| Photos (see all 9 | slideshow) |
| Karen Meagher | ... | Ruth Beckett | |
| Reece Dinsdale | ... | Jimmy Kemp | |
| David Brierly | ... | Mr. Kemp (as David Brierley) | |
| Rita May | ... | Mrs. Kemp | |
| Nicholas Lane | ... | Michael Kemp | |
| Jane Hazlegrove | ... | Alison Kemp | |
| Henry Moxon | ... | Mr. Beckett | |
| June Broughton | ... | Mrs. Beckett | |
| Sylvia Stoker | ... | Granny Beckett | |
| Harry Beety | ... | Clive Sutton | |
| Ruth Holden | ... | Marjorie Sutton | |
| Ashley Barker | ... | Bob | |
| Michael O'Hagan | ... | Chief Supt. Hirst | |
| Phil Rose | ... | Medical Officer | |
| Steve Halliwell | ... | Information Officer | |
| Brian Grellis | ... | Accommodation Officer | |
| Peter Faulkner | ... | Transport Officer | |
| Anthony Collin | ... | Food Officer | |
| Michael Ely | ... | Scientific Advisor | |
| Sharon Baylis | ... | Manpower Officer | |
| David Stutt | ... | Works Oficer | |
| Phil Askham | ... | Mr. Stothard | |
| Anna Seymour | ... | Mrs. Stothard | |
| Fiona Rook | ... | Carol Stothard | |
| Christine Buckley | ... | Woman in Supermarket | |
| Joe Belcher | ... | Shopkeeper | |
| David Major | ... | Boy in Supermarket | |
| Maggie Ford | ... | Peace Speaker | |
| Mike Kay | ... | Trade Unionist | |
| Richard Albrecht | ... | Officer at Food Depot | |
| Ted Beyer | ... | Policeman | |
| Dean Williamson | ... | Policeman | |
| Joe Holmes | ... | Mr. Langley | |
| Andy Fenn-Rodgers | ... | Patrol Officer | |
| Graham Hill | ... | Soldier | |
| Nigel Collins | ... | Soldier | |
| Jerry Read | ... | Looter (as Jerry Ready) | |
| Dennis Conlon | ... | Looter | |
| Greta Dunn | ... | Woman at Hospital | |
| Nat Jackley | ... | Old Man in Graveyard | |
| John Livesey | ... | Street Trader | |
| Victoria O'Keefe | ... | Jane | |
| Lee Daley | ... | Spike | |
| Marcus Lund | ... | Gaz | |
| Lesley Judd | ... | Newscaster | |
| Colin Ward-Lewis | ... | Newscaster | |
| Paul Vaughan | ... | Narrator | |
| rest of cast listed alphabetically: | |||
| Patrick Allen | ... | Public Information Film Announcer (uncredited) | |
| Ed Bishop | ... | US President (voice) (uncredited) | |
| Lee Cambell | ... | Dead Boy Under Gate (uncredited) | |
| Anne Sellors | ... | Woman who urinates herself (uncredited) | |
| Michael Shale | ... | Man who has leg amputated (uncredited) | |
Directed by | |||
| Mick Jackson | |||
Writing credits(in alphabetical order) | ||
| Barry Hines | writer | |
Produced by | |||
| Mick Jackson | .... | producer | |
| Graham Massey | .... | executive producer | |
| John Purdie | .... | executive producer | |
| Peter Wolfes | .... | associate producer | |
Cinematography by | |||
| Andrew Dunn | |||
| Paul Morris | |||
Film Editing by | |||
| Donna Bickerstaff | |||
| Jim Latham | |||
Costume Design by | |||
| Sally Nieper | |||
Makeup Department | |||
| Carol Gibbs | .... | makeup assistant | |
| Derek Lloyd | .... | makeup assistant | |
| Jan Nethercot | .... | makeup designer | |
| John Humphreys | .... | burn effects (uncredited) | |
Production Management | |||
| Matthew Kuipers | .... | production manager | |
| Jacinta Peel | .... | production manager | |
Art Department | |||
| Andy Coward | .... | graphic designer | |
| Dorothy Elliott | .... | prop buyer | |
Sound Department | |||
| John Hale | .... | dubbing mixer | |
| Graham Ross | .... | sound recordist | |
| Simon Muir | .... | assistant dubbing mixer (uncredited) | |
| Martin Simpson | .... | assistant dubbing mixer (uncredited) | |
Visual Effects by | |||
| Peter Wragg | .... | visual effects | |
Stunts | |||
| Dorothy Ford | .... | stunts | |
Other crew | |||
| Eric Alley | .... | programme advisor | |
| Pennie Bloomfield | .... | assistant floor manager | |
| Duncan Campbell | .... | programme advisor | |
| Eric Chivian | .... | scientific advisor | |
| Dr. John Coggle | .... | programme advisor | |
| George Crossley | .... | scientific advisor | |
| Dr. John Dawson | .... | programme advisor | |
| Elizabeth Downie | .... | production assistant | |
| John Erikson | .... | scientific advisor | |
| Peter Goodwin | .... | scientific advisor | |
| Dr. David Holloway | .... | programme advisor | |
| Dr. Arthur Katz | .... | programme advisor | |
| Robert J. Lifton | .... | scientific advisor | |
| Alan Longman | .... | scientific advisor | |
| Michael McElroy | .... | scientific advisor | |
| Simon Moorhead | .... | assistant floor manager | |
| Norman Myers | .... | scientific advisor | |
| Wendy Plowright | .... | production assistant | |
| George Rathjens | .... | scientific advisor | |
| Joseph Rotblat | .... | programme advisor (as Prof. Joseph Rotblat) | |
| Carl Sagan | .... | scientific advisor | |
| Philip Steadman | .... | scientific advisor | |
| Richard Turco | .... | scientific advisor | |
| George Woodwell | .... | scientific advisor | |
|
|
|
|
|
| The Day After | Five | Shelter | The War Game | Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb UK section | Add this title to MyMovies |
Words can't describe how this movie affected me in 1985, but I'll try. I happened upon a presentation of "Threads" when I was about 11 years old. As a Navy family, we were stationed in Washington D.C. After viewing it, I was frightened to the point of vomiting. I had nightmares for weeks. The world was a very unstable place at the time with a Soviet government that seemed to change monthly.
The cast does an admirable job here. Dialog is kept to a damaging minimum. There is no soundtrack other than screams of misery and explosions. Very effective. While you can't compare a TV production, there is effective use of stock footage. The interspersed scientific facts regarding the aftermath punctuate the film brilliantly.
While other films about the same topic, like "The Day After" and Testament", were reasonably effective in their messages, I think they failed where "Threads" succeeded. In the aforementioned films, there's a glimmer of hope. In "Threads" there is no hope, only death, misery and dread.
I believe I saw "Threads" before the TV broadcast of "The Day After" because my reaction was one of slight indifference. After seeing Mick Jackson's and Barry Hines' work, "The Day After" is like a day at Disneyland. No film portrays the world on the brink and over the edge as effectively. Highly recommended.