| Karen Meagher | ... | Ruth Beckett | |
| Reece Dinsdale | ... | Jimmy Kemp | |
| David Brierly | ... | Mr. Kemp (as David Brierley) | |
| Rita May | ... | Mrs. Kemp | |
| Nicholas Lane | ... | Michael Kemp | |
| Jane Hazlegrove | ... | Alison Kemp | |
| Henry Moxon | ... | Mr. Beckett | |
| June Broughton | ... | Mrs. Beckett | |
| Sylvia Stoker | ... | Granny Beckett | |
| Harry Beety | ... | Clive Sutton | |
| Ruth Holden | ... | Marjorie Sutton | |
| Ashley Barker | ... | Bob | |
| Michael O'Hagan | ... | Chief Supt. Hirst | |
| Phil Rose | ... | Medical Officer | |
| Steve Halliwell | ... | Information Officer | |
| Brian Grellis | ... | Accommodation Officer | |
| Peter Faulkner | ... | Transport Officer | |
| Anthony Collin | ... | Food Officer | |
| Michael Ely | ... | Scientific Advisor | |
| Sharon Baylis | ... | Manpower Officer | |
| David Stutt | ... | Works Oficer | |
| Phil Askham | ... | Mr. Stothard | |
| Anna Seymour | ... | Mrs. Stothard | |
| Fiona Rook | ... | Carol Stothard | |
| Christine Buckley | ... | Woman in Supermarket | |
| Joe Belcher | ... | Shopkeeper | |
| David Major | ... | Boy in Supermarket | |
| Maggie Ford | ... | Peace Speaker | |
| Mike Kay | ... | Trade Unionist | |
| Richard Albrecht | ... | Officer at Food Depot | |
| Ted Beyer | ... | Policeman | |
| Dean Williamson | ... | Policeman | |
| Joe Holmes | ... | Mr. Langley | |
| Andy Fenn-Rodgers | ... | Patrol Officer | |
| Graham Hill | ... | Soldier | |
| Nigel Collins | ... | Soldier | |
| Jerry Read | ... | Looter (as Jerry Ready) | |
| Dennis Conlon | ... | Looter | |
| Greta Dunn | ... | Woman at Hospital | |
| Nat Jackley | ... | Old Man in Graveyard | |
| John Livesey | ... | Street Trader | |
| Victoria O'Keefe | ... | Jane | |
| Lee Daley | ... | Spike | |
| Marcus Lund | ... | Gaz | |
| Lesley Judd | ... | Newscaster | |
| Colin Ward-Lewis | ... | Newscaster | |
| Paul Vaughan | ... | Narrator | |
| rest of cast listed alphabetically: | |||
| Patrick Allen | ... | Public Information Film Announcer (uncredited) | |
| Ed Bishop | ... | US President (voice) (uncredited) | |
| Lee Cambell | ... | Dead Boy Under Gate (uncredited) | |
| Ingrid P. Frehley | ... | Woman with Dead Baby (uncredited) | |
| Anne Sellors | ... | Woman Who Urinates Herself (uncredited) | |
| Michael Shale | ... | Man who has leg amputated (uncredited) | |
Directed by | |||
| Mick Jackson | |||
Writing credits(in alphabetical order) | ||
| Barry Hines | ||
Produced by | |||
| Mick Jackson | .... | producer | |
| Graham Massey | .... | executive producer | |
| John Purdie | .... | executive producer | |
| Peter Wolfes | .... | associate producer | |
Cinematography by | |||
| Andrew Dunn | |||
| Paul Morris | |||
Film Editing by | |||
| Donna Bickerstaff | |||
| Jim Latham | |||
Production Design by | |||
| Christopher Robilliard | |||
Costume Design by | |||
| Sally Nieper | |||
Makeup Department | |||
| Carol Gibbs | .... | makeup assistant | |
| Derek Lloyd | .... | makeup assistant | |
| Jan Nethercot | .... | makeup designer | |
| John Humphreys | .... | burn effects (uncredited) | |
Production Management | |||
| Matthew Kuipers | .... | production manager | |
| Jacinta Peel | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Pennie Bloomfield | .... | third assistant director | |
Art Department | |||
| Andy Coward | .... | graphic designer | |
| Dorothy Elliott | .... | prop buyer | |
Sound Department | |||
| John Hale | .... | dubbing mixer | |
| Graham Ross | .... | sound recordist | |
| Simon Muir | .... | assistant dubbing mixer (uncredited) | |
| Martin Simpson | .... | assistant dubbing mixer (uncredited) | |
Visual Effects by | |||
| Graham Brown | .... | visual effects assistant | |
| Peter Wragg | .... | visual effects | |
Stunts | |||
| Dorothy Ford | .... | stunts | |
Other crew | |||
| Eric Alley | .... | programme advisor | |
| Pennie Bloomfield | .... | assistant floor manager | |
| Duncan Campbell | .... | programme advisor | |
| Eric Chivian | .... | scientific advisor | |
| John Coggle | .... | programme advisor (as Dr. John Coggle) | |
| George Crossley | .... | scientific advisor | |
| John Dawson | .... | programme advisor (as Dr. John Dawson) | |
| Elizabeth Downie | .... | production assistant | |
| John Erikson | .... | scientific advisor | |
| Peter Goodwin | .... | scientific advisor | |
| David Holloway | .... | programme advisor (as Dr. David Holloway) | |
| Arthur Katz | .... | programme advisor (as Dr. Arthur Katz) | |
| Robert Jay Lifton | .... | scientific advisor (as Robert J. Lifton) | |
| Alan Longman | .... | scientific advisor | |
| Michael McElroy | .... | scientific advisor | |
| Simon Moorhead | .... | assistant floor manager | |
| Norman Myers | .... | scientific advisor | |
| Wendy Plowright | .... | production assistant | |
| George Rathjens | .... | scientific advisor | |
| Joseph Rotblat | .... | programme advisor (as Prof. Joseph Rotblat) | |
| Carl Sagan | .... | scientific advisor | |
| Philip Steadman | .... | scientific advisor | |
| Richard Turco | .... | scientific advisor | |
| George Woodwell | .... | scientific advisor | |
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| The Day After | Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb | Defiance | Gone with the Wind | Five |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
I've always said that no film can really scare you as an adult as films scared you when you were a kid. My benchmark for that being watching 'The Omen' on video when i was about 13, nothing has ever quite lived up to it in the effect it had on me.
Rewatching 'Threads' a while back makes me change my mind.
I remember first seeing it in Ireland on the BBC when I guess i was about 14. Even in Ireland, a neutral country, anxiety about nuclear war was a big thing when we were kids in the 80's.
'Threads' does really get to you, its very unsettling and disturbing. Unlike fictional horror films, 'Threads' is hugely different in one respect - it's real. This is what would happen, you can't distance yourself by saying it's make believe. There are still thousands of nuclear weapons armed and primed to be launched within minutes, 24 hours a day, everyday. Now we even have a country, the US, that says it's ready to use them, even if no one else does first.
Rewatching it, the dated production values don't detract from the film's power. It seems to bring the film even closer to the ordinary and the everyday. It's the film's ordinariness that makes it so viscerally disturbing - Hollywood special effects would at least have allowed you to distance yourself from it somewhat. In fact the film is more realistic for not having them. Someone else mentioned the scene of the woman in the shopping centre urinating where she stood out of pure terror as she sees the bomb go off a mile or two away from her - thats the scene that stayed with me the most too.
Its depressing to think in 2004 we are living in a world where politicians are again talking about 'winnable' wars using nuclear weapons. In many things in life you get a second chance if you make mistakes, I don't think nuclear weapons use will give us the luxury of finding out afterwards was it all worth it. Watch "Threads' and see if you think 'winnable' nuclear war is something you want to give yourself or your children.