When a bumbling pair of employees at a medical supply warehouse accidentally release a deadly gas into the air, the vapors cause the dead to re-animate as they go on a rampage through ... See full summary »
A man decides to turn his moribund life around by winning back his ex-girlfriend, reconciling his relationship with his mother, and dealing with an entire community that has returned from the dead to eat the living.
One morning a young man wakes to find a small, disgusting creature has attached itself to the base of his brain stem. The creature gives him a euphoric state of happiness but in return demands human victims.
When a liquor store owner finds a case of "Viper" in his cellar, he decides to sell it to the local hobos at one dollar a bottle, unaware of its true properties. The drinks causes its ... See full summary »
A group of men head to a remote village to help one of their friends get over his divorce; when they get there, though, they discover that all the women have been infected with a virus that makes them man-hating cannibals.
When a bumbling pair of employees at a medical supply warehouse accidentally release a deadly gas into the air, the vapors cause the dead to re-animate as they go on a rampage through Louisville, Kentucky seeking their favorite food, brains. Written by
Todd A. Bobenrieth <TAB146@PSUVM.EDU>
The best comedy is played straight, and there are few films "straighter" than horror movies (in which the intent is, ostensibly, to terrify). Dan O'Bannon's "straight comedy" is gut-bustingly funny. [I also remember being impressed by his performance in the delightful DARK STAR, which turned up at an art house showing along with the STAR WARS parody, HARDWARE WARS.] Intense, and boasting great music and some of the best performances ever seen in a fright film (including Clu Gulager, James Karen and Don Calfa, veterans all, whose frantic on-screen antics are the cornerstones of this film), RETURN OF THE LIVING DEAD is one of those "must-see" movies no serious fan should miss. The cinematography is simply stunning, and the fx are 100% believable. It's amazing that O'Bannon hasn't directed more often: it's clear that he belongs behind a camera.
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