Rather than adapt a later or create a new Oz story, this production has Dorothy still in posession of the shoes, and she clings to an apple tree during a tornado which takes her back to Oz.... See full summary »
This 150-episode series of shorts chronicles Dorothy's long stay in the land of Oz. The Munchkins are portrayed as tiny globs; the Scarecrow is a fool named Socrates; the Tin Woodman is a ... See full summary »
A frustrated circus magician from Kansas is transported to a magical land called Oz, where he will have to fulfill a prophecy to become the king, and release the land from the Wicked Witches using his great (but fake) powers.
Dorothy Gale has recently come home to Kansas from the Land of Oz is now almost back to perfect health since the incident of the tornado, only she cannot get that wonderful place out of her head. She frequently talks about it and cannot get any sleep at night. Aunt Em worries about her health/well-being. Thinking that she is suffering delusional depression and acute insomnia, she decides to take her to see a special doctor in another town. While he tries to treat her with electro-shock treatment and take those nasty dreams away from her head, she is rescued by a mysterious girl who leads her back to Oz for a new adventure. Written by
Walter Murch never intended for this film to be viewed as a direct sequel to The Wizard of Oz (1939); rather, he intended it as a partial sequel with some direct references (the ruby slippers, actors playing characters in Oz and the "real world") but in closer similarity to the Oz novels (the appearance of the Oz characters, Oz being a real place as opposed to a dream). The misconception that the film was ever meant to emulate the MGM musical probably contributed to its failure at the box office. See more »
The Lead Wheeler's eye make-up changes between scenes. See more »
Your Majesty! SHE has returned to Oz!
The Nome King:
Good, good. Keep an eye on her.
[the Nome pauses, hesitant]
The Nome King:
Well, what's the matter? What is it?
She has a... chicken with her.
The Nome King:
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To truly understand and appreciate "Return to OZ", you've got to know two things.
First off, this is NOT a follow-up to the classic MGM movie. This can't be emphasized enough. It is actually a synthesis of the first five or so sequels to the BOOK. (This isn't a dig at the movie, mind you. If you don't like it on some level or other, you can't be human. It's just that the movie was based on the book in the respect that the characters in the movie had the same names as the characters in the book.)
Secondly, L. Frank Baum's original, printed-page OZ is, quite possibly, the most messed up imaginary universe ever created. There's a land of beings who throw their own heads at you as weapons. There's a land of sentient vegetables who raise *people* in their gardens (think "Motel Hell" and you've got the idea). To top it all off, it turns out that Dorothy's buddies are really good at killing things; in particular the dear, heartless Tin Man who bloodies up his hatchet with unsettling apathy.
What I'm trying to get at here is that "Return to OZ" is an OZ movie that is much more faithful to the books. Much more "THIS is how long you have to be alive!" than "We represent the Lullaby League". I think it goes without saying that you'd be legally insane to show it to little kids, but fantasy fans, OZ enthusiasts, and fans of cult movies should hunt it down as soon as possible.
By the way, please note that the old-school herky-jerky puppets and claymation monsters in this movie are scary as all get out. Compare this to the awful remake of "the Haunting" with it's stupid cartoonish CGI creatures (and this isn't a dig at computer animation, but since the technique is inheritely realist, it's not scary). There is a lesson here.
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