The Return of the Living Dead (1985)

User Rating:

7.1/10   

Director:

Dan O'Bannon

Writers:

Dan O'Bannon (screenplay) and
Rudy Ricci (story)

Release Date:

16 August 1985 (USA)

Genre:

Comedy | Fantasy | Horror | Sci-Fi | Thriller

Tagline:

They're Back From The Grave and Ready To Party!

Plot:

When a bumbling pair of employees at a medical supply warehouse accidentally release a deadly gas into the air...

Plot Keywords:

Louisville Kentucky | Warehouse | Head Chopped Off | Hit In The Face | Vulgarity

Awards:

4 nominations

Cast

Clu Gulager	...	Burt
James Karen	...	Frank
Don Calfa	...	Ernie
Thom Mathews	...	Freddy
Beverly Randolph	...	Tina
John Philbin	...	Chuck
Jewel Shepard	...	Casey
Miguel A. Núñez Jr.	...	Spider (as Miguel Nunez)
Brian Peck	...	Scuz
Linnea Quigley	...	Trash
Mark Venturini	...	Suicide
Jonathan Terry	...	Colonel Glover
Cathleen Cordell	...	Colonel's Wife
Drew Deighan	...	Paramedic #1
James Dalesandro	...	Paramedic #2

Also Known As:

Return of the Living Dead (USA) (video box title)

Runtime:

91 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Canada:R (Manitoba/Nova Scotia/Ontario) | Finland:K-18 (2002) | West Germany:18 (video premiere) (cut) | Norway:(Banned) (1985-2003) (cinema release) | Denmark:16 | Canada:13+ (Quebec) | Italy:VM14 (new rating) | Italy:VM18 (original rating) | West Germany:18 | Netherlands:16 | Australia:M | France:-12 | Iceland:(Banned) | Mexico:C | UK:18 | USA:R | Finland:(Banned) (1985) | Germany:BPjM Restricted

Filming Locations:

Burbank, California, USA

Company:

Hemdale Film

Trivia:

The lead pipe that Clu Gulager uses in the movie is actually made of rubber. He initially used a real pipe but the crew snuck it away from him and replaced it with a rubber one as Dan O'Bannon was worried about Clu's frequent angry and sometimes violent outbursts.

Goofs:

Errors in geography: Although the titles and characters mention the setting as Louisville, Kentucky, the skyline of downtown L.A., including the much-photographed dome of City Hall, is clearly visible as the crew cruise toward the warehouse early on in the film.

Quotes:

Burt Wilson: Put that gun away, Ernie! Before you shoot somebody!

Movie Connections:

References The Crazies (1973)

Soundtrack:

Burn the Flames

Rabid Weasels?

This is one of those very rare films that combines good black humor with bloody, messy gore and does it perfectly. Where `Children Shouldn't Play With Dead Things' fails miserably, `Return of the Living Dead' succeeds triumphantly. It takes a tired plot (zombies eat teenagers) and makes it new again. The teenagers here are not faceless, stupid, oversexed victims at all. They are misfits and outsiders, the kind of kids who probably go to horror movies every day and make fun of the faceless, stupid, oversexed victims who populated the majority of the slasher films made in the 1980s. The nihilistic punk rock teens can identify with the zombies, and even though it is their ultimate fate to be consumed by them, you like them, you want them to survive and you're sorry to see them go even though the zombies are every bit as cool.

Long before `28 Days Later' appeared, `Return of the Living Dead' presented us with FAST zombies, zombies who could run, jump and work together like a football team, tackling people and making it a group effort to tear their victims apart. There are very few slow, shuffling monsters here; these are zombies to contend with. They talk, they think, they problem solve. Who could ever forget the Tar Man (my personal favorite) rigging up a device to tear down the metal closet doors, behind which our heroine has locked herself?

The adult characters in this film are no less interesting than the teenagers. James Karen is absolutely hysterical in his role as a medical warehouse manager, whose bumbling irresponsibility leads to the zombies being unleashed. Clu Gulager is a stressed out corporate jerk who will do anything to save the name and reputation of the warehouse he owns. And Don Calfa is excellent as the slightly shady mortician who may or may not be an ex-Nazi. The mismatched cast really comes together and forms a bond here, fighting back and growing more desperate as the zombies grow stronger. This film never lets up, not for one minute. There are no long explanation scenes, no boring set-up, just in-your-face excitement from the very first scene. It is the perfect homage to the Romero films; there is no happy ending here, only an ironic twist which will make even the most cynical doomsayer grin. This film is already a cult classic and deserves its status. It's as close to flawless as you can get.