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The Purple Rose of Cairo (1985)

7.7
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Ratings: 7.7/10 from 28,741 users   Metascore: 75/100
Reviews: 118 user | 56 critic | 7 from Metacritic.com

In 1930s New Jersey, a movie character walks off the screen and into the real world.

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Title: The Purple Rose of Cairo (1985)

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Nominated for 1 Oscar. Another 17 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Monk
Irving Metzman ...
Theater Manager
Stephanie Farrow ...
David Kieserman ...
Diner Boss
Elaine Grollman ...
Diner Patron
Victoria Zussin ...
Diner Patron
Mark Hammond ...
Diner Patron
Wade Barnes ...
Diner Patron
Joseph G. Graham ...
Diner Patron
Don Quigley ...
Diner Patron
Maurice Brenner ...
Diner Patron
...
Penny Pitcher
Rick Petrucelli ...
Penny Pitcher
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Storyline

Cecilia is a waitress in New Jersey during the Depression and is searching for an escape from her dreary life. Tom Baxter is a dashing young archaeologist in the film "The Purple Rose of Cairo." After losing her job Cecilia goes to see the film in hopes of raising her spirits. Much to her surprise Tom Baxter walks off the screen and into her life. There's only one problem..Tom isn't real. Meanwhile Hollywood is up in arms when they dicover that other Tom Baxters are trying to leave the screen in other theatres. Will Tom ever return and finish the film or will he decide to stay in the real world? Written by Ricky Darbonne <nsdar8115@alpha.nsula.edu>

Plot Summary | Add Synopsis

Taglines:

She's finally met the man of her dreams. He's not real but you can't have everything. [Video]


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

9 May 1985 (Australia)  »

Also Known As:

La rosa púrpura del Cairo  »

Box Office

Budget:

$15,000,000 (estimated)

Gross:

$10,600,000 (USA)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Jeff Daniels's Gil Shepherd character has the same first name as Owen Wilson's Gil character in Woody Allen's later film Midnight in Paris (2011) made and released about twenty-six years later. See more »

Goofs

As Cecilia and Gil play and sing in the music store, the camera casts a shadow in the lower left that disappears as it pulls back to a wide angle shot. See more »

Quotes

[first lines]
Theater Manager: Oh Cecilia, be careful! You all right?
Cecilia: Yeah.
Theater Manager: You're gonna like this one, it's better than last week's, more romantic.
See more »

Crazy Credits

Alexander Cohen's name is listed as "Alexander H. Cohen" in the opening credits, although the middle initial is dropped in the end credits. See more »

Connections

References Okay, America! (1932) See more »

Soundtracks

I Love My Baby, My Baby Loves Me
(1925)
Music by Harry Warren
Lyrics by Bud Green
Sung by Jeff Daniels (uncredited) with Loretta Tupper (uncredited) on piano
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Flawless in its own way, a pure pleasure to sit back and lose yourself
23 November 2010 | by (United States) – See all my reviews

The Purple Rose of Cairo (1985)

There's no way you can't like the ingenuity of the movie, and the fun it has. It's about the joy of life, and love of the movies, and the difficulty to tell the difference sometimes (at least when in the theater).

In some ways this is one of Woody Allen's lightest movies, and certainly lightweight compared to the more serious movies of this period (like the stunning gem, "Another Woman"). It's not zany like his earliest comedies ("Love and Death"). And it's not deeply observant and sometimes downright moving and brilliant like his best movies (like "Annie Hall" or "Crimes and Misdemeanors"). In that way it feels like what some novelists would call an "entertainment" to distinguish from their heavier masterpieces, and sometimes these are the most readable of all. Or the most watchable.

"The Purple Rose of Cairo" is inventive, warm, and touching. It's really high brow hilarious when the people on the screen react to the situation, not only because of the existential reality shift going on, but because they are all high brow types. Then there are the everyday scenes with Mia Farrow, the lead actress in the real world (usually), and support from Danny Aiello, really just a foil for the main romances (two) going on with Farrow (singular). It's not as complicated as it sounds, which might prove the elegance of Allen's writing.

A beautiful, delicate movie without undo weightiness. Joyous, yes, even in its melancholy end.


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More movies where the line between movie and reality is blured? michael-rager
I don't like the ending. osrick_derwood
Did Gil really love Cecilia? dianax007
Gil on the Airplane - I have a theory yttimsmc11
Allen's View of the Impact of Film on Audience? Prof_Handel
Same House as Godfather? RTomasi97
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