Claude Lanzmann directed this 9 1/2 hour documentary of the Holocaust without using a single frame of archive footage. He interviews survivors, witnesses, and ex-Nazis (whom he had to film ... See full summary »
A place: Theresienstadt. A unique place of propaganda which Adolf Eichmann called the "model ghetto", designed to mislead the world and Jewish people regarding its real nature, to be the ... See full summary »
From 1940 to 1944, France's Vichy government collaborated with Nazi Germany. Marcel Ophüls mixes archival footage with 1969 interviews of a German officer and of collaborators and ... See full summary »
"He wrote me...." A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, ... See full summary »
Claude Lanzmann directed this 9 1/2 hour documentary of the Holocaust without using a single frame of archive footage. He interviews survivors, witnesses, and ex-Nazis (whom he had to film secretly since they only agreed to be interviewed by audio). His style of interviewing by asking for the most minute details is effective at adding up these details to give a horrifying portrait of the events of Nazi genocide. He also shows, or rather lets some of his subjects themselves show, that the anti-Semitism that caused 6 million Jews to die in the Holocaust is still alive and well in many people who still live in Germany, Poland, and elsewhere. Written by
Gene Volovich <firstname.lastname@example.org>
While the film is exceptionally long and deals with an historical subject, no archive footage of World War II or concentration or death camps was used. Unused footage, of which there was plenty, would be used by Claude Lanzmann to make several other shorter documentaries. See more »
And this "death panic"?
When this "death panic" sets in, one lets go. It's well known when someone's terrified, and knows he's about to die; it can happen in bed. My mother was kneeling by her bed...
Yes. Then there was a big pile. That's a fact. It's been medically proved.
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This eight-hour documentary is NOT what you might think. It contains not one frame of archival footage of Nazi atrocities. Instead, it is dozens of modern (early '80s) interviews with surviving death camp inmates, guards, a commandant and people living near the camps. In several cases, Lanzman takes surviving inmates back to the razed sites of the camps, where they recount the horrific indignities visited upon them. The most hair-raising interview is about six hours in, with a Jewish barber who, in the space of 5 minutes, shaved the heads of his wife, his best friend and his best friend's wife just prior to their being gassed. With tears welling up, he describes shaving their heads in silence and without acknowledgement, so he might continue living and offer testimony to their hellish demise.
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