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A disillusioned assassin accepts one last hit in hopes of using his earnings to restore vision to a singer he accidentally blinded, only to be double-crossed by his boss.
Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan. In Japan, ... See full summary »
After training with his mentor, Batman begins his war on crime to free the crime-ridden Gotham City from corruption that the Scarecrow and the League of Shadows have cast upon it.
A New York City architect becomes a one-man vigilante squad after his wife is murdered by street punks in which he randomly goes out and kills would-be muggers on the mean streets after dark.
Director:
Michael Winner
Stars:
Charles Bronson,
Hope Lange,
Vincent Gardenia
A retired CIA agent travels across Europe and relies on his old skills to save his estranged daughter, who has been kidnapped while on a trip to Paris.
Two cops in Los Angeles try to track down the vicious criminal Eric Masters. Then, one of them is killed by Masters and the other one swears revenge no matter what the cost. After that, the hunt becomes an ob- session and the law he once swore to uphold becomes meaningless to him. Written by
Harald Mayr <marvin@bike.augusta.de>
A year after the film came out, John Pankow met an undercover NYPD cop in a coffee shop who told John that his panicking during the highway chase scene was a completely accurate and realistic response to such a situation. See more »
Goofs
The opening scene says December 20 at 1410 hours (2:10 p.m), which is about two hours before the shortest day of the year, yet the shadows and the sun's position makes it more like noon in the summertime. See more »
Quotes
Richard Chance:
[to Vukovich]
You ain't my partner! You ain't even my fucking friend. In fact, let me give you a little piece of advice: you better get your ass into protection, baby! Because you ain't shit on the streets! You understand that? You ain't got the nuts! Kiss my ass! Pussy motherfucker!
See more »
In Los Angeles, the secret agent Richard Chance (William L. Petersen) loses his partner and friend Jim Hart (Michael Greene) in an investigation of counterfeit, two days before the retirement of Jim. The agent John Vukovich (John Pankow) is assigned to work with Chance, who is obsessed to capture Eric 'Rick' Masters (Willem Dafoe), the criminal responsible for the death of Jim. Chance risks his partner and his own career, trying to arrest Rick.
"To Live and Die in L.A" is an excellent non-stop action movie, having an excellent pacing and being a politically incorrect police story. All the characters are amoral, dirty and sordid, and it is impossible to feel sympathy for any of them. There are excellent scenes, such as the car chase in the streets of Los Angeles, or the surprising lethal shooting in the end of the story. The DVD shows a commercial alternative ending of the story, fortunately not accepted by the director William Friedkin. The unpredictable and credible end as it is makes the great difference of this outstanding movie. My vote is eight.
Title (Brazil): "Viver e Morrer em Los Angeles" ("To Live and Die in Los Angeles")
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In Los Angeles, the secret agent Richard Chance (William L. Petersen) loses his partner and friend Jim Hart (Michael Greene) in an investigation of counterfeit, two days before the retirement of Jim. The agent John Vukovich (John Pankow) is assigned to work with Chance, who is obsessed to capture Eric 'Rick' Masters (Willem Dafoe), the criminal responsible for the death of Jim. Chance risks his partner and his own career, trying to arrest Rick.
"To Live and Die in L.A" is an excellent non-stop action movie, having an excellent pacing and being a politically incorrect police story. All the characters are amoral, dirty and sordid, and it is impossible to feel sympathy for any of them. There are excellent scenes, such as the car chase in the streets of Los Angeles, or the surprising lethal shooting in the end of the story. The DVD shows a commercial alternative ending of the story, fortunately not accepted by the director William Friedkin. The unpredictable and credible end as it is makes the great difference of this outstanding movie. My vote is eight.
Title (Brazil): "Viver e Morrer em Los Angeles" ("To Live and Die in Los Angeles")