To Live and Die in L.A. (1985)

User Rating:

7.0/10   

Director:

William Friedkin

Writers:

Gerald Petievich (novel)
William Friedkin (screenplay) ...

Release Date:

1 November 1985 (USA)

Genre:

Action | Crime | Drama | Thriller

Tagline:

The director of "The French Connection" is on the streets again!

Plot:

A fearless Secret Service agent will stop at nothing to bring down the counterfeiter who killed his partner.

Plot Keywords:

Secret Service | Murder | Revenge | Place Name In Title | Money

Awards:

3 wins

US TV Schedule:

Mon. Nov. 16

3:50 AM

MAX

Cast

William Petersen	...	Richard Chance (as William L. Petersen)
Willem Dafoe	...	Eric 'Rick' Masters
John Pankow	...	John Vukovich
Debra Feuer	...	Bianca Torres
John Turturro	...	Carl Cody
Darlanne Fluegel	...	Ruth Lanier
Dean Stockwell	...	Bob Grimes
Steve James	...	Jeff Rice
Robert Downey Sr.	...	Thomas Bateman (as Robert Downey)
Michael Greene	...	Jim Hart
Christopher Allport	...	Max Waxman
Jack Hoar	...	Jack
Valentin de Vargas	...	Judge Filo Cedillo (as Val DeVargas)
Dwier Brown	...	Doctor
Michael Chong	...	Thomas Ling

Runtime:

116 min | Germany:101 min (TV version)

Country:

USA

Language:

English | Arabic | Spanish

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby

Certification:

Finland:K-16 (cut) | Finland:K-18 (uncut) | Iceland:16 | Argentina:18 | Singapore:PG (cut) | Singapore:M18 | USA:R (certificate #27848) | Australia:R | France:-12 | Sweden:15 | UK:18 | West Germany:16 | Norway:18 (video premiere) (1987) | Norway:(Banned) (1986-2003) (cinema release)

Filming Locations:

6th Street Bridge, Los Angeles, California, USA

Company:

SLM Production Group

Trivia:

The prison scenes were shot in the San Luis Obispo Penitentiary and real prison inmates were used as extras.

Goofs:

Plot holes: After breaking into Masters' secret country hideout by breaking the outer gate's padlock with a bolt cutter, Chance and his fellow cops encounter another padlock, this time on a warehouse door. But instead of using the bolt cutter this time, Chance fires his revolver at the lock. Although this breaks the lock, why did he risk the danger of a bullet ricochet instead of using the bolt cutter again?

Quotes:

Richard Chance: [noticing a 'Do Not Enter - Wrong Way' street sign] We're going this way!

Movie Connections:

Featured in Los Angeles Plays Itself (2003)

Soundtrack:

The Conductor Wore Black

Shamefully misunderstood by the critics

One of the very best films of the 1980s this was shamefully neglected and misunderstood by the critics. The problem is: on the surface it's just like an ordinary action crime thriller (and thus won't appeal to the arthouse crowd), except that it makes it difficult to identify yourself with any of the characters. In other words: it violates its genre rules. But this very fact makes it so unpredictable and thrilling, and a proper movie as opposed to a mere genre clone.

The good guys are flawed. This isn't really new, since the mid 1960s there were plenty of flawed heroes in Westerns or police thrillers. The difference is that not only their characters are flawed, they are vulnerable, destructible, they make mistakes. And they pay for their mistakes. Similarly the villains: yes, they are formidable and glamorous, but they are not in the league of the Blofelds or Sentenzas of moviedom. They make mistakes too. And they pay too.

A surprising asset is the film music by Wang Chung, a one-hit-wonder pop obscurity of the era. Their sound perfectly melts with the cinematography, especially in the stylish opening sequence.