| Treat Williams | ... | Arnold Friend | |
| Laura Dern | ... | Connie | |
| Mary Kay Place | ... | Katherine | |
| Margaret Welsh | ... | Laura | |
| Sara Inglis | ... | Jill (as Sarah Inglis) | |
| Levon Helm | ... | Harry | |
| Elizabeth Berridge | ... | June | |
| Geoff Hoyle | ... | Ellie | |
| William Ragsdale | ... | Jeff | |
| David Berridge | ... | Eddie | |
| Cab Covay | ... | Pick-up Driver | |
| Michael French | ... | Stan | |
| Joy Carlin | ... | Laura's Mother | |
| Mark McKay | ... | Bobby King | |
| Carl Mueller | ... | Mall Boy | |
| David O'Neill | ... | Mall Boy | |
| Craig Caddell | ... | Mall Boy | |
| Darian Alioto | ... | Mall Creep | |
| Gary Harris | ... | Mall Creep | |
| Sally Schuab | ... | Saleslady | |
| William Desmond | ... | Laura's Dad | |
| Michael Vaughn | ... | Leroy | |
| Rob Blair | ... | Beach Boy | |
| Edgar Kahn | ... | Beach Boy | |
| Spenser Mains | ... | Eddie's Friend |
Directed by | |||
| Joyce Chopra | |||
Writing credits | ||
| Joyce Carol Oates | (story "Where Are You Going, Where Have You Been") | |
| Tom Cole | (screenplay) | |
Produced by | |||
| Lindsay Law | .... | executive producer | |
| Timothy Marx | .... | associate producer | |
| Martin Rosen | .... | producer | |
Original Music by | |||
| Russ Kunkel | |||
| George Massenburg | |||
| Bill Payne | |||
Cinematography by | |||
| James Glennon | |||
Film Editing by | |||
| Patrick Dodd | |||
Casting by | |||
| Mary Colquhoun | |||
Production Design by | |||
| David Wasco | |||
Set Decoration by | |||
| Robert Joyce | |||
Costume Design by | |||
| Carol Oditz | |||
Makeup Department | |||
| Lynn Marie Curreri | .... | hair stylist | |
| Natalie Mucyn | .... | makeup artist | |
Production Management | |||
| Mary M. Ensign | .... | production manager | |
| Roy Kissin | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Timothy Marx | .... | first assistant director | |
| Gail Mezey Morris | .... | second assistant director | |
Art Department | |||
| Gordon Harrison | .... | storyboard artist | |
| Douglas Jones | .... | set constructor | |
| Bruce Mink | .... | property master | |
| Eileen Turner | .... | assistant property master | |
Sound Department | |||
| Stephen Balliet | .... | boom operator | |
| Mark Berger | .... | supervising re-recording mixer | |
| Douglas Murray | .... | sound editor | |
| Philip Perkins | .... | production sound mixer | |
| Dennie Thorpe | .... | foley artist | |
Stunts | |||
| Rocky Capella | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Jon Caradies | .... | best boy | |
| Nancy Ellison | .... | special still photographer | |
| Dan Gillham | .... | gaffer | |
| Michael L. Glennon | .... | first assistant camera | |
| Craig Haagensen | .... | camera operator | |
| Dana Kershner | .... | additional still photographer | |
| Chris Lombardi | .... | second assistant camera | |
| Michael Santy | .... | additional photographer | |
| Reed Smoot | .... | additional photographer | |
| Jani Vournas | .... | dolly | |
| Jani Vournas | .... | key grip | |
| Paul Wachter | .... | dolly grip | |
| Paul Wachter | .... | key grip | |
Casting Department | |||
| Ann Brebner | .... | casting: West Coast | |
Costume and Wardrobe Department | |||
| Teressa Longo | .... | wardrobe assistant | |
| Mary Schuba Stutz | .... | wardrobe mistress | |
Editorial Department | |||
| Mark Levinson | .... | assistant editor | |
| Bill Westwick | .... | negative cutter | |
| Gwendolyn Yates Whittle | .... | assistant editor (as Gwendolyn Yates) | |
Music Department | |||
| James Taylor | .... | musical director | |
Transportation Department | |||
| Len Levine | .... | driver | |
| Craig A. Patterson | .... | transportation coordinator | |
Other crew | |||
| Jennifer Almquist | .... | assistant to director | |
| Donna K. Baker | .... | title designer | |
| Carol DePasquale | .... | script supervisor (as Carol De Pasquale) | |
| Laurie Noll | .... | location manager | |
| Kerry Peterson | .... | production coordinator | |
| B. Rosen | .... | production office manager | |
| Kerry Stanwyck | .... | production coordinator | |
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| Fast Times at Ridgemont High | American Beauty | Rambling Rose | Splendor in the Grass | Little Athens |
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Laura Dern is perfect as lanky lass in a small town sparring with her parents, estranged from her older sister, desperate to be liked and to be with boys. Opening moments of this adaptation of Joyce Carol Oates' story "Where Are You Going, Where Have You Been"--with Dern and friends doing the mall--are realistic but nothing too original; second portion of the film, with Laura meeting smooth talking Treat Williams (who comes dressed like the James Dean poster on Dern's wall) is elongated and dry (you can almost feel the director's confidence slipping away). It's an encounter I didn't particularly care for, nor did I buy the rosy ending either. However, there are fine moments in "Smooth Talk", the most devastating of which lies in a conversation between Dern and indifferent sis Elizabeth Berridge (in a terrific performance): Dern recalls a vivid, lovely childhood memory between the two, but after listening and thinking it over, Berridge tells her, "I don't remember..." **1/2 from ****