Widow Dashwood and her three unmarried daughters, Elinor, Marianne and Margaret, inherit only a tiny allowance. So they move out of their grand Sussex home to a more modest cottage in ... See full summary »
Jane Austen's last novel provides the plot for this earlier Granada miniseries. Set in pre-Victorian England, this movie tells the story of Anne Elliot, who now having lost her "bloom" is ... See full summary »
This BBC production, set in the small town of Highbury depicts the often hilarious attempts of Miss Emma Woodhouse to make proper marital matches for all of her friends. Though often ... See full summary »
Emma Woodhouse has a rigid sense of propriety as regards matrimonial alliances. Unfortunately she insists on matchmaking for her less forceful friend, Harriet, and so causes her to come to ... See full summary »
At age 10, Fanny Price is sent by her destitute mother to live with her aunt and uncle, Sir Thomas and Lady Bertram. As a child she was often made to feel that she was the poor relation but... See full summary »
Emma Woodhouse seems to be perfectly content, a loving father whom she cares for, friends, and a home. But Emma has a terrible habit - matchmaking. She cannot resist finding suitors for her... See full summary »
Jonny Lee Miller
The Dashwood sisters, Elinor and Marianne, must search for a new house with their mother; their former home and the majority of the money having been inherited by their half-brother at the passing of their father. The family is given the lease of a cottage by a kind cousin. Disciplined and restrained Elinor forms an attachment to quiet Edward Ferrars, while her impetuous and emotional sister Marianne falls for dashing John Willoughby. However, the Dashwoods' lack of fortune and the strict social structure of 18th century England affects the marriage prospects of both sisters. Written by
I was not very fond of it originally but I found I actually liked it a lot more seeing it again so soon after the 1971 version. The two share the same screenwriter, who seems to have lifted a lot from the 1971 to use again in this version. Many scenes are virtually identical, or very close. Margaret was cut yet again but other than that it followed the book more closely than 1971. It lacked all the wacky 70s costumes and hairstyles that made the earlier one so crazy and seemed much more understated to me. Part of this also has to do with the acting, much of which was more low-key. Some of the casting was better, some was worse It's up to you to decide which you prefer!
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