Fred is living in the Paris Metro system. He is blackmailing Helena, whose safe he has robbed. Fred has various 'friends' all living in this sureal setting. The Roller is a rollerskating ...
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Fred is living in the Paris Metro system. He is blackmailing Helena, whose safe he has robbed. Fred has various 'friends' all living in this sureal setting. The Roller is a rollerskating bag snatcher and Big Bill is a 'strongman'. The blackmail and Freds relationship with Helena and her heavies make up the bulk of the plot but on the side are Freds attempts to start a band using buskers from the Metro. Written by
Matthew Stanfield <email@example.com>
Besson... or pre-Besson... only the name fit right already... anyone who sees the movie can feel that its director was aiming for higher points... all the movie (if you catch it in its widescreen edition) is filmed geometrically and Besson uses all the length of the field to capture emotions, moments, visions in a film that refuses to take itself seriously, and only wants to amuse people... if you're looking for the typical Besson movie, watch this one: style-breathing, visionary, gripping and good-humored. Eric Serra's score reflects perfectly not only all an atmosphere but also the evolution of a partnership between director and composer. Check out the way the film starts and never stops. I never saw a movie which reflected so perfectly an intense, artificial atmosphere, and a so vivid characterization of the labyrinths society can create and the sub-creatures that can live inside it... I wish I was French and that I was born 10 years earlier, so that I could live more of this movie when it came out, as well as all the movies by Besson. Oh well, I'll stick to reality and marvel at this finely crafted movie, which I never get tired of. 9 out of 10!!!
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