Sweet Dreams (1985)

Director:

Karel Reisz

Writer:

Robert Getchell (writer)

Release Date:

2 October 1985 (USA)

Genre:

Biography | Drama | Music

Plot:

Lange stunningly portrays Patsy Cline, the velvet-voiced country singer who died in a tragic plane crash. |

Plot Keywords:

Singer | Nostalgic | Fame | Songwriter | Career

Awards:

Nominated for Oscar.

Cast

Jessica Lange	...	Patsy Cline
Ed Harris	...	Charlie Dick
Ann Wedgeworth	...	Hilda Hensley
David Clennon	...	Randy Hughes
James Staley	...	Gerald Cline
Gary Basaraba	...	Woodhouse
John Goodman	...	Otis
P.J. Soles	...	Wanda
Terri Gardner	...	Old Singer
Caitlin Kelch	...	Sylvia
Robert L. Dasch	...	John
Courtney Parker	...	Older Julie
Coulton Edwards	...	Baby Randy
Holly Filler	...	Madrine
Bruce Kirby	...	Arthur Godfrey

Runtime:

115 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby

Certification:

Iceland:12 | Argentina:13 | Australia:M | Chile:14 | Finland:K-12 | France:U | Sweden:11 | USA:PG-13 | Canada:AA (Ontario)

Filming Locations:

Hollywood Center Studios - 1040 N. Las Palmas Avenue, Hollywood, Los Angeles, California, USA

Company:

Home Box Office (HBO)

Trivia:

At one point, Charlie asks Patsy what she's done all day and she responds, "I've been sipping champagne with Kirk Douglas". When the scene was filmed Jessica Lange actually said, "I've been sipping champagne with Rock Hudson", but Hudson was revealed to have had AIDS before the film was released and the producers thought a reference to him would be distracting.

Goofs:

Continuity: The object that Patsy cuts in the kitchen changes from a cake to a pie.

Quotes:

Hilda Hensley: Well, good morning.
Patsy Cline: Says who?
Hilda Hensley: Oh, for heavens sake girl, sit up and take nourishment. Charlie'll have his first leave in three weeks and you walk around with your lower lip draggin' the floor in front of you. You big bawl baby. I oughta fix you a sugar tit.

Movie Connections:

Referenced in "Jeopardy!: (#22.76)" (2005)

Soundtrack:

Cowcow Boogie

Memorable Performances Off-Set A Soaper Script

Reality is generally more complicated than any motion picture can possibly convey--and such is the case with SWEET DREAMS, the 1985 bio-pic of singer Patsy Cline, which ran into a firestorm of criticism at the time of its release. For Patsy Cline was not a figure from the remote past. She and her life were extremely well recalled by family, friends, and co-workers, and one and all attacked the film as an extremely inaccurate portrait of her, her husband Charlie, and her life and career.

To a certain extent, the validity of these complaints about the film are a matter of opinion. But it does seem likely that the script softened Cline's harder edges and over-emphasized the stormy nature of her marriage in order to cast her in the role of victim. What isn't opinion is the way the film treats her career: it didn't happen like that, and while the film presents her as a great star at the time of her death in truth she had released only a handful of widely distributed records by 1963--and while some of them were big hits, they weren't quite as big as you might think. Even the celebrated "Sweet Dreams" never made it to the top spot on any music chart, and it was not until well after her death that she received full recognition for her remarkable work.

So instead of truth, or even a good approximation of it, SWEET DREAMS gives us the legend, the folk tale of the rough-and-tumble girl with the big, emotional voice who came from no where, married an abusive husband, and leaped into stardom that was cut short by an untimely death. And as legend, the film works very well.

The weak point of the film is the script, which plays largely to a "domestic drama" aspect and tends to smooth out the characters in a "santized for your protection" sort of way. The direction and cinematography are no great shakes either, and ultimately SWEET DREAMS looks very much like a made-for-television movie. But the cast carries it off in fine style. Jessica Lang looks no more like Patsy Cline than I do, and her lip-scynchs to Cline's work is rather hit-and-miss, but she gives a truly memorable performance; Ed Harris equals her in the role of husband Charlie, and together they create a synergy that has tremendous power. The supporting cast is also quite good, with Ann Wedgeworth a standout in the role of Cline's mother Hilda.

And then there is that soundtrack. Even if you've heard all these songs a thousand times, they're still worth hearing again. Patsy Cline was truly an amazing artist. But the film does something odd with them: the bulk of the story is set during the 1950s, but there is not a 1950s-era Cline vocal to be heard in the entire film, everything is taken from her glory years at MCA between 1960 and 1963. And very often it seemed to me that the original scoring of Cline's songs had been replaced with new arrangements.

And that, ultimately, is rather typical of the film as a whole. Just a little change here, just a little inaccuracy there, and while they all seem slight individually, they add up to a fairly significant distortion collectively. The performances make it worth watching, and they bring it in at a solid four stars. But if you're expecting anything more than the glossy legend of Patsy Cline, you won't find it here.

Gary F. Taylor, aka GFT, Amazon Reviewer