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| Sylvester Stallone | ... | Rambo | |
| Richard Crenna | ... | Col. Samuel Trautman | |
| Charles Napier | ... | Marshall Murdock | |
| Steven Berkoff | ... | Lt. Col. Podovsky | |
| Julia Nickson | ... | Co | |
| Martin Kove | ... | Ericson | |
| George Cheung | ... | Tay (as George Kee Cheung) | |
| Andy Wood | ... | Banks | |
| William Ghent | ... | Captain Vinh | |
| Voyo Goric | ... | Sergeant Yushin (as Vojo Goric) | |
| Dana Lee | ... | Captain Kinh | |
| Baoan Coleman | ... | Gunboat Captain | |
| Steve Williams | ... | Lifer | |
| Don Collins | ... | P.O.W. #1 | |
| Christopher Grant | ... | P.O.W. #2 | |
| John Sterlini | ... | P.O.W. #3 | |
| Alain Hocquenghem | ... | P.O.W. #4 | |
| William Rothlein | ... | P.O.W. #5 | |
| Tony Munafo | ... | Prison Guard | |
| Tom Gehrke | ... | Russian Pilot | |
| rest of cast listed alphabetically: | |||
| Roger Cudney | ... | Chief Radio Operator (uncredited) | |
| John Pankow | ... | POW #6 (uncredited) | |
| John Sabol | ... | Radio Operator (uncredited) | |
Directed by | |||
| George P. Cosmatos | |||
Writing credits | ||
| David Morrell | (characters) | |
| Kevin Jarre | (story) | |
| Sylvester Stallone | (screenplay) and | |
| James Cameron | (screenplay) | |
Produced by | |||
| Mel Dellar | .... | associate producer | |
| Buzz Feitshans | .... | producer | |
| Mario Kassar | .... | executive producer | |
| Andrew G. Vajna | .... | executive producer (as Andrew Vajna) | |
Original Music by | |||
| Jerry Goldsmith | |||
Cinematography by | |||
| Jack Cardiff | (director of photography) | ||
Film Editing by | |||
| Larry Bock | |||
| Mark Goldblatt | |||
| Mark Helfrich | |||
| Gib Jaffe | |||
| Frank E. Jimenez | |||
Casting by | |||
| Rhonda Young | |||
Production Design by | |||
| Bill Kenney | |||
Set Decoration by | |||
| William Ladd Skinner | (as William Skinner) | ||
| Sig Tingloff | |||
Costume Design by | |||
| Tom Bronson | |||
Makeup Department | |||
| Bertha Chiu | .... | hair stylist: Mexico | |
| Kay Cole | .... | hair stylist | |
| Leonard Engelman | .... | makeup creator (as Leonard Engleman) | |
| Elvira Oropeza | .... | makeup artist: Mexico | |
| Pamela S. Westmore | .... | makeup artist (as Pamela Westmore) | |
Production Management | |||
| Anuar Badin | .... | production manager: Mexico | |
| Fred Rollin | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Mario Cisneros | .... | first assistant director: Mexico (as Mario Cisneros Rivera) | |
| Patrick Kinney | .... | second assistant director | |
| Fred Rollin | .... | first assistant director | |
| Peter MacDonald | .... | second unit director (uncredited) | |
Art Department | |||
| Roy Barnes | .... | assistant art director | |
| Dennis Butterworth | .... | greensman | |
| Martín Cárdenas Moreno | .... | prop master: Mexico (as Martin Cardenas Moreno) | |
| Enrique Estévez | .... | set decorator: Mexico (as Enrique Estevez Labastida) | |
| Howard Hester | .... | construction coordinator | |
| Agustín Ituarte | .... | art director: Mexico (as Augustin Ituarte Salazar) | |
| Fred Lucky | .... | illustrator | |
| Dennis J. Parrish | .... | prop master (as Dennis Parrish) | |
| Ward Welton | .... | set painter | |
| Moises Pineda | .... | production buyer (uncredited) | |
Sound Department | |||
| Fred J. Brown | .... | supervising sound editor (as Frederick J. Brown) | |
| Juno J. Ellis | .... | adr editor | |
| David W. Gray | .... | stereo sound consultant: Dolby (as David Gray) | |
| Denise Horta | .... | sound editor | |
| Rick Kline | .... | sound re-recording mixer | |
| Donald O. Mitchell | .... | sound re-recording mixer | |
| Kevin O'Connell | .... | sound re-recording mixer | |
| Margie O'Malley | .... | foley artist (as Margie Denecke) | |
| Michelle Pleis | .... | assistant sound editor | |
| Michele Sharp | .... | sound editor | |
| Rob Young | .... | sound mixer | |
Special Effects by | |||
| Federico Farfán | .... | special effects man: Mexico (as Federico Farfan) | |
| Thomas L. Fisher | .... | special effects coordinator (as Thomas Fisher) | |
| Jay King | .... | special effects (as Jay Bee King) | |
| William Purcell | .... | special effects | |
| Cliff Wenger Jr. | .... | special effects | |
Stunts | |||
| Simone Boisseree | .... | stunts (as Simone Michelle Boisseree) | |
| Brad Bovee | .... | stunts (as Bradley Bovee) | |
| Phil Chong | .... | stunts | |
| Yukio Collins | .... | stunts | |
| Danny Costa | .... | stunts (as Daniel Costa) | |
| Mark De Alessandro | .... | stunts | |
| Diamond Farnsworth | .... | stunt coordinator (as Richard 'Diamond' Farnsworth) | |
| George Fisher | .... | stunts (as George Jury Fisher) | |
| Joseph Hieu | .... | stunts | |
| Jeff Imada | .... | stunts (as Jeffrey Imada) | |
| Loren Janes | .... | stunt coordinator: helicopter unit | |
| Robert Jauregui | .... | stunts | |
| Mike Johnson | .... | stunts (as John Michael Johnson) | |
| Steve Kelso | .... | stunts | |
| Eric Lee | .... | stunts | |
| Harry Mok | .... | stunts | |
| Dan Munson | .... | stunts | |
| Vernon Rieta | .... | stunts (as Vernon Paul Rieta) | |
| Bill M. Ryusaki | .... | stunts (as Bill Ryusaki) | |
| Ben Scott | .... | stunts (as Benjamin Raymond Scott) | |
| John-Clay Scott | .... | stunts (as John Wendall Clay Scott) | |
| Daniel Wong | .... | stunts (as Daniel Thompson Wong) | |
| Anthony Cecere | .... | stunts (uncredited) | |
| Mark De Alessandro | .... | stunt double: Sylvester Stallone (uncredited) | |
| Jay King | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Franco Bruni | .... | camera operator | |
| Mariano Garcia Cabrera | .... | gaffer: Mexico | |
| John Cardiff | .... | camera operator | |
| Aldo Colanzi | .... | key grip (as Aldo Colonzi) | |
| Bruno Colanzi | .... | best boy grip (as Bruno Colonzi) | |
| Dave Friedman | .... | still photographer | |
| Luciano Leoni | .... | chief gaffer | |
| Peter MacDonald | .... | director of photography: helicopter unit | |
| Fiorangelo Plocco | .... | best boy | |
| Massimiliano Sano | .... | first assistant camera | |
| Salvador 'Apache' Serrano | .... | dolly grip: Mexico (as Salvador Serrano Perez) | |
| Salvador Vázquez | .... | chief grip: Mexico (as Salvador Vazquez) | |
| Stan McClain | .... | camera operator: aerial unit (uncredited) | |
Casting Department | |||
| Jesús Guerrero | .... | casting: Mexico (as Jesus Guerrero) | |
| Donna Rosenstein | .... | casting associate | |
Costume and Wardrobe Department | |||
| Haleen K. Holt | .... | costume illustrator (uncredited) | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
| Shelley Brown | .... | assistant editor | |
| Sergio Ortega | .... | assistant film editor: Mexico | |
| Robert Raring | .... | color timer (as Bob Raring) | |
| Florent Retz | .... | assistant editor (as Danny Retz) | |
| Hilarie Roope | .... | assistant editor | |
| Ron South | .... | assistant editor | |
Music Department | |||
| Bruce Botnick | .... | music recording consultant | |
| Kenneth Hall | .... | music editor (as Kenny Hall) | |
| Arthur Morton | .... | orchestrator | |
| Tom Boyd | .... | musician: oboe soloist (uncredited) | |
Transportation Department | |||
| Moe Blay | .... | driver | |
| John Cahill | .... | driver | |
| Jon Carpenter | .... | driver captain | |
| Donald Collis | .... | driver | |
| Terry Collis | .... | transportation coordinator | |
| Vic Cuccia | .... | driver | |
| Bob Dewitt | .... | driver (as Bob DeWitt) | |
| Joe Dugan | .... | driver | |
| Russell H. Hoverson | .... | driver captain (as Russell Hoverson) | |
| Kendall A. Reed | .... | driver (as Kendall Reed) | |
| Michael Stevenson | .... | driver | |
Thanks | |||
| Cliff Wenger Jr. | .... | dedicatee | |
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| Rambo | Rambo III | First Blood | The Green Berets | The Professional: Golgo 13 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
First Blood and Rambo are completely different movies. They have same two characters bu that is where the similarity ends. First Blood was a tightly wound excellent action picture directed very well by Ted Kotcheff. Rambo is an action extravaganza that is not to high on the psychological element the way the first one was. They are both excellent films but I find them entertaining for different reasons. One of the reasons that I find Rambo so damn entertaining is because I enjoy that Rambo is now larger than life. He is the ultimate fighting machine who's only desire is to win a war that someone else lost, and if winning means he has to die then he'll die, no fear, no regrets. That is what makes Rambo the ultimate fighting machine and the ultimate movie character.
I love this movie. I love how far fetched it is. I love that Rambo can withstand hours of torture and then have enough energy to escape into the jungle and take on the whole Vietnemese and Russian army. That is what makes this movie so damned entertaining. When I was 14, this was my favourite movie, and it took a great many films and years before it was dethroned. I think I can enjoy and appreciate movies like Apocalypse Now and JFK better than when I was 14, but my love for Rambo and films of its kind will never diminish. This movie is amazing from start to finish.
Rambo's mission in this film is to go back to Vietnam and see if he can find a certain camp that may be harbouring POW's. But if he finds these men, he can only take pictures. He has a problem with that and when he does find one he is left behind by the "stinkin bureaucrat" named Murdoch who orders the mission aborted before Trautman can pick him up. It is while Rambo is captured that the movie becomes tight, tense and incredibly entertaining. Rambo is also fun to watch on a physical level. Stallone was in the best shape of his life in 1985 as he simultaneously made Rambo and Rocky IV. He is huge, ripped and strong as hell in this movie and it is his psychical presence that adds to his persona. He single handedly goes through a whole army and lives to go get the bastards that left him behind. Rambo is one of the old school feel good summer type movies.
Rambo does not claim to be JFK or Mississippi Burning in the sense that it wants you to leave the theater with a message. It has its own beliefs that is for certain, but what Rambo does just like Raiders does is, it entertains. It has you rooting and cheering for Rambo and dissing and swearing at the bad guys for 90 minutes. It is so much fun that I highly recommend this film to anyone who likes to be entertained. Leave your politics for some other movie, that is not what Rambo is about. It is about being entertained and wearing your emotions on your sleeve. That is what is beautiful about this movie. It doesn't apologize for being a bit over the top. Neither should you, for enjoying the film. It is a true wonder. A great piece of entertainment.