Rather than adapt a later or create a new Oz story, this production has Dorothy still in posession of the shoes, and she clings to an apple tree during a tornado which takes her back to Oz.... See full summary »
Mildred is one of the young girls at a prestigious witch academy. She can't seem to do anything right and is picked on by classmates and teachers. The headmistress of the school, Miss ... See full summary »
This 150-episode series of shorts chronicles Dorothy's long stay in the land of Oz. The Munchkins are portrayed as tiny globs; the Scarecrow is a fool named Socrates; the Tin Woodman is a ... See full summary »
Dorothy Gale has recently come home to Kansas from the Land of Oz is now almost back to perfect health since the incident of the tornado, only she cannot get that wonderful place out of her head. She frequently talks about it and cannot get any sleep at night. Aunt Em worries about her health/well-being. Thinking that she is suffering delusional depression and acute insomnia, she decides to take her to see a special doctor in another town. While he tries to treat her with electro-shock treatment and take those nasty dreams away from her head, she is rescued by a mysterious girl who leads her back to Oz for a new adventure. Written by
Fairuza Balk actually performed most of the film barefoot, as she found her black shoes uncomfortable, and the ruby slippers were very fragile and easily damaged. Thus, the actress only wore shoes when they would be visible on camera. See more »
Tick-Tock's thinking mechanism is activated by winding the key under his left arm, and his talking is activated by winding the one under his right arm. However, when he asks Dorothy to wind his thinking key before entering the ornament room, she winds the one under his right arm. See more »
Patented Clockwork Mechanical Man. Does everything but live. For Thinking, wind number 1 under left arm. For Speaking, wind number 2 under right arm. For Walking & Action, wind number 3, middle of back. Guaranteed to work perfectly for a thousand years.
Aww, you don't believe that do ya?
I don't know. I'll wind him up and we'll see.
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After reading about 40 of the other comments here, all of whom say RETURN TO OZ is dark and disturbing, I will make a different comment. In the early 80s Disney certainly were off the cash trail with a range of films, each expertly produced, that were box office disasters. One may recall SOMETHING WICKED THIS WAY COMES, TRON, THE BLACK CAULDRON, ONE MAGIC Christmas and a few others that had much to offer any thinking crowd,and each had special effects that were quite astonishing. Disney were in a very bleak period and the films, attempting to reflect perhaps a more mature or even grown up perspective chose, oh dear I have to say it: a dark and disturbing theme. At the time of release every critic bleated at the grim and melancholy tone of RETURN TO OZ, and sadly themselves neglected to celebrate the original book look, a choice Disney execs applauded themselves for. One Exec infamously said to us theatre owners: "We're going for the Frank L Baum book illustrations and nothing like that 1939 vaudeville thing". Oh dear, I thought at the time. You mean the world's most popular kids film? Well. $27 million dollars later in production costs returned maybe a quarter in theatre film rentals and RETURN TO OZ for all its merit and lavish production care and superb scary special effects....was consigned to the Disney dud bin. At the time I was irritated by the fixed goony expressions on Jack Pumpkinhead and the Scarecrow (loved Tik-tok, though, a fascinating and completely compelling design and movement piece) This time around I didn't mind it and actually appreciated the fact that they were 'book' expressions. Viewed 20 years later on a Disney DVD of dubious quality, I have to say it is a film more suited to these dark and disturbing times and if released today would certainly get a better reception and better crits...and possibly make a lot of money. I think the world is tuned into this type of family film more now than in the Flashdance 80s. The production values of RETURN TO OZ are simply breathtaking. Scene after scene perfectly realised: the green walled horror of the psychiatric asylum in reel one, the amazing claymation of the Gnome King, and especially the glittering halls of Mombi's castle. One genuinely screamworthy scene in the hall of Heads with a headless Queen rushing about in a nightmarish vision is almost only for adults, so intense is it's genuine horror. The glittering climax of a restored Emerald City is a triumph of green and silver/gold set design, I defy any viewer not to rewind it several times just to see each and every part. Yes nominated for 5 Oscars, it won none and vanished for 20 years. The no-marquee name Fairuza Balk didn't help the public embrace, no matter how exquisite she is. At least she wasn't named Soleil Moon Fry. In the same class as The Dark Crystal and Labyrinth, RETURN TO OZ now deserves its place there as part of a trilogy of superbly crafted fantasy for smart kids and astonished adults. That 'vaudeville thing' it certainly isn't. But not a failure either. The DVD is lacking trailers and production material that should and could be included. Bad Disney! Good film! I also defy any viewer not to shriek with laughter at the Gnome King revealing he is wearing the ruby slippers, a sly joke well presented.
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