| Gene Hackman | ... | Walter Lloyd / Duncan (Duke) Potter | |
| Matt Dillon | ... | Chris Lloyd / Derek Potter | |
| Gayle Hunnicutt | ... | Donna Lloyd | |
| Randy Moore | ... | Tour Director | |
| Ilona Grübel | ... | Carla (as Ilona Grubel) | |
| Tomas Hnevsa | ... | Henke | |
| Jean-Pol Dubois | ... | Glasses | |
| Robert Ground | ... | Marine Sergeant | |
| Véronique Guillaud | ... | Secretary American Consulate | |
| Charlotte Bailey | ... | Receptionist | |
| James Selby | ... | Ross | |
| Ray Fry | ... | Mason | |
| Josef Sommer | ... | Taber | |
| Jacques Mignot | ... | Madison Hotel Clerk | |
| Robert Liensol | ... | Cafe Vendor | |
| Guy Boyd | ... | Clay | |
| Ullrich Haupt | ... | Older Agent | |
| Viktoriya Fyodorova | ... | Lise | |
| Werner Pochath | ... | Young Agent | |
| Catherine Rethi | ... | Nurse | |
| Richard Münch | ... | Colonel | |
| Jany Holt | ... | Proprietress Marie Louis Mansion | |
| Herbert Berghof | ... | Schroeder | |
| Jean-Pierre Stewart | ... | Ballard | |
| rest of cast listed alphabetically: | |||
| Dean Denton | ... | Airline Passenger (uncredited) | |
| Gabrielle Scharnitzky | ... | Check-In Agent (uncredited) | |
Directed by | |||
| Arthur Penn | |||
Writing credits(in alphabetical order) | ||
| Howard Berk | ||
| Don Petersen | ||
| Leonard Stern | story | |
Produced by | |||
| David Brown | .... | producer | |
| Richard D. Zanuck | .... | producer | |
Original Music by | |||
| Michael Small | |||
Cinematography by | |||
| Jean Tournier | |||
Film Editing by | |||
| Richard P. Cirincione | |||
| Stephen A. Rotter | |||
Casting by | |||
| Gene Lasko | |||
Production Design by | |||
| Willy Holt | |||
Set Decoration by | |||
| Gabriel Béchir | |||
Costume Design by | |||
| Marie-Françoise Perochon | |||
Makeup Department | |||
| Jean-Max Guérin | .... | hair stylist | |
| Paul Le Marinel | .... | makeup artist | |
Production Management | |||
| Claude Albouze | .... | unit manager | |
| Bernard Farrel | .... | production manager | |
| Uwe Petersen | .... | production manager: Germany | |
| William Watkins | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Gene Lasko | .... | second unit director | |
| Vincent Macheras | .... | second assistant director | |
| Alain Tasma | .... | first assistant director | |
Art Department | |||
| René Albouze | .... | property master | |
Sound Department | |||
| Bernard Bats | .... | sound mixer | |
| Richard Bats | .... | sound mixer | |
| Marko A. Costanzo | .... | foley artist | |
| Lee Dichter | .... | sound re-recording mixer | |
| Neil L. Kaufman | .... | sound editor | |
| Dan Lieberstein | .... | sound editor | |
| Peter Odabashian | .... | sound editor | |
| Paul Trejo | .... | sound editor | |
| Steven Visscher | .... | assistant sound editor | |
Special Effects by | |||
| René Albouze | .... | special effects | |
Stunts | |||
| Claude Carliez | .... | stunt coordinator | |
| Michel Carliez | .... | stunt double | |
| Jo Cote | .... | stunt double (as Joe Cote) | |
| Fred Culbertson | .... | stunt double | |
| Fabrice Houy | .... | stunt double (as Fabrice Huoy) | |
| Michel Julienne | .... | stunt coordinator | |
| Rémy Julienne | .... | stunt coordinator | |
| Gérard Moisan | .... | stunt double (as Gerard Moisan) | |
Camera and Electrical Department | |||
| Jean Fontanilles | .... | gaffer | |
| Etienne George | .... | still photographer | |
| Joachim Scholz | .... | electrician | |
| René Strasser | .... | key grip | |
Editorial Department | |||
| Richard Friedlander | .... | apprentice editor | |
| William Kruzykowski | .... | assistant editor | |
| William S. Scharf | .... | first assistant editor | |
Music Department | |||
| Clifford Carter | .... | musician: synthesizers (as Cliff Carter) | |
| Norman Hollyn | .... | music editor | |
| Sonny Kompanek | .... | orchestrator | |
| Robbie Kondor | .... | musician: synthesizers | |
| Jay Rifkin | .... | music engineer | |
Transportation Department | |||
| Fred Culbertson | .... | transportation coordinator | |
Other crew | |||
| Wayne Fitzgerald | .... | title designer | |
| Jacqueline Gamard | .... | script supervisor | |
| Gene Lasko | .... | special consultant | |
| Allen J. Schwalb | .... | financier | |
| Jette Sorensen | .... | production accountant | |
| Claudine Strasser | .... | script supervisor assistant | |
| Recent Posts (updated daily) | User |
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| Body of Lies | Eraser | The Quiet American | Mission: Impossible | The Interpreter |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
I'm a huge Gene Hackman fan and I remembered seeing this film many years ago and thinking it was quite cool, and when I saw the title in the paper again, I thought I would find out how right I was.
Well Hackman is once again excellent. He has such a natural and believable way about him in his roles that I find it hard not to be drawn into his character. He's definitely one of those actors who always plays himself, but it doesn't matter as his ability and style just carry it off without a thought. A truly great actor in my mind.
Matt Dillon is also very good, although his younger trademark look of startled deer is ever present.
The plot itself is a good one, in that Hackman plays Dillons father, a boring and very dull man with an equally dull job, in his sons eyes anyway. What quickly transpires is that he is not the speed limit sticking man that his son first thought, he is actually a ex CIA agent.
This change is done very well, with a short set piece in an airport. With the smallest of physical changes, Hackman flips from average father to confident and action ready agent. You can see it in his manner, and it shows his excellent capability as an actor.
The rest of the movie reveals the story as father and son are pulled deeper and deeper into his life, revealing the true extent of his agent activities. His son quickly realises that this is not the father he knew, and quickly grows from off-handedness to total rejection and then to acceptance again.
It is an interesting movie, and the plot is quite good with some interesting action sequences. Where it fails are some of the other actors and the hectic pace of the movie, it seems as though either in filming or editing that crucial parts of the movie have been missed or removed.
Big shame, but it is still good to watch for a Sunday afternoon movie. I think this may kick off my <i>watch every Gene Hackman movie</i> campaign.