arrival and spent considerable time waiting in ambush, possibly through an entire night in bitter cold. See more »
Excellent pacing and effective marriage of action and music
Worthy of the director of "French Connection," the pace of this set- in-LA action thriller immediately draws the view in and never lets up. A car chase in the best traditions of "Bullitt" and of Friedkin's own "French Connection" is centers the action, but the motivation of a rogue agent obsessed with the death of his partner, and clearly with his own death, are well- and credibly- drawn. The most sympathetic character in the story is not one of the principals. It is a female informer. An ex-con at the mercy of those on both sides of the law, she is callously exploited by all. Her feelings for Agent Chance are more implied than explicit, but they are believable as is his indifference to her as a person. This riveting film never lets your attention wander. Thanks to Friedkin, we are told, we are given a credible ending to this taut, tightly- wound thriller. An under-exposed, under-appreciated work; excellent for the genre.
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