4 items from 2014
Above: Pedro Costa's Horse Money
The Locarno Film Festival has announced their lineup for the 67th edition, taking place this August between the 6th and 16th. It speaks for itself, but, um, wow...
"Every film festival, be it small or large, claims to offer, if not an account of the state of things, then an updated map of the art form and the world it seeks to represent. This cartography should show both the major routes and the byways, along with essential places to visit and those that are more unusual. The Festival del film Locarno is no exception to the rule, and I think that looking through the program you will be able to distinguish the route map for this edition." — Carlo Chatrian, Artistic Director
Above: Matías Piñeiro's The Princess of France
Concorso Internazionale (Official Competition)
Alive (Jungbum Park, South Korea)
Horse Money (Pedro Costa, »
French director to receive the Pardo d’onore at the Locarno Film Festival next month - only the second woman to receive the honour.
French director Agnès Varda is to receive the Pardo d’onore (honorary Leopard) at the 67th edition of the Locarno Film Festival (Aug 6-16).
The festival’s tribute to her will be accompanied by screenings of a selection of her films: the features Cleo from 5 to 7 (1962), The Creatures (1966), Lions Love (…and Lies) (1969), Documenteur (1981), Vagabond (Sans toit ni loi, 1985), The Gleaners and I (Les glaneurs et la glaneuse, 2000) and The Beaches of Agnes (Les Plages d’Agnès, 2008), and the short film Oncle Yanco (1967), as well as the five episodes of the TV series Agnès de ci de là Varda (2011).
Varda will also take part in an on-stage coversation at the festival.
After working as a theatre photographer, Varda began directing in 1954 with the feature-length film La Pointe Courte, starring [link=nm »
- firstname.lastname@example.org (Michael Rosser)
The Belgian-born Varda, 85, has directed more than 30 films over a career spanning more than six decades, starting with her 1954 “La Pointe Courte,” with Philippe Noiret, also at his debut. Edited by Alain Resnais, this pic about a young Parisian couple spending a few days in a village on the Mediterranean coast to decide whether to stay together or not became a defining influence on the next generation of Gallic directors.
The tribute to Varda from the Swiss fest dedicated to indie and cutting-edge cinema will comprise screenings of a wide selection of her films, including “Cleo from 5 to 7,” (1962); “The Creatures” (1966); “Lions Love (…and lies),” (1969); “Documenteur,” (1981), “Vagabond” (1985); “The Gleaners and I” (2000); “The Beaches of Agnes” (2008); and the »
- Nick Vivarelli
The Classic French Film Festival celebrates St. Louis’ Gallic heritage and France’s cinematic legacy. The featured films span the decades from the 1920s through the 1980s (with a particular focus on filmmakers from the New Wave), offering a comprehensive overview of French cinema. Monsieur Hire will screen as part of the festival at 12pm Saturday, June 21st at the St. Louis Art Museum.
In a provincial French apartment block, Monsieur Hire (Michel Blanc) endures a solitary life of dull work as a tailor and vitriolic scorn from his neighbors. Hire’s only solace is an occasional night out bowling and his voyeuristic admiration of a neighbor, the ravishing Alice (Sandrine Bonnaire of “Vagabond”), a beautiful, free-spirited woman conducting a heated love affair through un-drawn curtains across the way. But when police discover the nude body of another young woman in a nearby vacant lot, Hire becomes the prime suspect »
- Tom Stockman
4 items from 2014
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