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Directed by | |||
| David Greenwalt | |||
Writing credits | ||
| Jim Kouf | (written by) & | |
| David Greenwalt | (written by) | |
Produced by | |||
| Lynn Bigelow | .... | associate producer | |
| C.O. Erickson | .... | executive producer | |
| Jim Kouf | .... | co-producer | |
| Stephen J. Roth | .... | producer (as Steve Roth) | |
Original Music by | |||
| Jan Hammer | |||
Cinematography by | |||
| Victor J. Kemper | (director of photography) | ||
Film Editing by | |||
| Dennis Virkler | |||
Casting by | |||
| Jane Feinberg | |||
| Mike Fenton | |||
Production Design by | |||
| William J. Cassidy | |||
Set Decoration by | |||
| Barbara Krieger | |||
Costume Design by | |||
| Mary E. Vogt | (as Mary Vogt) | ||
Makeup Department | |||
| Frank Griffin | .... | additional makeup artist | |
| Barbara Lampson | .... | hair stylist | |
| Daniel C. Striepeke | .... | makeup artist | |
Production Management | |||
| C.O. Erickson | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| William J. Cassidy | .... | second unit director | |
| Martha M. Elcan | .... | dga trainee | |
| Robert Engelman | .... | second assistant director (as Robert Engelman III) | |
| L. Andrew Stone | .... | first assistant director | |
Art Department | |||
| Stan Cockerell | .... | assistant property master | |
| Sidney H. Greenwood | .... | property master | |
| Gary Kudroff | .... | lead man | |
| Jonathan O'Connell | .... | master painter | |
| Ken Reed | .... | construction foreman | |
| John A. Scott III | .... | set dresser (as John Scott) | |
| William Kemper Wright | .... | set dresser (as William Wright) | |
Sound Department | |||
| Joseph F. Brennan | .... | boom operator | |
| Thomas Causey | .... | production sound mixer | |
| Hank Garfield | .... | boom operator | |
| Don Higgins | .... | sound editor | |
| Pierre Jalbert | .... | supervising adr editor | |
| Rick Kline | .... | sound re-recording mixer | |
| Sharon Michaels | .... | foley artist | |
| Donald O. Mitchell | .... | sound re-recording mixer | |
| Kevin O'Connell | .... | sound re-recording mixer | |
| John Post | .... | sound editor | |
| Christine Roberts | .... | assistant sound editor | |
| William L. Stevenson | .... | supervising sound editor | |
Special Effects by | |||
| Allen Hall | .... | special effects | |
Stunts | |||
| Janet Brady | .... | stunt player | |
| Ron Burke | .... | stunt player | |
| David Burton | .... | stunt player | |
| Hal Burton | .... | stunt player | |
| William H. Burton | .... | stunt player (as William Burton) | |
| Gilbert B. Combs | .... | stunt player | |
| Justin De Rosa | .... | stunt player | |
| Eddy Donno | .... | stunt player | |
| Stephanie Epper | .... | stunt player | |
| Debbie Evans | .... | stunt player | |
| Joe Finnegan | .... | stunt player | |
| James M. Halty | .... | stunt player (as James Haulty) | |
| Clifford Happy | .... | stunt player | |
| Billy Hank Hooker | .... | stunt player (as Bill Chank Hooker) | |
| Chris Howell | .... | stunt coordinator | |
| Steve Hulin | .... | stunt player | |
| Noon Orsatti | .... | stunt player | |
| Pat Romano | .... | stunt player (as Patrick Romano) | |
| Rick Seaman | .... | stunt player | |
| Peter Stader | .... | stunt player | |
| Scott Wilder | .... | stunt player | |
| Harry Wowchuk | .... | stunt player | |
Camera and Electrical Department | |||
| Billy Beaird | .... | dolly grip (as Bill Beaird) | |
| Roland Bell | .... | still photographer | |
| Blaise Dahlquist | .... | lighting technician | |
| Dan Delgado | .... | lighting technician | |
| Cary Griffith | .... | key grip | |
| Gregg Guellow | .... | second grip | |
| Michael Laws | .... | lighting technician | |
| Bill Roe | .... | assistant camera | |
| Phillip R. Sarabia | .... | company grip (as Phil Sarabia) | |
| John R. Shannon | .... | still photographer | |
| Robert M. Stevens | .... | director of photography: second unit | |
| Robert C. Thomas | .... | camera operator | |
| Curtis J. Wehr | .... | gaffer | |
| Mario Zavala | .... | assistant camera | |
Casting Department | |||
| Barbara Harris | .... | voice casting | |
| Michael Heit | .... | extras casting | |
| Robert J. Teitelbaum | .... | extras casting | |
Costume and Wardrobe Department | |||
| Kendall Errair | .... | costumer: women | |
| Bruce Walkup | .... | costumer: men | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
| Mark Elson | .... | apprentice film editor | |
| Uri Katoni | .... | assistant film editor | |
| David Koeppel | .... | assistant film editor | |
Music Department | |||
| John Caper Jr. | .... | music supervisor | |
| Laurie Gorman | .... | music coordinator | |
| Jan Hammer | .... | musician | |
| Greg Fulginiti | .... | music engineer (uncredited) | |
Transportation Department | |||
| Linda Cipperley | .... | transportation | |
| Ken Lubin | .... | transportation coordinator | |
| Craig Pinkard | .... | transportation captain | |
Other crew | |||
| James Bailey | .... | first aid | |
| Sam Bernstein | .... | production accountant | |
| Jimmy Davis | .... | location assistant | |
| Joan Eisenberg | .... | unit publicist | |
| Teresa A. Gullihur | .... | yacht coordinator | |
| Brian O. Haynes | .... | location manager | |
| June Jordan | .... | stand-in | |
| Toni Maier | .... | location coordinator | |
| Eileen McGuire | .... | assistant to production accountant | |
| Joy Michelle Moore | .... | stand-in: Lori Laughlin (as Joy Michelle Ferro) | |
| John Purcell | .... | location coordinator | |
| Danis Regal-O'Connell | .... | production coordinator | |
| Deborah Ross | .... | title designer | |
| Lisa Rubenstein | .... | assistant production coordinator | |
| Christopher Striepeke | .... | craft service | |
| Esther Vivante | .... | script supervisor | |
| Tim Wienckowski | .... | police coordinator | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Lieutenant Fimple ( Fred Ward ) has had a bad day. He thinks his wife is cheating on him so he follows her to a make out point. Then he goes to his mutual friends house and picks her up because the man that he thinks his wife is having an affair with is the woman's husband ( are you following me so far? ). He gets back to the make out point and they are gone. So he drives home his friend and then he gets into an accident. When he gets home, the man's ( who is apparently sleeping with his wife ) son has just finished giving his daughter a good night kiss. " Good evening Lieutenant Fimple, " the boy says, " F*** you! " Fimple replies. It is one of the funniest moments in the film and the film has quite a few of them.
Secret Admirer is one of the slew of teen films that came out in the 80's that was high on entertainment, if you let it do that. It is one of those films that should not be over analyzed. It is simple entertainment and it is goofball highschool entertainment. The characters in the film have fun with the roles they are thrust into and the dialogue is fresh and funny. Look for the part when the mailman comes to Michael's house and is apparently late with the mail. Classic.
I wish they could make films like this as we head into the new millennium. They are here to entertain and nothing more. And that is sometimes all we can ask for.