Jane Austen's last novel provides the plot for this earlier Granada miniseries. Set in pre-Victorian England, this movie tells the story of Anne Elliot, who now having lost her "bloom" is ... See full summary »
Emma Woodhouse has a rigid sense of propriety as regards matrimonial alliances. Unfortunately she insists on matchmaking for her less forceful friend, Harriet, and so causes her to come to ... See full summary »
Widow Dashwood and her three unmarried daughters, Elinor, Marianne and Margaret, inherit only a tiny allowance. So they move out of their grand Sussex home to a more modest cottage in ... See full summary »
This BBC production, set in the small town of Highbury depicts the often hilarious attempts of Miss Emma Woodhouse to make proper marital matches for all of her friends. Though often ... See full summary »
Eight years earlier, Anne Elliot, the daughter of a financially troubled aristocratic family, was persuaded to break off her engagement to Frederick Wentworth, a young seaman, who, though ... See full summary »
Mr. and Mrs. Bennet have five unmarried daughters, and Mrs. Bennet is especially eager to find suitable husbands for them. When the rich single gentlemen Mr. Bingley and Mr. Darcy come to ... See full summary »
Robert Z. Leonard
At age 10, Fanny Price is sent by her destitute mother to live with her aunt and uncle, Sir Thomas and Lady Bertram. As a child she was often made to feel that she was the poor relation but... See full summary »
Emma Woodhouse seems to be perfectly content, a loving father whom she cares for, friends, and a home. But Emma has a terrible habit - matchmaking. She cannot resist finding suitors for her... See full summary »
Jonny Lee Miller
The Dashwood sisters, Elinor and Marianne, must search for a new house with their mother; their former home and the majority of the money having been inherited by their half-brother at the passing of their father. The family is given the lease of a cottage by a kind cousin. Disciplined and restrained Elinor forms an attachment to quiet Edward Ferrars, while her impetuous and emotional sister Marianne falls for dashing John Willoughby. However, the Dashwoods' lack of fortune and the strict social structure of 18th century England affects the marriage prospects of both sisters. Written by
takes a while to find its feet, but not a total disaster
This version of Austen's novel of love, romance, greed, and jealousy, stars Irene Richard as Elinor and Tracey Childs as Marianne. It omits completely the youngest sister (which is a shame) but manages to make more of the characters of Edward Ferrars, Willoughby, and Lucy Steele than the more modern feel version written and featuring Emma Thompson a decade later.
However, the first two or three episodes are dull rather than diverting, and only when Marianne needs help and a suitor most do things get interesting. It may not have the high-profile romantic leads that the 1990s version did, but it manages to be touching and effective in the end episode.
The episodic nature of this adaptation (7 parts of around 45 minutes each) doesn't really help and it leaves you thinking whether there is really enough to this tale to stretch through many episodes that don't say very much.
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