A place: Theresienstadt. A unique place of propaganda which Adolf Eichmann called the "model ghetto", designed to mislead the world and Jewish people regarding its real nature, to be the ... See full summary »
Plotting on a payment they are about to receive, residents of a collapsing collective farm see their plans turn into desolation when they discover that Irimiás, a former co-worker who they thought was dead, is coming back to the village.
"He wrote me...." A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, ... See full summary »
Follows the lives of the Brogen family, as they deal with inner conflict, as well as religious conflict with one and other, and the rest of the town. The various events that unfold throughout the film tests all of their faith and beliefs.
Carl Theodor Dreyer
Emil Hass Christensen,
Preben Lerdorff Rye
Claude Lanzmann directed this 9 1/2 hour documentary of the Holocaust without using a single frame of archive footage. He interviews survivors, witnesses, and ex-Nazis (whom he had to film secretly since they only agreed to be interviewed by audio). His style of interviewing by asking for the most minute details is effective at adding up these details to give a horrifying portrait of the events of Nazi genocide. He also shows, or rather lets some of his subjects themselves show, that the anti-Semitism that caused 6 million Jews to die in the Holocaust is still alive and well in many people who still live in Germany, Poland, and elsewhere. Written by
Gene Volovich <firstname.lastname@example.org>
While the film is exceptionally long and deals with an historical subject, no archive footage of World War II or concentration or death camps was used. Some of the unused interviews and footage would be later used by Claude Lanzmann to make several shorter documentaries. See more »
Srebnik and Podchlebnik were not the only Jewish survivors of the Chelmno Extermination Camp. Today we know at least 9 by name, but not all survived WWII and/or gave testimonies. Lanzmann probably didn't know then. See more »
And this "death panic"?
When this "death panic" sets in, one lets go. It's well known when someone's terrified, and knows he's about to die; it can happen in bed. My mother was kneeling by her bed...
Yes. Then there was a big pile. That's a fact. It's been medically proved.
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This documentary tells the story of the Holocaust from a particularly human and "everyman" viewpoint. Claude Lanzmann realized that the victims of this horror were gradually dying off and took the initiative to search out the innocents who had these hidious tattoos on their arms and just talk to them. Not all wanted to be a part of the picture, but Lanzmann had a very unique ability to coax and sometimes browbeat the experiences out of these ordinary people who were subjected to unspeakable horrors. This is a long and extremely painful film to watch. Make no mistake. At the end is a better understanding of man's capacity for cruelty to his fellow man. I believe that is what Lanzmann wanted to pass down to the coming generations.
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