Mitch is one of the youngest students ever accepted to a university known for its programs for geniuses. He's partnered up with his roommate, science club legend Chris Knight, on a project to develop a high-powered laser. Together with their hyper-kinetic friends, they employ their intellects in the pursuit of bigger blasts, practical jokes, and a deeper understanding of what real genius is. When their final, functional laser is stolen by their teacher for a military weapon, they decide to get even. Written by
Who ELSE can turn lasers into light shows, aircraft into armchairs, and high-tech into hijinks?
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Did You Know?
When Mitch rides the cart into the steam tunnels, the viewer briefly sees the quotation, "Against stupidity the gods themselves contend in vain" scrawled on the left wall. These are the original words of the German poet Friedrich Schiller. Relevant to the film, Isaac Asimov named three separate stories "Against Stupidity", "The Gods Themselves" and "Contend in Vain". He later combined them into a 1972 science fiction novel about a conspiracy by aliens who inhabit a parallel universe with different physical laws than ours, and who are trying to turn our Sun into a supernova in order to collect the resulting energy for their use. See more
When Kent tattles to Dr. Hathaway about Chris and Mitch being at a party with girls, Kent stands in front of a teleprompter on a television studio set, while Dr. Hathaway is taping an episode of "Everything". Assuming these are through-the-lens teleprompters for television cameras (so that the on-air performer, in this case Dr. Hathaway, can both read the text and look directly into the camera lens and talk to the TV audience), the shot of the monitor showing Hathaway looking around for his script and yelling, "Kent" would not be possible. Kent would be blocking the camera as well, and so all you'd see on that monitor would be black (i.e., Kent's body blocking the camera). Unless, of course, the monitor was showing the output of another camera, but in all likelihood, the in-studio monitor as depicted would be the program monitor, showing the "hot" camera, and Hathaway was trying to look into that very camera and read his teleprompter script. Not only that, but in reality Kent would have never been allowed on a presumably closed set to block a camera/teleprompter in the first place. See more
Kent puts his name on his license plate.
My mom does the same thing to my underwear.
Your mom puts license plates in your underwear? How do you sit?
You're the Only Love
Performed by Paul Hyde
and the Payolas
Courtesy of A&M Records See more