Claude Lanzmann directed this 9 1/2 hour documentary of the Holocaust without using a single frame of archive footage. He interviews survivors, witnesses, and ex-Nazis (whom he had to film ... See full summary »
"He wrote me...." A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, ... See full summary »
An intimate, picaresque inquiry into French life as lived by the country's poor and its provident, as well as by the film's own director, Agnes Varda. The aesthetic, political and moral ... See full summary »
Documentary that chronicles how Francis Ford Coppola's Apocalypse Now (1979) was plagued by extraordinary script, shooting, budget, and casting problems--nearly destroying the life and career of the celebrated director.
A documentary which challenges former Indonesian death-squad leaders to reenact their mass-killings in whichever cinematic genres they wish, including classic Hollywood crime scenarios and lavish musical numbers.
Claude Lanzmann directed this 9 1/2 hour documentary of the Holocaust without using a single frame of archive footage. He interviews survivors, witnesses, and ex-Nazis (whom he had to film secretly since they only agreed to be interviewed by audio). His style of interviewing by asking for the most minute details is effective at adding up these details to give a horrifying portrait of the events of Nazi genocide. He also shows, or rather lets some of his subjects themselves show, that the anti-Semitism that caused 6 million Jews to die in the Holocaust is still alive in well in many people that still live in Germany, Poland, and elsewhere. Written by
Gene Volovich <email@example.com>
Over the past several weeks I had the opportunity to see all of Claude Lanzmann's 9 1/2-hour documentary about the Holocaust. It left me cognizant of a greater tragedy in much the same way that PIXOTE opened my eyes to the humanity on the streets of South America. Like many people who have seen SHOAH I was interested in it primarily because of the degree of praise that this film has received; some critics have called it one of the most important films ever made. Well, now that I have had time to reflect on this film for the past month can I honestly say that SHOAH is one of the greatest films ever made? To answer my own question, it depends on how you look at it.
SHOAH in now way covers the entire scope of the holocaust. Instead it focuses on the people who were sent to three specific concentration camps during WWII. The film also concentrates on the people who were involved in the deportation and execution of those who arrived to the camps. Its last hour is devoted to events that occurred around the Warsaw Ghetto. The fact that this film limits its scope made me aware that this was an account that's too big to be perfectly analyzed and deciphered. It's too complex for a standard 2 hour, 4 four or even the film's 9 1/2 hour length. It's testament to the number of documentaries about the Holocaust which have come out fairly recently. But unlike those documentaries, SHOAH seems less about the Holocaust than it is about people, whether they were the commanders who intimidated the Jews, individuals who had small farms or houses near the concentration camps or even the victims themselves. These are all people who have a story to tell. SHOAH made me think out of the context of the film a lot. The fact that it told me so much about people made me wonder about the loss of the life that occurred during the 80's when the Contras fought the Sandinistas, or when Pol Pot executed his own people, or when Stalin starved his own soldiers during the War. All of these people had a story to tell but you hear very little about these tragedies that fell on their own lives. In a way, that's so unfair. Nevertheless, SHOAH comes closer than any other documentary I have seen when it comes to showing us what makes life so sacred and special.
To be fair, there are long stretches in SHOAH that are less than riveting, and moments when you question the ethics and purposes of the filmmaker. As one commenter candidly pointed out, there are times when SHOAH is more like a chore than an experience but as Claude Lanzmann orders one interviewee during the film, "We have to do it, you know it." And that's why SHOAH has to be seen: It's a real film about a real tragedy, real events, and real people.
36 of 47 people found this review helpful.
Was this review helpful to you?