Having recently witnessed the horrific results of a top secret project to bring the dead back to life, a distraught youth performs the operation on his girlfriend after she's killed in a motorcycle accident.
James T. Callahan,
Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
One morning a young man wakes to find a small, disgusting creature has attached itself to the base of his brain stem. The creature gives him a euphoric state of happiness but in return demands human victims.
When a bumbling pair of employees at a medical supply warehouse accidentally release a deadly gas into the air, the vapors cause the dead to re-animate as they go on a rampage through Louisville, Kentucky seeking their favorite food, brains. Written by
Todd A. Bobenrieth <TAB146@PSUVM.EDU>
The eye-test poster (seen most clearly after Frank and Freddy run into Burt's office after hearing the first re-animated cadaver) in Burt's office actually reads "Burt is a slave driver and a cheap son of a bitch who's going bald too haha" if you put the letters together (pause the Blu-ray at around 17:29 into the movie for a clear shot). See more »
(at around 1h 5 mins) When the first two police officers arrive on the scene of the two disabled ambulances, a man with black curly hair is visible in the backseat of the cruiser (seen through the rear-view mirror). See more »
The best comedy is played straight, and there are few films "straighter" than horror movies (in which the intent is, ostensibly, to terrify). Dan O'Bannon's "straight comedy" is gut-bustingly funny. [I also remember being impressed by his performance in the delightful DARK STAR, which turned up at an art house showing along with the STAR WARS parody, HARDWARE WARS.] Intense, and boasting great music and some of the best performances ever seen in a fright film (including Clu Gulager, James Karen and Don Calfa, veterans all, whose frantic on-screen antics are the cornerstones of this film), RETURN OF THE LIVING DEAD is one of those "must-see" movies no serious fan should miss. The cinematography is simply stunning, and the fx are 100% believable. It's amazing that O'Bannon hasn't directed more often: it's clear that he belongs behind a camera.
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