While taking a holiday in the country with his mother, Dennis hits on a scheme to impress a girl so that she'll go away on a trip with him as his girlfriend. Although he fails to gain any ...
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A series of self contained TV films starring performers from London's "Comic Strip" comedy club and their friends. Noted for a high sense of parody of previous films, literature, and generally everyone in sight.
Alex is a disgruntled waitress at a snobby exclusive restaurant who falls on hard times. Forced to deal with the contempt and disgust of the upper class, Alex & cohorts attempt to go on a ... See full summary »
Richie buys an inflatable doll named Monica as his lover, and he tries to conceal it from Eddie. But it all goes terribly wrong when Richie accidentally super glues Monica to his groin, mistaking Eddie's super glue for Handcream.
A Victorian era scientist and his assistant take a test run in their Iron Mole drilling machine and end up in a strange underground labyrinth ruled by a species of giant telepathic bird and full of prehistoric monsters and cavemen.
While taking a holiday in the country with his mother, Dennis hits on a scheme to impress a girl so that she'll go away on a trip with him as his girlfriend. Although he fails to gain any interest from the girl, the police take a great interest in his story. From this point on, Dennis digs a deeper hole for himself at every turn. Written by
Simon Rowell <firstname.lastname@example.org>
A lot of 'alternative' comedy in Britain in the 1980s was insular, misguided, overly-political, and unfunny, and the worst of the Comic Strip Presents... stuff fell into this category.
But this is at the other end - a remarkable film that works on different intellectual levels.
Is Dennis a criminal mastermind or is he lying?
Is he telling the truth, bluffing, double-bluffing, counter-doubly-bubbly-bluffingwhatever?
I've probably watched Supergrass 20 or 30 times, and I still can't decide 100%. That's the wonderful thing.
As well as Ade Edmonson, there are big roles for other early Comic Strip mainstays - French & Saunders, Pete Richardson, Alexei Sayle, Keith Allen, Nigel Planer and Robbie Coltrane, though curiously enough not Rik Mayall.
All of the Comic Strip cast - however much I disliked the hidden agenda of some of their members - are convincing actors, and turn in superb performances in this big-screen outing, while the Richardson-Richens writing team's work is so often pure genius, with nice little touches of detail throughout.
Ultimately this is a study of crime, criminology and human nature, in all it's wondrous complexity. And very funny with it. You will not be disappointed.
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