The story of Captain Richard Francis Burton's and Lt. John Hanning Speke's expedition to find the source of the Nile river in the name of Queen Victoria's British Empire. The film tells the... See full summary »
Richard E. Grant
Ex-gangster Willie Parker has betrayed his former "colleagues" and now lives in Spain where he thinks he can hide from their vengeance. But one day, ten years later, two hitmen (Braddock ... See full summary »
An odd film, primarily looking at how the dole affects the underclass in Britain. Tim Roth stars as Colin, a slow and possibly intellectually disabled man living with his parents and ... See full summary »
The familiar tragic story of Vincent van Gogh is broadened by focusing as well on his brother Theodore, who helped support Vincent. The movie also provides a nice view of the locations which Vincent painted.
A millionaire past his prime and his young wife arrive in Kenya circa 1940 to find that the other affluent British expatriates are living large as the homefront gears up for war. They are ... See full summary »
Ray Davies' Return To Waterloo should stand up in British culture at least as high as The Who's Tommy and even Pink Floyd's The Wall.
The saying " the mass of men lead lives of quiet desperation" Has always been specifically applied to the British middle classes, and never more so that to Ken Colley's rendition of the Traveller, continuing his daily pilgrimage to Waterloo, to his Estate Agent's Job in the centre of London, despite his possible mental breakdown , or the more disturbing realisation that he may ( or may not ) be the sought after Surrey Rapist.
Like any Rock Opera, what makes this production is the quality of the songs, from the kids at the platform mickying "ladder of success," to the hauntingly beautiful ( and tearfullly sad ) "Have you seen this face" Davies manages to keep many possibilities and happenstances open, until you are unsure if what you are seeing from the Traveller is a collection of morning train daydreams, the visions of a fast decaying mind, or guilt aligning itself to reality and cognisance and the necessary reparations.
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