Two sisters of opposing temperaments find love and some heartbreak in Jane Austen's 18th century classic.
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1981  

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Cast

Complete series cast summary:
...
 Elinor Dashwood (7 episodes, 1981)
...
 Marianne Dashwood (7 episodes, 1981)
...
 Mrs. Jennings (7 episodes, 1981)
Robert Swann ...
 Colonel Brandon (6 episodes, 1981)
Donald Douglas ...
 Sir John Middleton (5 episodes, 1981)
Marjorie Bland ...
 Lady Middleton (5 episodes, 1981)
...
 Edward Ferrars (5 episodes, 1981)
...
 John Willoughby (4 episodes, 1981)
...
 Tom (4 episodes, 1981)
Gina Rowe ...
 Susan (4 episodes, 1981)
...
 Mrs. Dashwood (4 episodes, 1981)
Peter Gale ...
 John Dashwood (3 episodes, 1981)
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Storyline

The Dashwood sisters, Elinor and Marianne, must search for a new house with their mother; their former home and the majority of the money having been inherited by their half-brother at the passing of their father. The family is given the lease of a cottage by a kind cousin. Disciplined and restrained Elinor forms an attachment to quiet Edward Ferrars, while her impetuous and emotional sister Marianne falls for dashing John Willoughby. However, the Dashwoods' lack of fortune and the strict social structure of 18th century England affects the marriage prospects of both sisters. Written by L. Hamre

Plot Summary | Add Synopsis

Genres:

Drama | Romance

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Release Date:

1 February 1981 (UK)  »

Also Known As:

Fornuft og følelse  »

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Technical Specs

Runtime:

| (7 episodes)

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Did You Know?

Quotes

Marianne Dashwood: Elinor, where are your feelings?
Elinor Dashwood: I govern them.
See more »

Connections

Version of Sense & Sensibility (2008) See more »

Soundtracks

Piano Sonatina in G Major: II. Rondo - Allegro
Composed by Ludwig van Beethoven
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User Reviews

Fine male performances as well

I have to disagree that the male performances were bland. Bosco Hogan did a very good job as the self-effacing Edward, and Douglas' portrayal of Sir John Middleton was so lively that as far as the interpretation of this character is concerned, the later S&S actor seems to have borrowed heavily from prior precedent. And Peter Woodward makes a dashing Willoughby, every bit as convincing as the more recent Willoughby. Woodward's voice and elocution are fantastic, and he sings remarkably well. I also enjoyed Marianne's performance in particular. In many ways, this adaptation is more faithful to the novel. The only flaw is that it begins in medias res rather than at the beginning, and it begins with a strangely stilted introduction, but that can be overlooked due to the brilliant performances, which improve with every minute of the film.


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