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|Index||30 reviews in total|
I DIDNT HATE IT! which really surprised me, because everyone on IMDb said this movie totally sucked and I went in expecting the worst. Sure Jackie is miscast, but other than the addition of curse words, his character isnt any darker than in Crime Story or Police Story 2. The action is slow, but better than any of the American action junk I've ever seen. Plus, there is tons of full-frontal nudity! Bet you didnt expect that from a Jackie Chan movie, did ya? I can understand why JC was disappointed with it, because it is nowhere near as good as almost any of his other 80's-90's movies, but it aint all that bad. Go in thinking you will hate it, and you just might like it.
This movie is a lot better than people say it is. Sure, it's not a typical Jackie Chan movie, but it's good anyway. It has lots of action and is better than most of the buddy cop movies of the 1980's. Don't expect this to be like all of his other movies and you may like it. I did.
Jackie Chan's strength is in my opinion his talent in performing action comedy and fighting in creative settings. This movie puts Jackie Chan in an average cop-action movie that hardly takes advantage of Jackie Chan's strength. If someone else has played the role that Jackie Chan played in this movie, the movie could be a decent one. But Jackie Chan's presence in the movie gives expectation of something else than what this movie is. This is the problem of this movie: using Jackie Chan in an unsuitable role; or on the flip side, giving the role to someone unsuitable for this movie, Jackie Chan.
Jackie Chan had no control of this movie (at least the American version).
The director somehow thought that Jackie would come across better to
audiences as a Dirty Harry cop! Didn't he realize that Chan is popular
because of his stunts and kung-fu action? Apparently not, because in an
interview years later, the director said he didn't regret his decision and
kept claiming that Americans wouldn't accept Chan's Asian
Back in Hong Kong, Chan re-shot the movie extensively, adding car chases and kung fu action. He also edited out a lot of the American director's idiotic stuff. That version is supposed to be quite good. This American version? It's AWFUL! You'd never guess what Chan is capable of by just watching this movie. The action scenes here are *dull*. Yes, *dull*.
By the way, Chan next did POLICE STORY, as a "take that!" to that American director (James Glickenhaus, who hasn't done much lately. Hmm...wonder why....). See that movie instead of this!
After constantly reading and hearing nothing but negative opinions about the American produced, but also filmed in Hong Kong Jackie Chan vehicle 'The Protector'. It didn't sway me from checking it out. I'm no Jackie Chan fan, but honestly it was director James Glickenhaus' name which fed my interest. Best known for the 80s exploitative vigilante flick 'The Exterminator (1980)' and some entertaining action joints 'The Soldier (1982)' and 'Shakedown (1985). 'The Protector' does have the same vibe of his early efforts; gritty, brutal, rough and seamy. And I would call it lesser work. However the main talking point will always be how Glickenhaus used Jackie Chan. Yes, Chan is wasted in a role that would've been better suited for someone else (Norris comes to mind, as it has more in common with his stuff), as his martial arts abilities and amusing characteristics are never truly capitalized on. I'm so use to seeing him with that *wink, wink* attitude (Project A) and piling on those extravagantly energy-packed stunt work (Police Story). It's a different kettle, and very atypical. Here he looks uncomfortable throughout with that hardboiled edge. Just listen to his sober delivery of the dialogues. That endearing personality is kept in check. This performance seemed to ask more on dramatic acting, than his psychical and lively talent. He's pairing up with Danny Aiello (a loutish cop) couldn't be anymore disjointed and unbelievable. The chemistry never felt right, but with these problems I still was mesmerized. The rest of the performances (Bill Wallace, Roy Chiao) were indifferent. Look out for a short appearance by Mike Starr. While it didn't have the on-going rush I was expecting, Chan gets some furious and hard-hitting action sequences (like the opening slow-motion bloody shoot-out, tricky boat chase (one by water and the other by foot) and a marvellous sky-high balancing act). The film doesn't start off too badly, but when it hits Honk Kong. The copy and paste formula with its many predictable outcomes (involving the seedy crime underworld and the buddy style of two rogue cops) seems to plod along rather coldly. At least there's something enticing about the moody Hong Kong scenery, and ace cinematographer Mark Irwin's crisp moving camera-work is expansively fleshed-out. Effectively detailing the backdrop. Glickenhaus' direction is scratchy, but he knows how to set-up street style locations and infuse sleaze (especially the opportunities that arose to squeeze in nudity). It cops a lot shtick, but without the expectations it's a passable odd of sorts.
This movie was so good. People wrote that this movie sucks and stuff but they are dead wrong this movie has lots of action and some classic stunts from the master hismself Jackie Chan. This movie is also kind of a drama but mostly action and some comedy. Also has a great fight scene at he end.
(57%) Back in the mid 80's Mr Chan didn't much care for this movie as he felt it was made not fully utilising his talent, for which I can understand. Featured here there's none of his trademark comedic fights, or insanely dangerous stunts, instead we get a gritter, more typically 1980's R-rated American action flick with plenty of shoot-outs, fist fights and explosions. The level of strong language, along with quite a lot of nudity also sets this apart from the usual Chan flick, but I cannot say I didn't enjoy this. The action is solid with plenty of it, and for a medium budgeted 80's action flick this is better than average.
In the second attempt to introduce martial arts superstar Jackie Chan
to the North American market (after "The Big Brawl" in 1980), ever
likable Jackie is amusingly miscast as Billy Wong, an NYC cop who,
after some hot dog heroics, is demoted to crowd control at a fashion
show, where he's partnered with Danny Garoni (the engaging Danny
Aiello). Unfortunately, they prove to be pretty useless and Laura
Shapiro (Saun Ellis), daughter of a wealthy big shot, is kidnapped by
goons working for dastardly Hong Kong mobster Mr. Ko (Roy Chiao). Billy
and Danny manage to convince their commissioner to let them travel to
HK to advise and assist local authorities in defeating Ko and rescuing
Laura, but of course these two mavericks are pretty much just going to
do whatever they want to do.
There are *some* fine moments here for Chan fans, but there simply may not be enough. The tone *is* rather gritty, but although there's not a lot of outright comedy, the movie does still have a sense of humour. Chan has some fine action and fight sequences, especially one around the halfway point where he's trying to pursue a henchman escaping by boat. The stunts near the end are impressively scary. Writer / director James Glickenhaus ("The Exterminator") does a very fine job in utilizing the various HK locations. Jackie does his best in the lead, with Aiello offering fine support and Chiao being just right as our glowering bad guy. Jackie does have a decent if not spectacular climactic fight with fellow martial artist Bill Wallace. All things considered, it's not hard to see why Chan himself and some of his fan base might not care for the movie, but there is an alternate cut now available on Blu-ray with additional scenes created by Jackie himself, to better suit his vision (he really had no control on this feature at the time).
In any event, it's worth noting the presence of a couple of familiar faces among the supporting cast, including Becky Ann Baker, John Spencer, Mike Starr, Big John Studd, and Trey Wilson.
It would take another 11 years before North America finally, really took notice of Jackie with the release of "Rumble in the Bronx".
Six out of 10.
This movie is not Jackie's style at all.He is born to play cartoonish,witty characters in far fetched situations like in "Winners and Sinners",but this is just a cold,heartless,clich'ed,dull and boring American action movie.I once read the opening sequence hailed as being"a rival for James Bond films for elaborate thrills".The scene,which is a speed boat chase,is one of the most boring and dragged out action scenes I have ever seen,and the outcome(Jackie beind lifted from a helicopter out of the boat and it crashing into the other boat and exploading)can be seen coming a mile away.I also once read that Chan considered this one of his worst movies.I agree with him wholeheartdly.The ending title song(called the protector)is the worst title song I have ever heard.(those that have seen it will know,as long as they didn't switch off by then).And by the way,who exactly is he protecting?
This movie suffers from the fact that for years Hollywood had no clue as to how to package Jackie Chan for the masses. His low-budget Hong Kong movies were all fast-paced kinetic thrillers that highlight his amazing gymnastic skills and talent for light comedy. His early Hollywood films stuck him in the same movies that were being packaged for Stallone or Chuck Norris. There is nothing about Chan's character in this movie that requires the character to be Asian except for his being the star. In his Hong Kong films Chan is never dull, with the movies being one rapid-fire martial arts sequence after another, but "The Protector" is lifeless throughout. Danny Aiello isn't given much to work with either and the lacking chemistry between the two probably is more a result of the script and direction than how the two actors got on together. Both have been better in worse movies. The best thing about the movie is the Hong Kong settings. The worst part is the appalling way that Jackie Chan comes off so colorless and drab. It wouldn't be until the made-in-Canada "Rumble in the Bronx" that the west would finally figure out how to make a good Jackie Chan movie.
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