When two bumbling employees at a medical supply warehouse accidentally release a deadly gas into the air, the vapors cause the dead to rise again as zombies.
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Having recently witnessed the horrific results of a top secret project to bring the dead back to life, a distraught youth performs the operation on his girlfriend after she's killed in a motorcycle accident.
Director:
Brian Yuzna
Stars:
Kent McCord,
James T. Callahan,
Sarah Douglas
Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
A dedicated student at a medical college and his girlfriend become involved in bizarre experiments centering around the re-animation of dead tissue when an odd new student arrives on campus.
Director:
Stuart Gordon
Stars:
Jeffrey Combs,
Bruce Abbott,
Barbara Crampton
A young man's mother is bitten by a Sumatran rat-monkey. She gets sick and dies, at which time she comes back to life, killing and eating dogs, nurses, friends, and neighbors.
Director:
Peter Jackson
Stars:
Timothy Balme,
Diana Peñalver,
Elizabeth Moody
When a bumbling pair of employees at a medical supply warehouse accidentally release a deadly gas into the air, the vapors cause the dead to re-animate as they go on a rampage through Louisville, Kentucky seeking their favorite food, brains. Written by
Todd A. Bobenrieth <TAB146@PSUVM.EDU>
John A. Russo wrote a script called "The Return of the Living Dead" at the same time that George A. Romero was doing Zombie (1978). An independent producer, Tom Fox, bought Russo's script. He set up production and gave the script to Dan O'Bannon. O'Bannon refused to direct it as it was written. He felt that it was too much of a serious attempt at making a sequel to Night of the Living Dead (1968), and did not want to "...intrude so directly on Romero's turf." It was re-written with more humor. See more »
Goofs
(at around 46mins) When the two paramedics arrive on scene to examine Frank and Freddy, one asks the other about his stethoscope working because he could not find a blood pressure. The second paramedic has the same problem. However, neither are seen with the stethoscopes in their ears. See more »
Quotes
Freddy:
What do doctors use to crack skulls with?
Frank:
[miming a screwing motion]
Surgical drills!
See more »
Crazy Credits
The following phony disclaimer precedes the movie: "The events portrayed in this film are all true. The names are real names of real people and real organizations." See more »
I saw this film when I was around 9 or 10, and I remember loving it back then. Unfortunately, time has not been kind to most of the movies I enjoyed during my youth. Imagine my surprise when I realized that not only was Return of the Living Dead every bit as much fun as when I first saw it, its actually improved!!
First off, this is NOT a serious horror film. It is meant to be viewed as a comedy. Period. Once this perspective is taken, the horror elements are subtly introduced until, towards the end, we almost begin to feel a sense of disgust with ourselves for laughing at these people. I say ALMOST because a few silly decisions here and there (it would have been nice if the movie hadn't ended with recycled footage) turn what could have been the finest, and most disturbing, horror-comedy EVER MADE into a merely excellent one.
Honestly, I challenge anyone to find a "horror-comedy" that delivers laughs, gore, some genuine scares, and combines it with what can only be called the finest acting I've ever seen in a horror-comedy (much less one from the 80's!).
James Karen, Clu Gulager, and Don Calfa absolutely STEAL this movie with their sidesplitting hysterics. Listen to the lines, note the deliveries. These guys are pros! Anyone who could THINK to call their acting "wooden" clearly knows nothing about the traps horror-comedies often fall into. Personally, I was thinking of the OD scene from Pulp Fiction the entire time. The absurdity mixed with tension was eerily similar. Tarantino (an admitted zombie-movie fan) must SURELY have seen this movie upon its initial release. Gulager in particular is just plain brilliant here, he's like a burned out shop teacher fighting zombies!!
This film is a hidden treasure in a genre all too often plagued by mediocrity.
66 of 74 people found this review helpful.
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I saw this film when I was around 9 or 10, and I remember loving it back then. Unfortunately, time has not been kind to most of the movies I enjoyed during my youth. Imagine my surprise when I realized that not only was Return of the Living Dead every bit as much fun as when I first saw it, its actually improved!!
First off, this is NOT a serious horror film. It is meant to be viewed as a comedy. Period. Once this perspective is taken, the horror elements are subtly introduced until, towards the end, we almost begin to feel a sense of disgust with ourselves for laughing at these people. I say ALMOST because a few silly decisions here and there (it would have been nice if the movie hadn't ended with recycled footage) turn what could have been the finest, and most disturbing, horror-comedy EVER MADE into a merely excellent one.
Honestly, I challenge anyone to find a "horror-comedy" that delivers laughs, gore, some genuine scares, and combines it with what can only be called the finest acting I've ever seen in a horror-comedy (much less one from the 80's!).
James Karen, Clu Gulager, and Don Calfa absolutely STEAL this movie with their sidesplitting hysterics. Listen to the lines, note the deliveries. These guys are pros! Anyone who could THINK to call their acting "wooden" clearly knows nothing about the traps horror-comedies often fall into. Personally, I was thinking of the OD scene from Pulp Fiction the entire time. The absurdity mixed with tension was eerily similar. Tarantino (an admitted zombie-movie fan) must SURELY have seen this movie upon its initial release. Gulager in particular is just plain brilliant here, he's like a burned out shop teacher fighting zombies!!
This film is a hidden treasure in a genre all too often plagued by mediocrity.