Having recently witnessed the horrific results of a top secret project to bring the dead back to life, a distraught youth performs the operation on his girlfriend after she's killed in a motorcycle accident.
James T. Callahan,
Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
When a bumbling pair of employees at a medical supply warehouse accidentally release a deadly gas into the air, the vapors cause the dead to re-animate as they go on a rampage through Louisville, Kentucky seeking their favorite food, brains. Written by
Todd A. Bobenrieth <TAB146@PSUVM.EDU>
On the back of Freddy's jacket, in the theatrical version, the words "Fuck You" are displayed. After realizing that the shot could not be used in case it was ever shown on TV, a second jacket was made that says "Television Version" and can be seen in the TV version of the movie. See more »
The radio dispatcher states "We have a 10-32 from E.M.S." "...Request a 10-51 Code 3..." The official Police 10-Codes defines a "10-32" code as a "Man with gun", a "10-51" code as "Wrecker needed" and a "Code 3" as "Emergency lights and siren". The Code 3 reference was the only correctly-used code. See more »
What do doctors use to crack skulls with?
[miming a screwing motion]
See more »
The following phony disclaimer precedes the movie: "The events portrayed in this film are all true. The names are real names of real people and real organizations." See more »
The best comedy is played straight, and there are few films "straighter" than horror movies (in which the intent is, ostensibly, to terrify). Dan O'Bannon's "straight comedy" is gut-bustingly funny. [I also remember being impressed by his performance in the delightful DARK STAR, which turned up at an art house showing along with the STAR WARS parody, HARDWARE WARS.] Intense, and boasting great music and some of the best performances ever seen in a fright film (including Clu Gulager, James Karen and Don Calfa, veterans all, whose frantic on-screen antics are the cornerstones of this film), RETURN OF THE LIVING DEAD is one of those "must-see" movies no serious fan should miss. The cinematography is simply stunning, and the fx are 100% believable. It's amazing that O'Bannon hasn't directed more often: it's clear that he belongs behind a camera.
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