In the 70's, eighteen year-old Maria Fabiani lives with her French mother Diane in an old house in Buenos Aires, subletting rooms and giving classes to illiterate adults in the slums. One ... See full summary »
A judge falls from the roof of the Federal Courthouse. A woman is murdered. Between them and the three sons of the judge there is a connection that will be investigated by a woman judge who... See full summary »
Short documentary by Gaspar Noé filmed around the the same time as Irréversible (in 16mm Scope), in which his friend Stéphane Drouot - director of the cult film Star Suburb - discusses life with AIDS and his struggles to make films.
Divided into three segments, namely 1 Neocolonialism, 2 Act for liberation, 3 Violence and liberation, the documentary lasts more than 4 hours this deals with the defense of the revolution ... See full summary »
Fernando E. Solanas
María de la Paz,
Fernando E. Solanas,
Sandrine dreams of becoming a singer in Paris but for the time being she is only a salesgirl at Tati's and lives in a second rate hotel under the careful eye of Ahmed, the night watchman. ... See full summary »
In the sorrow of exile, a group of Argentinians in Paris seek solace and connection to their culture by staging a set of tangos. The film alternates between their vibrant rehearsals and their circumscribed lives in low-rent apartments, underemployed, fitfully communicating with families back home, trying to make do with what they hope are only temporary arrangements in a foreign land. Written by
Being a branch on the Spanish film-making tree, Argentines have no problem with the idea of blending a show within a movie, to the world of the movie itself, and then to the world outside the movie in which the viewer lives.
I call this folding.
I came to this because I knew it had this quality. And that it had something else that fascinates me: dance. Filmed dance is one of the most intriguing problems for a filmmaker and rewarding for a viewer. I love it when it works.
Also, I discovered on viewing that it plays with a related notion: that you cannot really see something that you are part of. You have to be in a fold, removed a bit. And it has yet another notion that compels. Sex as movement, as choreographed caress between two people who have poise that comes from wisdom through grace or pain, usually a mix. Its not a typical Hispanic idea, and is unique to Argentina, a philosophy of embodiment that corresponds in a way to fine acting. This alone, this one idea alone can melt the cauterized heart, and when experienced in life or remembered in art is transforming.
Yes, this film has all these ideas in it. Probably, the filmmaker is one of those wonderful people to know, full of ideas that spill out in ways that don't matter. Any intelligent, or fully felt conversation on any of these ideas will be more valuable than this movie. In fact, that is yet another idea here, that real touch has no substitute. None at all.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
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