| Photos (see all 7 | slideshow) |
| Emilio Estevez | ... | Mark Jennings | |
| Craig Sheffer | ... | Bryon Douglas | |
| Larry B. Scott | ... | Terry Jones | |
| Matthew Dudley | ... | Curly Shepard | |
| Jill Schoelen | ... | Angela Shepard | |
| Kim Delaney | ... | Cathy Carlson | |
| Barbara Babcock | ... | Mrs. Douglas | |
| Frank Howard | ... | M & M Carlson | |
| Morgan Freeman | ... | Charlie Woods | |
| Francis X. McCarthy | ... | Mr. Carlson (as Frank McCarthy) | |
| Diane Dorsey | ... | Mrs. Carlson | |
| Ramon Estevez | ... | Mike Chambers (as Ramon Sheen) | |
| David Miller | ... | Punk | |
| Steven Pringle | ... | Dirty Dave | |
| Robert Swan | ... | Smitty (as Bob Swan) | |
| John O'Brien | ... | Snob | |
| Paul M. Lane | ... | Paul (as Paul Lane) | |
| Brooks Gardner | ... | Tim Shepard | |
| Sharon Thomas | ... | Doctor | |
| Tom Walsh | ... | Police Officer | |
| rest of cast listed alphabetically: | |||
| Tony Shuster | ... | Man outside bookstore (uncredited) | |
Directed by | |||
| Christopher Cain | |||
Writing credits | ||
| S.E. Hinton | (novel) | |
| Emilio Estevez | (screenplay) | |
Original Music by | |||
| Bill Cuomo | |||
| Keith Olsen | |||
Cinematography by | |||
| Juan Ruiz Anchía | (as Juan Ruiz Anchia) | ||
Film Editing by | |||
| Ken Johnson | |||
Casting by | |||
| Penny Perry | |||
Art Direction by | |||
| Chester Kaczenski | |||
Set Decoration by | |||
| Victoria L. Hinton | |||
Costume Design by | |||
| Ann Wallace | |||
Makeup Department | |||
| Terra Andrews | .... | hair stylist | |
| Terra Andrews | .... | makeup artist | |
| Darcy Knight | .... | hair stylist | |
| Darcy Knight | .... | makeup artist | |
Production Management | |||
| Scott M. Rosenfelt | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Michael Kennedy | .... | second assistant director | |
| Robert J. Koster | .... | first assistant director (as Robert Koster) | |
Art Department | |||
| Clare M.S. Fishman | .... | property master | |
| Bill Gregg | .... | assistant property master | |
| Steve Korte | .... | assistant set decorator | |
| Douglas H. Leonard | .... | assistant art director | |
| Timothy J. Stark | .... | assistant set decorator | |
Sound Department | |||
| C.J. Appel | .... | dialogue editor | |
| Sandina Bailo-Lape | .... | dialogue editor (as Sandina Bailo) | |
| Mark Berger | .... | supervising re-recording mixer | |
| Jay Boekelheide | .... | supervising sound editor | |
| Karen Brocco | .... | assistant dialogue editor | |
| Gloria D'Alessandro | .... | assistant dialogue editor | |
| George Douglas | .... | stereo sound consultant: Dolby | |
| Eugene Finley | .... | supervising sound editor | |
| Vivien Hillgrove Gilliam | .... | dialogue editor (as Vivien Hillgrove-Gilliam) | |
| Phillip Kos | .... | apprentice dialogue editor (as Philip Kos) | |
| Drew Kunin | .... | production sound | |
| Michael Minkler | .... | sound re-recording mixer | |
| David Parker | .... | sound effects recordist | |
| Matthew Quast | .... | production sound | |
| Karen Spangenberg | .... | dialogue editor | |
| Stephen Sutter | .... | sound effects editor | |
| Stephen Sutter | .... | sound re-recording mixer | |
| Philip Rogers | .... | sound recordist (uncredited) | |
Stunts | |||
| Everett Creach | .... | stunts | |
| Vicki Creach | .... | stunts | |
| Eddie Hice | .... | stunts | |
| Wayne King | .... | stunts | |
| Paul M. Lane | .... | stunts (as Paul Lane) | |
| Shawn Lane | .... | stunts | |
| William T. Lane | .... | stunt coordinator (as Bill Lane) | |
| Shawn Lane | .... | assistant stunt coordinator (uncredited) | |
Camera and Electrical Department | |||
| Jamie Anderson | .... | assistant camera (as Jim Anderson) | |
| Scott Buttfield | .... | gaffer | |
| Tom Countryman | .... | camera car operator | |
| Tom Countryman | .... | crane operator | |
| Milo Durben | .... | grip (as Milo R. Durben) | |
| Dennis A. Frank | .... | best boy electric | |
| Dooley Grove | .... | dolly grip | |
| Mike Gulenchyn | .... | electrician (as Michael Gulenchyn) | |
| Craig Hanson | .... | electrician | |
| Victor Korte | .... | key grip | |
| Arthur Krauss | .... | first assistant camera | |
| Bruce Manning | .... | best boy grip | |
| Fredric Petters | .... | still photographer | |
| Jerry Pope | .... | second assistant camera | |
| Timothy M. Ryan | .... | grip | |
| J.R. Thompson | .... | assistant camera | |
| Lisa Van Dyke | .... | electrician | |
| Bill Zuehlke | .... | assistant camera | |
Casting Department | |||
| Sharon Selberg | .... | extras casting | |
Costume and Wardrobe Department | |||
| Lynn Arlt | .... | wardrobe assistant | |
| Rozi Graham | .... | wardrobe supervisor | |
| Corrine E. Zala | .... | wardrobe supervisor | |
Editorial Department | |||
| Vivian Hengsteler | .... | negative cutter | |
| Mark Lowrie | .... | associate editor | |
| Carolyn Olman | .... | post-production assistant | |
Music Department | |||
| Ken Johnson | .... | music editor | |
| Greg Fulginiti | .... | music engineer (uncredited) | |
Transportation Department | |||
| Dave Anderson | .... | driver | |
| Robert Benjamin | .... | transportation coordinator | |
| Michael Cain | .... | driver: Filmtrucks (as Michael E. Cain) | |
| Danielle Fredrickson | .... | transportation captain | |
| Jack Hager | .... | driver | |
| Lee Stanford | .... | picture car wrangler | |
| Recent Posts (updated daily) | User |
|---|---|
| gets a bad rap | lonniemac |
| The preview? | MrSnuffles |
| Filming Location Google Maps | niccarreira |
| Conversation I had in Choir | Ruby-Ella |
| Film Locations | pwmediadvd |
| Anyway to see. | movie_dude182 |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
....should have stayed as one of those things that are always on the back burner! You know, that one kooky dream that just never materializes? If that was the case, I could see giving good 'ole Emilio a pat on the head and saying "That's it kid...keep reaching for the stars! Someday...just someday...you'll make it"!
However, the sad fact is that Emilio made this movie. Hinton sold the rights, and that's OK. Emilio took the project and added his unique "brat-pack" qualities to it. So, the time frame is different. From 70's lifestyles to 80's. Crashpads to break dancing. Blue jeans to neon spandex. Harsh language is added. Mark and Bryon now swear like sailors.
I can't say anymore about this film because my head is starting to hurt and I'm afraid my brain will explode. The class I work with will be posting their replies soon, so I now give you their unjaded opinions.