New York journalist visits her distant cousin for the first time to write an article about her hard life in the bayous of Louisiana. Journalist's wild drug addicted daughter just adds to tensions between two families' cultures.
Ivan Bibic returns to his Pittsburgh PA suburb after surviving a Japanse POW camp, causing regular nightmares. All the time he remained faithfully devoted to his childhood love, fellow ... See full summary »
The true story of Ivan Sanchin, the KGB officer who was Stalin's private film projectionist from 1939 until the dictator's death. Told from Sanchin's view, the sympathetic but tragically ... See full summary »
Based on Shakesphere's play, Verdi's opera depicts the devastating effects of jealousy, "...the green-eyed monster which doth mock the meat it feeds upon". Believing Otello has promoted the... See full summary »
Follows three people whose paths cross during a terrible time of war: Olga, a Russian aristocratic emigrant and member of the French Resistance; Jules, a French collaborator; and Helmut, a high-ranking German SS officer.
A hardened convict and a younger prisoner escape from a brutal prison in the middle of winter only to find themselves on an out-of-control train with a female railway worker while being pursued by the vengeful head of security. Written by
Keith Loh <firstname.lastname@example.org>
The stock title promises action and suspense, and we get that, but with a story by Akira Kurosawa, expert direction by Russian émigré Andrei Konchalovsky and superior lensing by Alan Hume, we get a study of what defines a man.
John Voight and the vastly underrated Eric Roberts play two cons who escape from a hellish gulag and board a train with no driver. Their struggle to stop the train and battle their own inner demons is the movie.
Konchalovsky creates a cold, alien, ethereal world inside the train that, in the oddest way, provides a haven for self-examination for the two leads. Rebecca de Mournay is layered into the mix, as is the indefatigable John P. Ryan as a prison warden who risks death to return his charges to custody, but the movie belongs to Voight and Roberts who both bring tremendous humanity to their finely sketched characters.
The final image is as powerful as cinema gets and marks RUNAWAY TRAIN as a modest masterpiece.
Though often criticized for producing cheap rubbish, the Cannon Group, in fact, also produced many fine films including this, 52 PICK-UP and MARIA'S LOVERS (also Konchalovsky).
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