Emma Woodhouse has a rigid sense of propriety as regards matrimonial alliances. Unfortunately she insists on matchmaking for her less forceful friend, Harriet, and so causes her to come to ... See full summary »
Eight years earlier, Anne Elliot, the daughter of a financially troubled aristocratic family, was persuaded to break off her engagement to Frederick Wentworth, a young seaman, who, though ... See full summary »
Emma Woodhouse seems to be perfectly content, a loving father whom she cares for, friends, and a home. But Emma has a terrible habit - matchmaking. She cannot resist finding suitors for her... See full summary »
Jonny Lee Miller
Royal Navy captain Wentworth was haughtily turned down eight years ago as suitor of pompous baronet Sir Walter Elliot's daughter Anne, despite true love. Now he visits their former seaside ... See full summary »
Jane Austen's classic is transplanted to modern-day Utah. While her college roommates search for love, aspiring writer Elizabeth Bennet focuses on her career but constantly finds herself fighting haughty businessman Will Darcy.
Two sisters find that they have to make their own way in the world after their father is jailed. Elinor is a cleaner in a spa. Marianne works for a marketing company but she also makes scented lotions, which turn out to be a real winner.
At 10, Fanny Price, a poor relation, goes to live at Mansfield Park, the estate of her aunt's husband, Sir Thomas. Clever, studious, and a writer with an ironic imagination and fine moral ... See full summary »
Jonny Lee Miller,
The Dashwood sisters, Elinor and Marianne, must search for a new house with their mother; their former home and the majority of the money having been inherited by their half-brother at the passing of their father. The family is given the lease of a cottage by a kind cousin. Disciplined and restrained Elinor forms an attachment to quiet Edward Ferrars, while her impetuous and emotional sister Marianne falls for dashing John Willoughby. However, the Dashwoods' lack of fortune and the strict social structure of 18th century England affects the marriage prospects of both sisters. Written by
The advantage this television version has over the later 1995 film version directed by Ang Lee is that due to its length it allows more important scenes to be shown. This good BBC version keeps in the visit of Edward Ferrers to Barton Cottage and of Willoughby to see Marianne when she is ill. It also deletes the third sister Margaret, which I think is to the good.
It is important when doing Jane Austen not to over act, as suppression makes for tension, and in this the actors do a fine job. The scenes between Elinor Dashwood and Lucy Steele are excellent, seething and polite at the same time. Julia Chambers as Lucy Steele is excellent and equally as good as Imogen Stubbs in the 1995 film.
The male actors are not all bland, Donald Douglas gives a jolly performance and Peter Gale is perfectly unctuous as John Dashwood, but also sympathetic, caught as he is between a domineering wife and mother in law. Bosco Hogan and Robert Swann are a bit dull however.
This is not a sumptuous Hollywood version but fine on its own terms.
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