Fred is living in the Paris Metro system. He is blackmailing Helena, whose safe he has robbed. Fred has various 'friends' all living in this sureal setting. The Roller is a rollerskating ... See full summary »
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A tale about a strange young man, Bulcsú, the fellow inspectors on his team, all without exception likeable characters, a rival ticket inspection team, and racing along the tracks... And a tale about love.
Director:
Nimród Antal
Stars:
Sándor Csányi,
Zoltán Mucsi,
Csaba Pindroch
A police officer leaves the force in the face of harrowing personal and professional difficulties. Spiraling into a depression he makes questionable decisions.
Ricky is released from a mental hospital, and knows exactly what he wants to do. He hunts down Marina, a porn film star he once had sex with, and tries to convince her to be his wife. She ... See full summary »
Director:
Pedro Almodóvar
Stars:
Victoria Abril,
Antonio Banderas,
Loles León
The second part of Aki Kaurismäki's "Finland" trilogy, the film follows a man who arrives in Helsinki and gets beaten up so severely he develops amnesia. Unable to remember his name or ... See full summary »
Director:
Aki Kaurismäki
Stars:
Markku Peltola,
Kati Outinen,
Juhani Niemelä
Martin Blank is a professional assassin. He is sent on a mission to a small Detroit suburb, Grosse Pointe, and, by coincidence, his ten-year high school reunion party is taking place there at the same time.
In this dark satire, a film crew follows a ruthless thief and heartless killer as he goes about his daily routines. But complications set in when the film crew loses their abjectness and begin lending a hand.
Fred is living in the Paris Metro system. He is blackmailing Helena, whose safe he has robbed. Fred has various 'friends' all living in this sureal setting. The Roller is a rollerskating bag snatcher and Big Bill is a 'strongman'. The blackmail and Freds relationship with Helena and her heavies make up the bulk of the plot but on the side are Freds attempts to start a band using buskers from the Metro. Written by
Matthew Stanfield <mattst@cogs.susx.ac.uk>
Fred:
Why do I love you?
Héléna:
Because I'm an amazing woman.
Fred:
Why don't you love me?
Héléna:
Because I don't have the guts.
Fred:
Are you lazy?
Héléna:
Terribly.
Fred:
Who does the cooking at your house?
Héléna:
The cook.
Fred:
And the housework?
Héléna:
The housekeeper.
[...] See more »
It would be difficult to describe "Subway." Fortunately, I threw it into the DVD player knowing only who directed it, who starred in it, and that it was set in the Paris Metro. Maybe that was a plus for me, since I had no idea where the serpentine, if occasionally silly, plot was going. Suffice it to say that Christophe Lambert is chased into the Paris Metro, clutching some files that Isabelle Adjani is desperate to get her hands on. Of course, there's a romance with them, and a number of supporting characters--a roller skating purse snatcher, a smart cop, a dumb cop, a philosophical flower vendor, etc. Like many Luc Besson films, this one is over the top from the get-go, a crazy ride to nowhere, surreal, perhaps, but a bit obtuse at times with its eye-rolling symbolism. But it's fun, especially the excessive 80s look of the costumes and hairstyles, and Eric Serra's synth-and-bass-heavy soundtrack. Between Lambert and Adjani, I have to reserve all the praise for the lady, who deliciously scores with superb comic timing.
17 of 18 people found this review helpful.
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It would be difficult to describe "Subway." Fortunately, I threw it into the DVD player knowing only who directed it, who starred in it, and that it was set in the Paris Metro. Maybe that was a plus for me, since I had no idea where the serpentine, if occasionally silly, plot was going. Suffice it to say that Christophe Lambert is chased into the Paris Metro, clutching some files that Isabelle Adjani is desperate to get her hands on. Of course, there's a romance with them, and a number of supporting characters--a roller skating purse snatcher, a smart cop, a dumb cop, a philosophical flower vendor, etc. Like many Luc Besson films, this one is over the top from the get-go, a crazy ride to nowhere, surreal, perhaps, but a bit obtuse at times with its eye-rolling symbolism. But it's fun, especially the excessive 80s look of the costumes and hairstyles, and Eric Serra's synth-and-bass-heavy soundtrack. Between Lambert and Adjani, I have to reserve all the praise for the lady, who deliciously scores with superb comic timing.