Giancarlo Rosso, a Sicilian hit man, gets a job to kill someone in Finland. His new target is Maria. Rosso arrives in Helsinki, buys weapons, and comes in hers apartment. After seeing that ...
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Antti "Zombie" Autiomaa does two things well: play the bass guitar and drink. After several months' sleeping on the streets of Istanbul, he returns to Helsinki where he's called into the ... See full summary »
Alex is Finlander married to an Italian who works as a taxi driver in Berlin. One night in his taxi come two men with a briefcase full of money. Unluckily for Alex, they are being chased by... See full summary »
Lugubrious Finns Valto and Reino take to the road in search of coffee and vodka, without which their lives are not worth living. But their reveries are interrupted by the arrival of ... See full summary »
Talkative, hyperactive young drifter Ville Alfa goes around Helsinki, basically trying to borrow money from friends and strangers by means of an incessant delivery of quirky and snappy quasi-intellectual lines and fabricated excuses.
A bizarre black-and-white film noir reworking of Shakespeare's 'Hamlet'. After the death of his father, young Hamlet inherits a seat on the board of a company controlled by his uncle that ... See full summary »
Giancarlo Rosso, a Sicilian hit man, gets a job to kill someone in Finland. His new target is Maria. Rosso arrives in Helsinki, buys weapons, and comes in hers apartment. After seeing that apartment is deserted, he runs into her brother Martti and, although not speaking each other's language, together they go to find her... Written by
Karlo "Zapi" Bosnjak
The best way to approach this disarming Finnish import is to imagine a mock existential road movie, set in and around Helsinki, where a burned-out Sicilian gunman is given orders to redeem himself by killing a woman who was once his lover. Of course nothing proceeds as expected, for either the reluctant assassin or for unsuspecting viewers. Against his better judgment, the hapless killer joins forces with his intended target's irrepressible brother, and despite the language barrier between them begins an aimless quest the length and breadth of Scandinavia, at first for the elusive, beautiful Marja, but finally for any way out of his spiritual crisis. In the end he finds neither, and as a result the film is little more than a low-key (if often engaging) shaggy dog story, drawing from both European and American role models, but shaded with a lackadaisical midnight sun mentality.
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