Having recently witnessed the horrific results of a top secret project to bring the dead back to life, a distraught youth performs the operation on his girlfriend after she's killed in a motorcycle accident.
James T. Callahan,
Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
When a bumbling pair of employees at a medical supply warehouse accidentally release a deadly gas into the air, the vapors cause the dead to re-animate as they go on a rampage through Louisville, Kentucky seeking their favorite food, brains. Written by
Todd A. Bobenrieth <TAB146@PSUVM.EDU>
The combination to the lock on the freezer door is 22 (right) - 4 (left) - 10 (right). See more »
The ash from the mortuary incinerator is implied to mix with the rain that is falling to make a zombie creating brew. Even though the amount of rain is shown to be a heavy downpour (several inches accumulate in the cemetery in a short amount of time) there is no way that the rain/ash mix could penetrate through six feet of soil and a coffin in the short time portrayed. Even heavy rains will penetrate no more than a few inches of soil. It takes months if not years for water to penetrate to lower layers of soil. This is even more the case given the soil type that is around the Louisville Ky region where the movie is supposed to take place. See more »
I love this film to living death ... Every actor got the right part, and they all got the part right. High camp, higher parody, positively hilarious scenes so well set up that a mere facial gesture delivers the punchline, sometimes only a few beats of music delivers. In the midst of all this ripping off of Romero's "Night of the Living Dead", it borders on worship of its inspiration. Pathos holds hands with hilarity, genuinely creepy scenes bleed into high gear humor. I haven't found a misstep. There is a high quotient of "Oh s**t" scenes and they all work. The undraped Quigley is neither gratuitous or prurient; just imagine the movie without her character; loses much. This is a delicious, feverish living dead romp that plays out to one crackerjack musical score. Everything meshes, everything works. How do you fault a film that gets it all right? This title will survive a long long time.
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