| Photos (See all 32 | slideshow) | Videos (see all 2) |
| Emilio Estevez | ... | Kirby Keger | |
| Rob Lowe | ... | Billy Hicks | |
| Andrew McCarthy | ... | Kevin Dolenz | |
| Demi Moore | ... | Jules | |
| Judd Nelson | ... | Alec Newbary | |
| Ally Sheedy | ... | Leslie Hunter | |
| Mare Winningham | ... | Wendy Beamish | |
| Martin Balsam | ... | Mr. Beamish | |
| Andie MacDowell | ... | Dale Biberman | |
| Joyce Van Patten | ... | Mrs. Beamish | |
| Jenny Wright | ... | Felicia | |
| Blake Clark | ... | Wally | |
| Jon Cutler | ... | Howie Krantz | |
| Matthew Laurance | ... | Ron Dellasandro | |
| Gina Hecht | ... | Judith | |
| Anna Maria Horsford | ... | Naomi | |
| Patrick Winningham | ... | 'The New Breed' Band | |
| Andy Scott | ... | 'The New Breed' Band | |
| Christian Iraberen | ... | 'The New Breed' Band | |
| Daniel Iribarren | ... | 'The New Breed' Band | |
| Bennet Bowman | ... | 'The New Breed' Band | |
| James Carrington | ... | Guy | |
| Kaaren Lee | ... | Welfare Woman | |
| Nora Meerbaum | ... | Myra | |
| Don Moss | ... | Maitre D' | |
| Whip Hubley | ... | Felicia's Date | |
| Michele Winding | ... | Chauffeur | |
| Jim Turner | ... | Postgrad | |
| Mario Machado | ... | Kim Sung Ho | |
| Judy Kain | ... | Woman Banker | |
| Seth Jaffe | ... | Brother in Law | |
| Jeffrey Lampert | ... | Brother in Law | |
| Elizabeth Arlen | ... | Libby | |
| Scott Nemes | ... | Nephew | |
| Bernadette Birkett | ... | Rachael | |
| Vincent J. Isaac | ... | Cop | |
| Dean R. Miller | ... | Clayton | |
| Jamie Anders | ... | Tommy Bancroft (as Jamison Anders) | |
| Cindi Dietrich | ... | Flirt | |
| David Lain Baker | ... | Jules' Date | |
| Daniel Eden | ... | Street Tough | |
| Laurel Page | ... | Nurse | |
| Thom Bierdz | ... | Rowdy Undergrad | |
| J.T. Solomon | ... | Hysterical Woman | |
| rest of cast listed alphabetically: | |||
| Stephanie Feury | ... | Jules' Friend (uncredited) | |
Directed by | |||
| Joel Schumacher | |||
Writing credits | ||
| Joel Schumacher | (written by) & | |
| Carl Kurlander | (written by) | |
Produced by | |||
| Bernard Schwartz | .... | executive producer | |
| Lauren Shuler Donner | .... | producer (as Lauren Shuler) | |
| Ned Tanen | .... | executive producer | |
Original Music by | |||
| David Foster | |||
Cinematography by | |||
| Stephen H. Burum | (director of photography) | ||
Film Editing by | |||
| Richard Marks | |||
Casting by | |||
| Marci Liroff | |||
| Jennifer Shull | |||
Art Direction by | |||
| William Sandell | |||
Set Decoration by | |||
| Robert Gould | |||
| Charles Graffeo | (as Charles M. Graffeo) | ||
Costume Design by | |||
| Susan Becker | |||
Makeup Department | |||
| Verne Caruso | .... | hair stylist: Washington D.C. | |
| Robert Jiras | .... | makeup artist: Washington D.C. (as B.J. Jiras) | |
| K.G. Ramsey | .... | hair stylist (as Ramsey) | |
| Rick Sharp | .... | makeup artist | |
Production Management | |||
| Raymond Hartwick | .... | production manager (as Ray Hartwick) | |
Second Unit Director or Assistant Director | |||
| Gary Daigler | .... | first assistant director | |
| W. Alexander Ellis | .... | dga trainee (as Alexander Ellis) | |
| Katterli Frauenfelder | .... | second assistant director (as Katterli A. Frauenfelder) | |
Sound Department | |||
| Raul A. Bruce | .... | boom operator | |
| Gene S. Cantamessa | .... | sound mixer (as Gene Cantamessa) | |
| Ken Dufva | .... | foley artist | |
| Richard Mario Garza | .... | cable person | |
| Leslie Gaulin | .... | assistant sound editor (as Leslie Troy Gaulin) | |
| Gary S. Gerlich | .... | sound editor | |
| David Hawkins | .... | sound editor | |
| J. Paul Huntsman | .... | adr editor | |
| J. Paul Huntsman | .... | adr supervisor | |
| Doc Kane | .... | sound re-recording mixer | |
| Gregg Landaker | .... | sound re-recording mixer | |
| Carl Lewis | .... | adr editor (as Cari Lewis) | |
| Tony Margulies | .... | foley artist (restored version) | |
| Steve Maslow | .... | sound re-recording mixer | |
| David Moritz | .... | apprentice sound editor | |
| Frank E. Warner | .... | supervising sound editor (as Frank Warner) | |
| Bill Wylie | .... | sound editor (as William J. Wylie) | |
| Donald C. Rogers | .... | technical director of sound (uncredited) | |
Special Effects by | |||
| Peter Albiez | .... | special effects | |
Visual Effects by | |||
| Clayton R. Marsh | .... | opticals | |
Stunts | |||
| Reid Rondell | .... | stunt double | |
| Steve M. Davison | .... | stunt coordinator (uncredited) | |
Casting Department | |||
| Barbara Harris | .... | adr casting | |
Costume and Wardrobe Department | |||
| Francine Jamison-Tanchuck | .... | costume supervisor: women (as Francine Patrice Jamison) | |
| Violette Jones-Faison | .... | costumer (as Violette Jones) | |
| James W. Tyson | .... | costume supervisor: men (as James Tyson) | |
Music Department | |||
| Bob Badami | .... | music editor | |
| David Boruff | .... | performer: sax solo | |
| David Foster | .... | music supervisor | |
| Humberto Gatica | .... | music recording mixer | |
| Jay Graydon | .... | music arranger | |
Transportation Department | |||
| Hayden D. Anglin | .... | transportation coordinator | |
| Stanley V. Henson Jr. | .... | transportation | |
| Ron Riner | .... | transportation co-captain | |
| Paul Youds | .... | transportation captain | |
| Gilbert Young | .... | transportation captain: Washington D.C. | |
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| Love Actually | The Best Years of Our Lives | Home from the Hill | Easy A | Mumford |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I don't know what it was about this film that made me react so viscerally against it. Perhaps it was the characters who so unlikable and were not compelling enough to care about. Perhaps it was the disorganized storyline. Perhaps it was the fact that Rob Lowe wore a long dangly earring and eyeliner. Perhaps it was because at some point in the movie they all break out in song. Perhaps it was because the 1980s were never that 80s. Perhaps it was because everything was a garish hyperbole. Perhaps it was because a character pumps his fist while driving away from the camera during a fade out. I don't know what it was that made me hate it so, but if it means trying to watch it again I'm not willing to find out.