Fred is living in the Paris Metro system. He is blackmailing Helena, whose safe he has robbed. Fred has various 'friends' all living in this sureal setting. The Roller is a rollerskating ... See full summary »
A tale about a strange young man, Bulcsú, the fellow inspectors on his team, all without exception likeable characters, a rival ticket inspection team, and racing along the tracks... And a tale about love.
Ricky is released from a mental hospital, and knows exactly what he wants to do. He hunts down Marina, a porn film star he once had sex with, and tries to convince her to be his wife. She ... See full summary »
Martin Blank is a professional assassin. He is sent on a mission to a small Detroit suburb, Grosse Pointe, and, by coincidence, his ten-year high school reunion party is taking place there at the same time.
The second part of Aki Kaurismäki's "Finland" trilogy, the film follows a man who arrives in Helsinki and gets beaten up so severely he develops amnesia. Unable to remember his name or ... See full summary »
A disillusioned killer embarks on his last hit but first he has to overcome his affections for his cool, detached partner. Thinking it's dangerous and improper to become involved with a ... See full summary »
Fred is living in the Paris Metro system. He is blackmailing Helena, whose safe he has robbed. Fred has various 'friends' all living in this sureal setting. The Roller is a rollerskating bag snatcher and Big Bill is a 'strongman'. The blackmail and Freds relationship with Helena and her heavies make up the bulk of the plot but on the side are Freds attempts to start a band using buskers from the Metro. Written by
Matthew Stanfield <email@example.com>
How can I keep on smiling at their disguise? When I know nothing good ever comes from lies. My heart is no beginner. But still, I can lose my temper. Yeah. How can we keep on watching that fuckin' TV? We're so bored, we don't even care what we see. Takes our strength away. And never, never shows us the way. No. But I think I know the answer. It's only mystery and I like it.
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When I first saw this movie I was magnetized by its unique atmosphere. Luc Besson created amazing out-of-genre movie. "Subway" inherits traditions of european films of the 70-ies and has something new and magnetic at the same time; and it is certainly Besson's most european film. Maybe it is the reason of it's not so high ratings by american critique. Strange, but Lambert's early and best roles in "Subway" and Marco Ferreri's "I love you" are crossed out by his later films. Talking about "Subway", this movie stands in a row of other films of the middle and the end of the 80-ies that were last before the sunset of european cinematograph and the wind of pan-american influence. And although many american movies are real masterpieces, two traditions can't be mixed. This is one of those cult films that create amazing style that can't be repeated. And although I find "Leon", "Nikita" and "5th element" really good movies, they all were commercial projects. And "Subway"... well, who saw it, they will understand. And maybe not. 10 out of 10.
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