Having recently witnessed the horrific results of a top secret project to bring the dead back to life, a distraught youth performs the operation on his girlfriend after she's killed in a motorcycle accident.
James T. Callahan,
Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
When a bumbling pair of employees at a medical supply warehouse accidentally release a deadly gas into the air, the vapors cause the dead to re-animate as they go on a rampage through Louisville, Kentucky seeking their favorite food, brains. Written by
Todd A. Bobenrieth <TAB146@PSUVM.EDU>
In an unprecedented move, a fan of the film started an internet campaign to get the movie released on DVD. Going beyond simple fan petitions, Michael Allred created a web page consolidating every bit of news relating to the film, and contacted many of the film's principals including the writer and director Dan O'Bannon. He went on to put O'Bannon in touch with MGM (the studio that owned the film) and work began on getting the film released on DVD. O'Bannon and others who worked on the film credited Allred and his campaign for getting the movie released on DVD. See more »
When Spider and Burt rush out of the embalming room toward the police cruiser, a character can twice be seen quickly looking out of the sliding peephole in the door. The second time, it is quite obvious that the person looking out is not Tina or Ernie who by now are the only two people left in the embalming room. See more »
You have no pulse, your blood pressure's zero-over-zero, you have no pupillary response, no reflexes and your temperature is 70 degrees.
Well, what does that mean?
Well, it's a puzzle because, technically, you're not alive. Except you're conscious, so we don't know what it means.
Are you saying we're dead?
Well, let's not jump to conclusions.
Are you saying we're dead?
Obviously I didn't mean you were really dead. Dead people don't move around and talk.
See more »
The credits play over the hilarious scenes of the movie that involve Frank and Freddy. See more »
ROTLD is one of the rare cases where horror meets comedy to good effect. With some classic lines like "you gotta hit the brain" and "watch your mouth kid if you like this job", this film works because it doesn't rely solely on gore or stupidity; the script is very well written.
ROTLD pays homage to George Romero's "Night of the Living Dead" but veers away from the slow lumbering zombies of the '68 classic, and instead gives us "the original" super zombies (ie before 28 days later or Dawn of the Dead remake) that are not so easily dealt with! This proves to be an interesting problem for the script to resolve which I think it does with style by the end of the movie.
The characters are a little predictable and one dimensional except for the lead pair who are introduced at the start of the movie, but that's perhaps the only flaw. What I really like about this movie is that, whilst not entirely a gorefest, it still manages to kick-ass because of the flawless plot. By this I mean that there a few scenarios where you find yourself saying "that's just dumb" or "they'd never do that" etc, which is very rare nowadays in the horror/sci-fi genre. Dramas & thrillers etc get an easy job of it because all they have to do is convince us that their reality is real-life. Horror on the other hand needs to convince that the unreality it portrays is what is real-life, and that's not always an easy task.
ROTLD is funny, sick, clever and above all entertaining if you can stomache some pretty twisted content. Personally, I love it.
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