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Rendez-vous (1985)

 -  Drama | Romance  -  15 May 1985 (France)
6.6
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Ratings: 6.6/10 from 1,437 users  
Reviews: 13 user | 7 critic

A provocative erotic drama, stylishly rendered by Andre Techine, who won the Best Director award at the Cannes Film Festival for this compelling investigation into the intersection of sexual and artistic passion.

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Title: Rendez-vous (1985)

Rendez-vous (1985) on IMDb 6.6/10

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2 wins & 7 nominations. See more awards »
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Cast

Credited cast:
...
Quentin
...
...
Paulot
...
Scrutzler
Dominique Lavanant ...
Gertrude
...
L'administratrice
Jean-Louis Vitrac ...
Fred
Philippe Landoulsi ...
Le régisseur
Olimpia Carlisi ...
Olimpia
Rest of cast listed alphabetically:
Caroline Faro ...
Juliette
Katsumi Furukata
Arlette Gordon ...
La journaliste branchée
Madeleine Marie
...
L'acteur de la pièce
Michèle Moretti ...
Daisy
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Storyline

A woman and three men. Nina, who's come to Paris to act and sleeps with any man at hand, meets Paulot, a young estate agent; he's smitten. She also meets Paulot's flatmate Quentin, a compulsive who stalks her. To Paulot's jealous dismay, she's willing to sleep with Quentin, and wants Paulot's friendship. After a desperate act by Quentin, Nina and Paulot share a flat, but she still won't take him as a lover; instead, her energy goes into a production of "Romeo and Juliet" directed by a detached, intense man who becomes her father figure. Quentin's ghost taunts her, Paulot wants to end all contact, and the director plans to return to London. The art of the theater may be her only refuge. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

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Details

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Language:

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Release Date:

15 May 1985 (France)  »

Also Known As:

André Téchiné's Rendez-Vous  »

Filming Locations:


Company Credits

Production Co:

,  »
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Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

André Téchiné cast Binoche after seeing her in _La vie de famille (1985)_ . See more »

Quotes

Quentin: So you're going to play Juliet! The tea-or-chocolate wench wants to be a princess. Alas, it's a story about love, an emotion you're incapable of feeling. You're too shallow to imagine it, too common to understand it.
See more »

Crazy Credits

John XII 24: "Unless a grain of wheat falls to the ground and dies, it remains but a grain of wheat; but if it dies, it produces much fruit." See more »

Connections

References Le choc (1982) See more »

Soundtracks

Au clair de la lune
(uncredited)
Written by Jean-Baptiste Lully
Sung by Olimpia Carlisi
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Pointless drivel
13 February 2008 | by (United Kingdom) – See all my reviews

Juliette Binoche was only 21 when she made this film, but it was her eighth film. This is really a pointless, offensive, and ridiculous film for which the director was of course awarded Best Director at Cannes, and Binoche was awarded a Best Actress Cesar (which proves how crazy judges can be, and how perverted they are as well). I imagine Juliette Binoche must be hideously embarrassed to think this terrible film of her cavorting around naked in compromising situations is still available on DVD. It is harder than soft porn, and purely gratuitous in its graphic displays. Binoche was not at all interesting at the age of 21, and all of her fascinating qualities developed later when she began to look like a woman: as a girl, she was seriously dull. I do not mean to say that Binoche did a bad job of acting; on the contrary, she did very well, but why bother? This film is a wet dream fantasy of a sick director of the 'let's get the lead actress's kit off quick' school of thought. Everybody in the film is obsessed with sex, death, and all those really new things none of us has ever thought about, so we need the wacko director to remind us. Why didn't he just make a sexy vampire film and be less affected and pompous? If you want horror, death, and sex, there are always vampires to turn to. Instead, we have here a lot of twaddle about Shakespeare and other mock-profundities. How absurd this all is. Binoche ought to get her kit back on. Really, there was no point in taking it off. On the other hand, there is a Cesar for the mantlepiece, I suppose. But was it worth it? This is a film only for psychotics.


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