Trivia
A book entitled 'The Complete History of the Return of the Living Dead' by authors Christian Sellers and Gary Smart was released in 2010. The book includes hundreds of previously unseen images, exclusive interviews with various cast and crew and charts the rise and fall of the franchise.
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Goofs
Immediately after Trash emerges from the mud, the movie fades to a clip of rain with smoke rising. The clip is looping in forward and reverse, as you can see the rain and smoke rising and falling several times, pausing briefly between each cycle.
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Quotes
Paramedic #1:
You have no pulse, your blood pressure's zero-over-zero, you have no pupillary response, no reflexes and your temperature is 70 degrees.
Freddy:
Well, what does that mean?
Paramedic #1:
Well, it's a puzzle because, technically, you're not alive. Except you're conscious, so we don't know what it means.
Freddy:
Are you saying we're dead?
Paramedic #2:
Well, let's not jump to conclusions.
Freddy:
Are you saying we're dead?
Paramedic #2:
No conclusions.
Paramedic #1:
Obviously I didn't mean you were really dead. Dead people don't move around and talk.
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Soundtracks
"Dead Beat Dance"
Performed by Straw Dogs
Composed by Straw Dogs
Produced by Straw Dogs
(Used in Hemdale's 1991 Release in lieu of Dead Beat Dance)
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The best comedy is played straight, and there are few films "straighter" than horror movies (in which the intent is, ostensibly, to terrify). Dan O'Bannon's "straight comedy" is gut-bustingly funny. [I also remember being impressed by his performance in the delightful DARK STAR, which turned up at an art house showing along with the STAR WARS parody, HARDWARE WARS.] Intense, and boasting great music and some of the best performances ever seen in a fright film (including Clu Gulager, James Karen and Don Calfa, veterans all, whose frantic on-screen antics are the cornerstones of this film), RETURN OF THE LIVING DEAD is one of those "must-see" movies no serious fan should miss. The cinematography is simply stunning, and the fx are 100% believable. It's amazing that O'Bannon hasn't directed more often: it's clear that he belongs behind a camera.