Widow Dashwood and her three unmarried daughters, Elinor, Marianne and Margaret, inherit only a tiny allowance. So they move out of their grand Sussex home to a more modest cottage in ... See full summary »
Jane Austen's last novel provides the plot for this earlier Granada miniseries. Set in pre-Victorian England, this movie tells the story of Anne Elliot, who now having lost her "bloom" is ... See full summary »
Emma Woodhouse has a rigid sense of propriety as regards matrimonial alliances. Unfortunately she insists on matchmaking for her less forceful friend, Harriet, and so causes her to come to ... See full summary »
This BBC production, set in the small town of Highbury depicts the often hilarious attempts of Miss Emma Woodhouse to make proper marital matches for all of her friends. Though often ... See full summary »
At age 10, Fanny Price is sent by her destitute mother to live with her aunt and uncle, Sir Thomas and Lady Bertram. As a child she was often made to feel that she was the poor relation but... See full summary »
Royal Navy captain Wentworth was haughtily turned down eight years ago as suitor of pompous baronet Sir Walter Elliot's daughter Anne, despite true love. Now he visits their former seaside ... See full summary »
Emma Woodhouse seems to be perfectly content, a loving father whom she cares for, friends, and a home. But Emma has a terrible habit - matchmaking. She cannot resist finding suitors for her... See full summary »
Jonny Lee Miller
The Dashwood sisters, Elinor and Marianne, must search for a new house with their mother; their former home and the majority of the money having been inherited by their half-brother at the passing of their father. The family is given the lease of a cottage by a kind cousin. Disciplined and restrained Elinor forms an attachment to quiet Edward Ferrars, while her impetuous and emotional sister Marianne falls for dashing John Willoughby. However, the Dashwoods' lack of fortune and the strict social structure of 18th century England affects the marriage prospects of both sisters. Written by
Well as a lover of Jane Austen one would be hard pressed to do a reproduction of one of her books and disappoint me. S&S was a pretty well done miniseries, most BBC miniseries are well done. There was a much more book and a more through representation of all the minor characters in this movie than in the 1995 Sense and Sensibility directed by Ang Lee and staring Kate Winslet, Emma Thompson. However the 1981 BBC miniseries was seriously lacking in a couple vital points, the omission of the youngest Dashwood daughter, Margaret and this viewer found the leads of Marranne and Elinor to be so abysmally portrayed I really didn't care a bit about what happened to their characters. These women weren't lovable or very likable. Overall, between to two leads, Tracey Childs as Marriann was the better portrayal. Irene Richard's portrayal of Elinor was so dead pan and empty of any emotion, at all, that much of the movie containing her was difficult to sit through. Over all, for the Austen fan this is a must see movie, but only for the more complete story and representations. Especially the devilishly catty Miss Lucy Steele who in the Ang Lee S&S is very under portrayed.
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