Cecilia is a waitress in New Jersey during the Depression and is searching for an escape from her dreary life. Tom Baxter is a dashing young archaeologist in the film "The Purple Rose of Cairo." After losing her job Cecilia goes to see the film in hopes of raising her spirits. Much to her surprise Tom Baxter walks off the screen and into her life. There's only one problem..Tom isn't real. Meanwhile Hollywood is up in arms when they dicover that other Tom Baxters are trying to leave the screen in other theatres. Will Tom ever return and finish the film or will he decide to stay in the real world? Written by
Ricky Darbonne <firstname.lastname@example.org>
Jeff Daniels replaced Michael Keaton in the lead male role. Keaton was originally cast footage was shot for ten days. Director Woody Allen decided it wasn't working feeling, that Keaton, despite a good performance so far, was miscast being too contemporary for the part and was not fitting well into this period movie. Keaton had taken sizable salary cut to do a film with Allen. Apparently, Keaton was to appear in another later Allen film to make-up for this disappointment, but to date [June 2013], this has yet to occur. See more »
Although the film's fictional namesake has scenes filmed in the Copacabana club in New York, the club was not open until November 1940. This is not consistent with the actual film, which is set during the Great Depression. See more »
Enchanting bittersweet fantasy...surreal and very original...
THE PURPLE ROSE OF CAIRO has got to be one of the most original and inventive of all the films Woody Allen has done--and all the more enjoyable because we're not subjected to the Allen character in the film itself. Instead, we get MIA FARROW (one of her very best performances) and JEFF DANIELS in what has to be the most original role of his career, as the man who walks off the movie screen and into Farrow's humdrum life.
Farrow is the Depression-era movie fan whose film idol walks right off the screen and interjects himself into her life--brightening it, at least for awhile, until the rather downbeat ending. DANNY AIELLO, as Mia's abusive husband and DIANNE WIEST have good supporting roles, but the story really depends on the wonderful chemistry between Farrow and Daniels--and they truly bring the bittersweet comedy and fantasy to credible life.
Furthermore, the script is not only very clever, but the film is technically brilliant in the way it has the film within a film characters on the screen interacting with the movie audience.
Summing up: Stylish mixture of comedy and fantasy, fully deserving the many nominations and awards it won that year.
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