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Charlie and his troublesome cousin Paulie decide to steal $150000 in order to back a "sure thing" race horse that Paulie has inside information on. The aftermath of the robbery gets them ... See full summary »
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A hardened convict and a younger prisoner escape from a brutal prison in the middle of winter only to find themselves on an out-of-control train with a female railway worker while being pursued by the vengeful head of security. Written by
Keith Loh <firstname.lastname@example.org>
Production Manager Stephen Marsh has said of this film's production, his second movie: "Yes I remember making that picture many years ago. We had to start by shooting all the second unit footage in Alaska and Montana. That meant that we had two sets of engines that did not quite match so we had to disguise them with plywood, paint and pretend snow. The main body of the picture was shot in Los Angeles. We built two of the units on stage and shot using back projection techniques. We also built the whole train two more times in two scales of miniature. These miniatures worked for the crash scenes which we shot in a disused winery in Rancho Cucamonga, California. Once all this footage was cut together I think you will agree that the illusion was quite complete. I made one more picture with this director, Andrei Konchalovsky, it was called Shy People (1987) and we shot it in the swamps of Louisiana!". See more »
When the ill-fated engineer notches out the throttle on the lead engine, the reverser handle (just below the throttle) can be seen in neutral. See more »
[after listening to Buck's dream]
That's bullshit. You're not gonna do nothin' like that. I'll tell you what you gonna do. You gonna get a job. That's what you gonna do. You're gonna get a little job. Some job a convict can get, like scraping off trays in a cafeteria. Or cleaning out toilets. And you're gonna hold onto that job like gold. Because it is gold. Let me tell you, Jack, that is gold. You listenin' to me? And when that man walks in at the end of the day. And he comes to see how you ...
[...] See more »
Runaway Train is about far more than a runaway train. It is about personal freedom and how hard we are willing to struggle to get it. It's about how willing we are to give up our personal freedom to be comfortable. It's about dehumanization inflicted by social institutions. It's also one gripping, suspenseful action-flick. The two main characters, played by Jon Voight as Manny and Eric Roberts as Buck, are escaped prisoners, but they are humanized. Not that we would really like to meet them, but we can see how they work, and we can identify with them. I found it fascinating that the character I really hated was John P. Ryan as Renkin, the warden. This official of society has turned his efforts to recapture the prisoners, particularly Manny, into a personal mission of hatred. The cinematography and imagery in the film are excellent. Whether exterior shots of the train hurtling across the desolate Canadian wilderness, or claustrophobic shots of the characters in the train, we are there and cannot help but be involved. There's not a bad performance in it. John Voight, Eric Roberts, Rebecca De Mornay and John P. Ryan are all tremendous, with an intensity that matches the demands of the film. This is one of those few films that really disturbed me, that really caused me to think about my life. It is unforgettable. It is a great work of art.
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