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A hardened convict and a younger prisoner escape from a brutal prison in the middle of winter only to find themselves on an out-of-control train with a female railway worker while being pursued by the vengeful head of security. Written by
Keith Loh <email@example.com>
Publicity for this picture stated: "The train sequences were filmed on the seward main track of the Alaska Railroad, which runs from Seward, through Anchorage, and up to Fairbanks. The company shot on locations 60 miles up the mountains, with no roads, and were only accessible by helicopter or train. It was a wild environment, where bald eagles, moose and jack rabbits were seen almost daily". See more »
When Manny is being dragged under the train holding onto the coupler, he is supposedly between two of the engines. Engines have mechanical parts throughout their undercarriage and the wheels tend to be somewhat jacketed, the car under which Manny was hanging appeared more to be a spine freight car since the wheels were plainly visible and no under engine machinery was visible. See more »
[while watching Buck boxing]
The Kid can fight.
That's worth about 2 dead flies
See more »
Everything about this film has a surreal, visceral, in-your-face quality; the anguished, violent intensity of the prison scenes, the frozen wastelands of the lands outside the prison (gee, a metaphor?), the train -- not just a lifeless machine but a huge, juggernaut-like beast -- that the title refers to, the fierce, animalistic performance by Jon Voight, who plays the character of Manny with such raw emotion and conviction that at no moment do we doubt that he is anything other than what he appears to be on screen.
It's based on a screenplay by the legendary Akira Kurosawa -- knowing this makes a lot of the elements a bit more familiar; the snow, the hopelessness, the apocalyptic atmosphere -- and it's directed by Russian Andrei Konchalovsky, who after this film directed two Hollywood embarrassments called "Homer & Eddie" and "Tango & Cash" (apparently trying to corner the market on ampersands), and most recently helmed the acclaimed Armand Assante mini-series "The Odyssey" for television. "Runaway Train" is not a perfect film, some of the minor supporting performances are really awful and some viewers may find Eric Roberts to be irritating, but the sheer kineticism, among the other stronger elements, makes it worthwhile. Often called an intellectual action picture, it's more of an existential one, i.e. man versus a indifferent/hostile universe, etc. Everything in the film has a greater, more universal meaning, and it's not rocket science to figure out what stands for what. The simplicity of its metaphors doesn't dull the impact of "Runaway Train" as a sensory experience, though, because it's still pretty potent stuff. Provided you're not completely close-minded, this is one you'll remember for a long, long time.
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