| Photos (See all 38 | slideshow) | Videos (see all 7) |
| Sylvester Stallone | ... | Rocky Balboa (also archive footage) | |
| Talia Shire | ... | Adrian | |
| Burt Young | ... | Paulie | |
| Carl Weathers | ... | Apollo Creed | |
| Brigitte Nielsen | ... | Ludmilla | |
| Tony Burton | ... | Duke | |
| Michael Pataki | ... | Nicoli Koloff | |
| Dolph Lundgren | ... | Drago | |
| Stu Nahan | ... | Commentator #1 | |
| R.J. Adams | ... | Sports Announcer | |
| Al Bandiero | ... | American Commentator #2 | |
| Dominic Barto | ... | Russian Government Official | |
| Danial Brown | ... | Rocky Jr.'s Friend | |
| James Brown | ... | The Godfather of Soul | |
| Rose Mary Campos | ... | Maid | |
| Jack Carpenter | ... | KGB Driver | |
| Mark De Alessandro | ... | Russian Cornerman (as Mark DeAlessandro) | |
| Marty Denkin | ... | Russian Referee | |
| Lou Fillipo | ... | Las Vegas Referee (as Lou Filippo) | |
| James 'Cannonball' Green | ... | Manuel Vega | |
| Dean Hammond | ... | Interviewer | |
| Rocky Krakoff | ... | Rocky Jr. | |
| Sergei Levin | ... | Russian Ring Announcer | |
| Tony Maffatone | ... | KGB Agent (as Anthony Maffatone) | |
| Sylvia Meals | ... | Mrs. Creed | |
| Dwayne McGee | ... | Limo Driver | |
| LeRoy Neiman | ... | Ring Announcer | |
| George Pipasik | ... | Caretaker | |
| George Rogan | ... | Igor Rimsky | |
| Barry Tompkins | ... | American Commentator #1 | |
| Warner Wolf | ... | Commentator #2 in Las Vegas | |
| Robert Doornick | ... | Sico the Robot (voice) | |
| Richard Blum | ... | Reporter | |
| Gerald Berns | ... | Reporter | |
| Ray Glanzmann | ... | Reporter | |
| Julie Inouye | ... | Reporter | |
| Patrick Pankhurst | ... | Reporter | |
| Jean Thoreau | ... | Reporter | |
| Jim Bullock | ... | Reporter | |
| Frank D'Annibale | ... | Reporter | |
| Rose Dursey | ... | Reporter (as Rose Dursy) | |
| Richard Kelley | ... | Reporter (as Rick Kelley) | |
| Craig Schaefer | ... | Reporter | |
| Jeff Austin | ... | Reporter | |
| Leslie Morris | ... | Reporter | |
| Bob Giovane | ... | Reporter | |
| Julio Herzer | ... | Reporter | |
| George Spaventa | ... | Reporter | |
| Rolf Williams | ... | Reporter | |
| Jim Hodge | ... | Reporter | |
| rest of cast listed alphabetically: | |||
| Read Morgan | ... | (scenes deleted) | |
| David Lloyd Austin | ... | Soviet Leader (uncredited) | |
| Gabriel Campisi | ... | Extra (uncredited) | |
| Douglas Kidd | ... | Russian Reveller (uncredited) | |
| Bobby Mardis | ... | Reporter (uncredited) | |
| Mr. T | ... | Clubber Lang (archive footage) (uncredited) | |
| Garth Shaw | ... | Betacam Operator (uncredited) | |
| David Paul Hewitt White | ... | Boxing Fan (uncredited) | |
| Connie Woods | ... | Casino Camera Girl (uncredited) | |
Directed by | |||
| Sylvester Stallone | |||
Writing credits | ||
| Sylvester Stallone | (written by) | |
Produced by | |||
| James D. Brubaker | .... | executive producer | |
| Robert Chartoff | .... | producer | |
| Arthur Chobanian | .... | executive producer | |
| Irwin Winkler | .... | producer | |
Original Music by | |||
| Vince DiCola | |||
Cinematography by | |||
| Bill Butler | (director of photography) | ||
Film Editing by | |||
| John W. Wheeler | |||
| Don Zimmerman | |||
Casting by | |||
| Amanda Mackey Johnson | (as Amanda Mackey) | ||
Production Design by | |||
| Bill Kenney | |||
Art Direction by | |||
| William Ladd Skinner | |||
Set Decoration by | |||
| Rick Gentz | (as Rick T. Gentz) | ||
Costume Design by | |||
| Tom Bronson | |||
Makeup Department | |||
| Stephen Abrums | .... | makeup artist (as Steve Abrums) | |
| Donna Bis | .... | hair stylist: Vancouver | |
| Jayne Dancose | .... | makeup artist: Vancouver | |
| Leonard Engelman | .... | makeup artist (as Leonard Engleman) | |
| Barbara Lorenz | .... | hair stylist | |
Production Management | |||
| Mary Eilts | .... | production manager: Vancouver | |
| JoAnn May-Pavey | .... | unit production manager (as Jo Ann May-Pavey) | |
Second Unit Director or Assistant Director | |||
| Duncan Henderson | .... | first assistant director | |
| Janet G. Knutsen | .... | second second assistant director (as Janet Knutsen) | |
| Christopher Ryan | .... | second assistant director (as Chris Ryan) | |
Art Department | |||
| Louis S. Fleming | .... | property master (as Louis Fleming) | |
| Bill Iiams | .... | construction foreman | |
| Roger Irvin | .... | construction coordinator | |
| Fred Lucky | .... | illustrator | |
| Wayne McLaughlin | .... | property master: Vancouver | |
| William Ladd Skinner | .... | assistant art director | |
| Thom Wells | .... | construction coordinator: Vancouver (as Thomas Wells) | |
| Marti Wright | .... | set decorator: Vancouver | |
| Gary Clark | .... | head paint foreman (uncredited) | |
| Stan Cockerell | .... | assistant property master (uncredited) | |
| David Fischer | .... | art director: Vancouver (uncredited) | |
| William S. Maxwell III | .... | lead man (uncredited) | |
Sound Department | |||
| Mary Andrews | .... | adr editor | |
| Leslie Gaulin | .... | assistant sound editor | |
| Gary S. Gerlich | .... | sound effects editor | |
| William Gocke | .... | boom operator (as William F. Gocke) | |
| Jay M. Harding | .... | re-recording mixer | |
| Michael J. Kohut | .... | supervising re-recording mixer | |
| Victoria Martin | .... | sound effects editor | |
| Ray O'Reilly | .... | re-recording mixer | |
| Andrew Patterson | .... | adr editor (as Andy Patterson) | |
| Aaron Rochin | .... | re-recording mixer | |
| Frank E. Warner | .... | supervising sound editor (as Frank Warner) | |
| Charles M. Wilborn | .... | sound mixer (as Chuck Wilborn) | |
| Bill Wylie | .... | sound effects editor (as William Wylie) | |
| James D. Young | .... | music editor | |
| Steve Bartlett | .... | sound (uncredited) | |
| David Behle | .... | sound recordist (uncredited) | |
| Marty Church | .... | adr mixer (uncredited) | |
| David B. Cohn | .... | sound editor (uncredited) | |
| Ken Dufva | .... | foley artist (uncredited) | |
| Donald C. Rogers | .... | sound (uncredited) | |
| Gordon Webb | .... | cable person (uncredited) | |
Special Effects by | |||
| George Erschbamer | .... | special effects coordinator: Vancouver | |
| Howard Jensen | .... | special effects | |
| Michael Clifford | .... | special effects assistant (uncredited) | |
Stunts | |||
| Mark De Alessandro | .... | stunt coordinator (uncredited) | |
| Gene LeBell | .... | stunts (uncredited) | |
Casting Department | |||
| Barbara Harris | .... | voice casting | |
| Diane Schneier | .... | assistant: Amanda Mackey | |
Costume and Wardrobe Department | |||
| Linda Henrikson | .... | costumer: women's | |
| Murray Lantz | .... | costumer | |
| Michael J. Long | .... | costumer: men's (as Michael Long) | |
| Susan Molloy | .... | wardrobe head: Vancouver (as Susan Malloy) | |
| Haleen K. Holt | .... | costume illustrator (uncredited) | |
Editorial Department | |||
| Tim Board | .... | additional film editor (as Timothy N. Board) | |
| Paul Cichocki | .... | apprentice editor | |
| Barbara Gandolfo-Frady | .... | assistant editor (as Barbara Gandolfo) | |
| Gregory M. Gerlich | .... | assistant editor (as Gregory Gerlich) | |
| Ron Lambert | .... | color timer | |
| Patrick Magee | .... | assistant editor (as Patrick W. Magee) | |
| Martin November | .... | assistant editor (as Marty November) | |
| Markus Schaub | .... | apprentice editor | |
| James R. Symons | .... | montage editor (as James Symons) | |
| Rosemarie Urioste | .... | apprentice editor | |
Music Department | |||
| Tom Boyd | .... | musician: oboe soloist | |
| Bill Conti | .... | composer: original themes from "Rocky" | |
| Vince DiCola | .... | score arranger | |
| Vince DiCola | .... | score producer | |
| Ed Fruge | .... | score arranger (as Ed Frugé) | |
| Ed Fruge | .... | score producer (as Ed Frugé) | |
| Robin Garb | .... | music supervisor | |
| Jeremy Lubbock | .... | arranger: orchestrations | |
| Jeremy Lubbock | .... | conductor: orchestrations | |
| Terry 'Doc' Mahady | .... | additional orchestrations | |
| Mark Torien | .... | musician | |
| James D. Young | .... | music editor | |
| Casey Young | .... | musical sound designer (uncredited) | |
Transportation Department | |||
| Ed Arter | .... | transportation coordinator (as Edward Arter) | |
| Michael Brum | .... | transportation captain | |
| George A. Grieve | .... | transportation coordinator: Vancouver (as George Grieve) | |
Thanks | |||
| Richard H. Bryan | .... | special thanks: Governor, State of Nevada | |
| Robert H. Kovoloff | .... | special thanks: Associated Film Promotions | |
| Dianne Neufeld | .... | special thanks: The British Columbia Film Promotion Office (as Diane Neufeld) | |
| Jane Oliver | .... | this film is dedicated to: the enduring memory of | |
| Tony Papa | .... | musical special thanks | |
| Casey Young | .... | musical special thanks | |
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| Rocky III | Rocky II | Rocky Balboa | Rocky | Rocky V |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
In 1976, a phenom was born. By now we are all aware of the story of how Stallone wrote the screenplay for Rocky in three days after watching a fight between an extreme underdog and a highly favoured champ. Stallone was a nobody back then yet he still stood his ground and didn't sell out to the producers until they promised him the title role. The rest they say is history. Well 9 years later, after three Rocky films, in my opinion comes the best one. I realize that Rocky was all story and then a climatic boxing match and that is what won the film the Oscar. And even though I can admit that this film is not as concerned with character developement as it is with training montages and bulging muscles, it is by far and away the most entertaining film of the 5. And that is what I enjoy about the film. I love that Rocky IV has some of the best training montages ever filmed. I love that it has the heart of a lion when it shows Rocky scaling a mountain that you know damn well he shouldn't be able to. And I absolutely love the boxing match at the end of the film. This was completely choreographed by Stallone and he and Dolph Lundgren boxed for real for about 75% of the match. Stallone felt that it needed some authenticity so that was the way to do it. And if you think Robert De Niro is an impressive method actor, try this fact on for size. When filming the boxing match, some of the scenes were so real that Stallone was rushed to hospital because his heart was actually pushed up and his ribcage was slightly shattered. So when you watch that match at the end, just know that what you are seeing is not exactly choreography and trick camera work. They did the best job they could to keep the look of the fight as real as possible. And I think this is the best boxing match ever filmed, with all due respect to Raging Bull.
Stallone was in the shape of his life in this year as he filmed Rocky and Rambo back to back and it shows. I have never seen a more sculpted man in the movies than he was here. And I think that added to his superman persona. If you notice in all the Rocky films, he grows a little each time. And that also adds to the enjoyment of the film.
Rocky IV is different than Rocky, there is no doubt. And as much as I love the first one, it doesn't come close to entertaining me as much as this one does. Rocky IV starts fast and it ends hard and in between we are blessed with a great soundtrack and a beautiful montage of all the Rocky films to Robert Tepper's "There's No Easy Way Out" And it is here that even though some will say that Stallone has substituted real human emotion with an MTV ersatz video, I think it works well. There is nothing about this film that I didn't enjoy and if you forget what the experience of watching this one is like, I suggest that you rent it now and take a look at it. And try to remember what it was like when you first saw this film back in the winter of 85. I remember I was in Kokomo Indiana visiting family for Christmas. My mom and I walked into a packed theater and you want to talk about a place erupting like a volcano, then this was the place. When Rocky finally hits Drago to cut him over the eye and Duke yells " he's cut, he's cut! " the crowd went into a frenzy. And you can look no further than that as to why the Rocky films were so popular. It doesn't matter if you are Canadian, American, Portuguese, Polish or Dutch or whatever, Rocky appeals to all of us. Because all of us have been the underdog at some time in our lives and we love to watch him and perhaps live vicariously through him. That is the beauty of Rocky. If Rocky can do it then dammit so can I!
When the movie ended on that cold night back in 1985, and people were filtering out to their cars for the drive home, I swear I could hear the crowd chanting his name, as did the millions..... and millions of the Rock's fans.
" Rocky! Rocky! Rocky!"