A bright assistant D.A. investigates a gruesome hatchet murder and hides a clue he found at the crime scene. Under professional threats and an attempt on his life, he goes on heartbroken because evidence point to the woman he still loves.
When a promised job for Texan Michael fails to materialise in Wyoming, Mike is mistaken by Wayne to be the hitman he hired to kill his unfaithful wife, Suzanne. Mike takes full advantage of... See full summary »
Lara Flynn Boyle
Two cops in Los Angeles try to track down the vicious criminal Eric Masters (Willem Dafoe). Then, one of them is killed by Masters and the other one swears revenge no matter what the cost. After that, the hunt becomes an ob- session and the law he once swore to uphold becomes meaningless to him. Written by
Harald Mayr <email@example.com>
A year after the film came out, John Pankow met an undercover NYPD cop in a coffee shop who told John that his panicking during the highway chase scene was a completely accurate and realistic response to such a situation. See more »
When Chance goes the wrong direction on the freeway in the big car chase scene, he's actually driving on the correct side and the rest of traffic is driving on the left side of the road. See more »
Despite a confusing (or irrelevant?) opening segment, To Live and Die in L.A. is an authentic and somewhat disturbing crime film. In fact, some of the film is so harrowing and caustic it evokes almost horror-like inspiration. As you might have heard by now, it involves one of the finest car chase scenes ever put to film.
The film follows a couple of Secret Service agents for the National Treasury as they try to track down a counterfeiter. As the movie rolls on, it becomes clear that these agents are pretty shady in the way they gleam information and that the ties between crime and justice are actually quite close. I know, it sounds like an obvious plot, but the editing, pacing, characters and twists are all pretty unexpected or original. It is not nearly as cliché as it sounds.
The downsides to the movie could be some of the aesthetic choices: the neon colors are sweet (I think) but some of the soundtrack is just too grating. You REALLY feel like you're hopped up on speed after hearing the main theme for too long. It's done by Wang Chung, but I think Tangerine Dream would've created something much more provocative. Oh well. Also, I felt like one or two characters' stories were not really concluded properly. There was a minor hang-nail or two left at the end.
But all in all, this is a solid film. Very inspired, very dark, simultaneously exciting and depressing. Seriously, this movie is way more intensely real than anything Tarantino has tried to do. It may not actually be more violent per say, but the violence itself it much more effective and the social ties are far more believable. This junk is scary.
24 of 30 people found this review helpful.
Was this review helpful to you?