A delicious, mysterious goo that oozes from the earth is marketed as the newest dessert sensation. But the tasty treat rots more than teeth when zombie-like snackers who only want to consume more of the strange substance at any cost begin infesting the world.
When a liquor store owner finds a case of "Viper" in his cellar, he decides to sell it to the local hobos at one dollar a bottle, unaware of its true properties. The drinks causes its ... See full summary »
One morning a young man wakes to find a small, disgusting creature has attached itself to the base of his brain stem. The creature gives him a euphoric state of happiness but in return demands human victims.
New York police are bemused by a spate of reports of a giant flying lizard that has been spotted around the rooftops of New York, which they assume to be bogus until the lizard starts to ... See full summary »
A student moves into a run-down building in New York City. His bizarre neighbors make a concoction in their apartment they call wine, but when he takes some of it, he turns into a deformed, murderous monster.
Weird yummy goo erupts from the earth and is discovered by a couple of miners. They taste it and decide to market it because it tastes so good. The American public literally eats up the new dessert sensation now known as the Stuff, but, unfortunately, it takes over the brains of those who eat it, turning them into zombie-like creatures with no will to do anything but eat more of the bizarre substance by any means. It is up to ex-FBI agent David Rutherford and a kid named Jason to stop the spread of the mind-devouring dessert. Written by
Josh Pasnak <email@example.com>
According to audio commentary on the 2000 Anchor Bay DVD, the scene in the motel where the Stuff comes out of the mattress and pillows and attacks the man on the wall and ceiling was shot in a room that could turn upside down, allowing the Stuff to move up and down the wall. It was exactly the same room used in A Nightmare on Elm Street (1984) when Johnny Depp's character Glen is sucked into his bed and his blood is regurgitated back out onto the ceiling. See more »
When Mo and Charlie enter the post office, it's daytime - quite possibly afternoon. The moment they talk to the letter carrier inside, it's suddenly nighttime. See more »
From beneath the ground to the frozen food aisle...
It came from beneath the ground. The Stuff. It's the new dairy craze that turns it's addicted victims into mutating zombies. The movie is about three people attempting to get to The Stuff before it gets to them.
The Stuff is a metaphor for drug smuggling/drug addictions, which is obviously evident from the ending. Although, it could be read as metaphorical of any kind of destructive addiction, really. It could also be held as a metaphor of products liability and the lengths companies will go to rack up profits, even in the face of defective products.
The Stuff, starring Michael Miarity, Paul Sorvino, and those gorgeous Bloom Brothers, is actually not quite as ridiculous as a glance at the box might lead one to believe. In fact, it's actually a rather funny zombie-like tale with Michael Miarity as Moe "why do they call me Mo? Because when people give me money I always ask for Mo!" as he repeatedly jokes to his frustrated associates. Moe is the guy sent to find out what The Stuff is by competitor's wishing to jump on the market. But, Moe figures out much more than that. Hence, his mission to try to get rid of it.
Paul Sorvino, always a terrific actor, is funny as the overzealous army commander trying too hard to maintain his position as leader of this coup against that lovable dairy treat.
What's more is that the special effects, which in my book are about 80% of a horror film, were, much to my surprise, pretty damned good. In fact, I was actually surprised by the whole thing really, and actually came to enjoy it.
If you enjoy The Stuff, perhaps you'll enjoy a 1994 Australian horror film of a similar nature entitled 'Body Melt.' Beware, however, that Body Melt is much weirder and tons more gross than the occurrences in The Stuff, if you'd call the Stuff gross at all.
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