A sobering mid-life crisis fuels dissatisfaction in Philip Dimitrius, to the extent where the successful architect trades his marriage and career in for a spiritual exile on a remote Greek ... See full summary »
Prospero, a potent magician, lives on a desolate isle with his virginal daughter, Miranda. He's in exile, banished from his duchy by his usurping brother and the King of Naples. Providence ... See full summary »
Exiled Prospero lives on a desolate island with his daughter, Miranda. When Prospero's usurping brother sails by the island, Prospero conjures a storm that wrecks the ship and changes all of their lives.
An exiled magician finds an opportunity for revenge against his enemies muted when his daughter and the son of his chief enemy fall in love in this uniquely structured retelling of the 'The... See full summary »
Prospero, Duke of Milan, usurped and exiled by his own brother, holds sway over an enchanted island. He is comforted by his daughter Miranda and served by his spirit Ariel and his deformed ... See full summary »
I have seldom seen such two-dimensional, amateurish acting. It's a waste of film and an insult to Shakespeare. In a village hall or as a primary school Christmas play it might just about be acceptable, but from professionals it's embarrassing.
Apparently I have to provide at least ten lines of comment, but I've said all that needs to be said and more than this travesty deserves. Everybody in it speaks with an utter lack of naturalism, as if they're trying to make the lines sound as artificial as possible. Every character is given a single note to strike, and all complexity excised; half the time the note is inappropriate, and many of the actors don't even achieve that. The idea that these sorry specimens could make a living as actors while talented people wait table for years before getting a break is sickening.
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