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The Purple Rose of Cairo (1985)

7.7
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Ratings: 7.7/10 from 29,687 users   Metascore: 75/100
Reviews: 122 user | 57 critic | 7 from Metacritic.com

In 1930s New Jersey, a movie character walks off the screen and into the real world.

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Title: The Purple Rose of Cairo (1985)

The Purple Rose of Cairo (1985) on IMDb 7.7/10

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Nominated for 1 Oscar. Another 17 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Monk
Irving Metzman ...
Theater Manager
Stephanie Farrow ...
David Kieserman ...
Diner Boss
Elaine Grollman ...
Diner Patron
Victoria Zussin ...
Diner Patron
Mark Hammond ...
Diner Patron
Wade Barnes ...
Diner Patron
Joseph G. Graham ...
Diner Patron
Don Quigley ...
Diner Patron
Maurice Brenner ...
Diner Patron
...
Penny Pitcher
Rick Petrucelli ...
Penny Pitcher
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Storyline

Cecilia is a waitress in New Jersey during the Depression and is searching for an escape from her dreary life. Tom Baxter is a dashing young archaeologist in the film "The Purple Rose of Cairo." After losing her job Cecilia goes to see the film in hopes of raising her spirits. Much to her surprise Tom Baxter walks off the screen and into her life. There's only one problem..Tom isn't real. Meanwhile Hollywood is up in arms when they dicover that other Tom Baxters are trying to leave the screen in other theatres. Will Tom ever return and finish the film or will he decide to stay in the real world? Written by Ricky Darbonne <nsdar8115@alpha.nsula.edu>

Plot Summary | Add Synopsis

Taglines:

She's finally met the man of her dreams. He's not real but you can't have everything. [Video]

Genres:

Comedy | Romance

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

9 May 1985 (Australia)  »

Also Known As:

La rosa púrpura del Cairo  »

Box Office

Budget:

$15,000,000 (estimated)

Gross:

$10,600,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Second and final of two Woody Allen films featuring actress Stephanie Farrow, sister of Mia Farrow. The first had been Zelig (1983) around two years earlier. See more »

Goofs

As Cecilia and Gil play and sing in the music store, the camera casts a shadow in the lower left that disappears as it pulls back to a wide angle shot. See more »

Quotes

[first lines]
Theater Manager: Oh Cecilia, be careful! You all right?
Cecilia: Yeah.
Theater Manager: You're gonna like this one, it's better than last week's, more romantic.
See more »

Crazy Credits

Alexander Cohen's name is listed as "Alexander H. Cohen" in the opening credits, although the middle initial is dropped in the end credits. See more »

Connections

Spoofed in Interactive (1993) See more »

Soundtracks

I Love My Baby, My Baby Loves Me
(1925)
Music by Harry Warren
Lyrics by Bud Green
Sung by Jeff Daniels (uncredited) with Loretta Tupper (uncredited) on piano
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Fresh and inventive Woody.
29 January 2005 | by (Wolves, England) – See all my reviews

The Purple Rose of Cairo really does rate up there with Woody's best - from Annie Hall, Manhattan to the earlier, more slapstick efforts, such as Love and Death and Sleeper. Cairo happens to be one of the best 80's movies Woody actually made - Crimes and Misdeameanours and Braodway Danny Rose being other greats.

The reason why I think that Cairo is better than the other 80's efforts is that the idea is really inventive. The movie raises so many questions of reality and fantasy, but does so in a highly surreal fashion. The switching of scenes, from reality to fantasy (movie) made me realise where movies take us as a viewer. Cecelia finds solace in the world of movies and comes up against the decision of which is better - the perfect world of movie, or reality, where things are never certain.

Jeff Daniels is so enigmatic in this movie. Not only as Tom, the screen legend, but as Gil the actor. Two very different characters, both played brilliantly. Mia Farrow is great as usual, and shows how broad her talent is (Broadway Danny Rose and Radio Days - both very different characters. Danny Aiello is good as the lazy slob-of-a-husband, Monk.

Like Radio Days, Woody isn't actually on screen (he narrated Radio Days, mind) and in a way this eased me up. Woody is fantastic when he is on screen, but this film benefited from losing his neurotic nature, and instead concentrated on the era, the love of movies and the complex themes of a movie within a movie. I will admit, some neurosis is retained in the dialogue (talk of morality to prostitutes!) - and this added to the surreal nature of the movie.

This has to be one of my favourite films Woody has directed. Annie Hall probably being my fave, Manhattan, Crimes and Misdeamenours and Sleeper following. Cairo is so constantly fresh and inventive, I couldn't help being captivated during it's short running time. I recommend this to any fan - or any lover of movies themselves. A real treat.


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More movies where the line between movie and reality is blured? michael-rager
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