Intent on seeing the Cahulawassee River before it's turned into one huge lake, outdoor fanatic Lewis Medlock takes his friends on a river-rafting trip they'll never forget into the dangerous American back-country.
A squad of National Guards on an isolated weekend exercise in the Louisiana swamp must fight for their lives when they anger local Cajuns by stealing their canoes. Without live ammunition ... See full summary »
Bill and Jo Harding, advanced storm chasers on the brink of divorce, must join together to create an advanced weather alert system by putting themselves in the cross-hairs of extremely violent tornadoes.
A hardened convict and a younger prisoner escape from a brutal prison in the middle of winter only to find themselves on an out-of-control train with a female railway worker while being pursued by the vengeful head of security. Written by
Keith Loh <firstname.lastname@example.org>
The picture was nominated for three Academy Awards including Best Editing and acting nominations for both Jon Voight (Best Actor) and Eric Roberts (Best Supporting Actor) but the film failed to win any Oscars. See more »
Studio lights are reflected in goggle glass (backprojection sequences). See more »
Hold me. I don't want to die alone.
We gonna be all right.
We gonna be fine.
Ha,ha. We all die alone.
See more »
The stock title promises action and suspense, and we get that, but with a story by Akira Kurosawa, expert direction by Russian émigré Andrei Konchalovsky and superior lensing by Alan Hume, we get a study of what defines a man.
John Voight and the vastly underrated Eric Roberts play two cons who escape from a hellish gulag and board a train with no driver. Their struggle to stop the train and battle their own inner demons is the movie.
Konchalovsky creates a cold, alien, ethereal world inside the train that, in the oddest way, provides a haven for self-examination for the two leads. Rebecca de Mournay is layered into the mix, as is the indefatigable John P. Ryan as a prison warden who risks death to return his charges to custody, but the movie belongs to Voight and Roberts who both bring tremendous humanity to their finely sketched characters.
The final image is as powerful as cinema gets and marks RUNAWAY TRAIN as a modest masterpiece.
Though often criticized for producing cheap rubbish, the Cannon Group, in fact, also produced many fine films including this, 52 PICK-UP and MARIA'S LOVERS (also Konchalovsky).
92 of 112 people found this review helpful.
Was this review helpful to you?