In 1880, four men travel together to the city of Silverado. They come across with many dangers before they finally engage the "bad guys" and bring peace and equality back to the city. Written by
Chris Makrozahopoulos <firstname.lastname@example.org>
Director and producer Lawrence Kasdan cast two of his children and his wife in small roles in the film. His brother and co-writer Mark Kasdan also had a small role as a doctor that was filmed but ended up on the cutting room floor. See more »
The gallows in Turley, when on fire; in the latter scene the flames are a lot less intense than the previous scene, and there is less damage to the gallows in the latter scene. See more »
[Emmett saves Paden's life with a sip of water from his canteen after discovering him abandoned and baking in the desert]
Pleased to meet you.
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Many of the reviews say _Silverado_ broke new ground for the Western genre, but I would argue that while it was undoubtedly good escapist fun, it was more derivative than innovative.
Sure, the conversations often seem much more natural than those from other Westerns, and indeed most of the characters are drawn with more dimensions intact, but the entire script could have been pulled together by pulling scenes from a bag full of ideas from other movies. Not to mention the locations, which I could have sworn I recognized from films like _The Big Country_ and anything by John Ford.
For example, Brian Dennehy did a fine job, but you could tell who his character was just by the fact that Dennehy was cast in the role. Many of his characters share the traits of Sheriff Cobb (more than this, I won't say here).
I have to say that as a firm non-fan of Kevin Costner, even I have to admit he did fine here as well... as did all the lead actors. Their careers since _Silverado_ have demonstrated that this was an unusually gifted ensemble.
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