Phil and Kate have a baby boy named Jake. They hire a baby-sitter, Camilla, to look after Jake and she becomes part of the family. The Sterling's friend and neighbor, Ned, takes a liking to... See full summary »
A bright assistant D.A. investigates a gruesome hatchet murder and hides a clue he found at the crime scene. Under professional threats and an attempt on his life, he goes on heartbroken because evidence point to the woman he still loves.
Two cops in Los Angeles try to track down the vicious criminal Eric Masters (Willem Dafoe). Then, one of them is killed by Masters and the other one swears revenge no matter what the cost. After that, the hunt becomes an ob- session and the law he once swore to uphold becomes meaningless to him. Written by
Harald Mayr <email@example.com>
William Friedkin, in his memoir "The Friedkin Connection," says that the fake money they made was so good that, after some of it left the set, he eventually heard from the Secret Service and a US Attorney. After he avoided a confrontation with them, Friedkin states, "When the film came out, there were news stories about people trying to make counterfeit money after seeing the step-by-step process in our film. I took some of the twenties, those printed on both sides of course, put them in my wallet, and spent them, in restaurants, shoe-shine parlors, and elsewhere. The money was that good." See more »
When Masters is carving the plates to make the counterfeit $20 bills, the plates are not reversed. The plates he made would print mirror image bills. See more »
Eric 'Rick' Masters:
You have my word you won't have to do the whole nickel.
What does that mean?
Eric 'Rick' Masters:
Grimes is the best lawyer in the state. It'll either be an appeal bond or a sentence reduction.
And the check is in the mail, and I love you, and I promise not to come in your mouth...
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To Live and Die in L.A. 20 years later, still fresh and authentic.
I saw To Live and Die in L.A. during its original theatrical release in the summer of 1985. I thought then it had the potential to eventually become regarded as one of the best cop films ever. Recently I watched it again on DVD. It absolutely holds up in every respect to its original verity and impact, and it undeniably should be regarded as one of the top ten movies of its genre, and in my opinion, one of the top two or three. What is so remarkable about William Friedkin's film is the uniformly excellent level of the performances of his cast. There is not a single portrayal on screen that is not, from first scene to last, dead on target. William Petersen as Richard Chance, an ambitious adrenaline-charged treasury agent who becomes totally obsessed with avenging his partner's murder and Willem Dafoe as Rick Masters, a fabulously wealthy yet sleazy and violent counterfeiter form the nucleus around which the film unfolds. Both actors are superb in their roles, but no less impressive is John Pankow as the new partner who approaches emotional meltdown as he gets drawn deeper and deeper into a web of illegality and violence stemming from Chance's single-minded pursuit of Masters. Also Dean Stockwell as a cynical mob lawyer in his glass tower office and John Turturro as a lowlife ex-con, each in their own way a lackey to Masters, deliver taut finely-etched portrayals that linger in the mind with their subtle impact, all the more remarkable for the relatively brief time they appear on screen. And the same can be said about Debra Feuer and Steve James in even briefer roles, Feuer as Masters' longtime girlfriend and James as a ghetto crime lord totally dependent on a constant supply of counterfeit twenty dollar bills from Masters. The richly detailed location shots within which the film's action flows, from Masters' BelAir mansion to the barrios of East Los Angeles, from Hollywood Boulevard performance art theaters to federal prison exercise yards is unflinchingly authentic, but never intrusive. And as a bonus to all this is a car chase that at least equals if not surpasses the one Friedkin directed in 1971's Best Picture Oscar winner, The French Connection.
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