A provocative erotic drama, stylishly rendered by Andre Techine, who won the Best Director award at the Cannes Film Festival for this compelling investigation into the intersection of sexual and artistic passion.
At the age of 20, Martin leaves his home town and comes to Paris, where he fortunately becomes a model by chance. He meets Alice, his brother's friend, and falls in love with her. They ... See full summary »
The only thing more outrageous than French novelist George Sand's torrid love affair with the decadent author Alfred de Musset and her affinity for wearing men's clothing, was the content ... See full summary »
In the woods, a 13-year-old boy is grabbed by an escaped convict and told to bring money later that day. The boy does as he's told, only to be attacked by the convict's partner. A murder ... See full summary »
In this modern retelling of the Virgin birth, Mary is a student who plays basketball and works at her father's petrol station; Joseph is an earnest dropout who drives a cab. The angel ... See full summary »
This is an affecting story about a father's attempts to mend the breaches in the relationship between himself and his 10-year-old daughter. Emmanuel (Sami Frey) is the father of Elise (Mara... See full summary »
Focuses primarily on three women and the (unseen) man who goes in and out of their lives. One member of this trio is a saleswoman with an open relationship that suddenly closes when she ... See full summary »
Julien is a left-leaning student whose politics and love interest end up clashing as the young man makes a long, epic journey through his years at a private school in Paris when Algeria is ... See full summary »
Two quarreling lovers from opposite sides of the economic scale take central stage in this drama about Veronique and Adrien. Veronique is wealthy and from the provinces, Adrien is ... See full summary »
Al and Elsa have been a couple for some time, but the chances that their relationship will be long-lived are few. For one thing, Al is appallingly dependent on Elsa for his every emotional ... See full summary »
A woman and three men. Nina, who's come to Paris to act and sleeps with any man at hand, meets Paulot, a young estate agent; he's smitten. She also meets Paulot's flatmate Quentin, a compulsive who stalks her. To Paulot's jealous dismay, she's willing to sleep with Quentin, and wants Paulot's friendship. After a desperate act by Quentin, Nina and Paulot share a flat, but she still won't take him as a lover; instead, her energy goes into a production of "Romeo and Juliet" directed by a detached, intense man who becomes her father figure. Quentin's ghost taunts her, Paulot wants to end all contact, and the director plans to return to London. The art of the theater may be her only refuge. Written by
So you're going to play Juliet! The tea-or-chocolate wench wants to be a princess. Alas, it's a story about love, an emotion you're incapable of feeling. You're too shallow to imagine it, too common to understand it.
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John XII 24: "Unless a grain of wheat falls to the ground and dies, it remains but a grain of wheat; but if it dies, it produces much fruit." See more »
Juliette Binoche was only 21 when she made this film, but it was her eighth film. This is really a pointless, offensive, and ridiculous film for which the director was of course awarded Best Director at Cannes, and Binoche was awarded a Best Actress Cesar (which proves how crazy judges can be, and how perverted they are as well). I imagine Juliette Binoche must be hideously embarrassed to think this terrible film of her cavorting around naked in compromising situations is still available on DVD. It is harder than soft porn, and purely gratuitous in its graphic displays. Binoche was not at all interesting at the age of 21, and all of her fascinating qualities developed later when she began to look like a woman: as a girl, she was seriously dull. I do not mean to say that Binoche did a bad job of acting; on the contrary, she did very well, but why bother? This film is a wet dream fantasy of a sick director of the 'let's get the lead actress's kit off quick' school of thought. Everybody in the film is obsessed with sex, death, and all those really new things none of us has ever thought about, so we need the wacko director to remind us. Why didn't he just make a sexy vampire film and be less affected and pompous? If you want horror, death, and sex, there are always vampires to turn to. Instead, we have here a lot of twaddle about Shakespeare and other mock-profundities. How absurd this all is. Binoche ought to get her kit back on. Really, there was no point in taking it off. On the other hand, there is a Cesar for the mantlepiece, I suppose. But was it worth it? This is a film only for psychotics.
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