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A professional hit man and hit woman fall in love.

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(novel), (screenplay) | 1 more credit »
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Won 1 Oscar. Another 24 wins & 25 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Eduardo Prizzi
...
Angelo 'Pop' Partanna
...
Don Corrado Prizzi
Lee Richardson ...
Michael Lombard ...
Rosario Filargi 'Finlay'
...
George Santopietro ...
Plumber
...
Lt. Hanley
...
Peaches Altamont (as C.C.H. Pounder)
Ann Selepegno ...
Amalia Prizzi
...
Phil Vittimizzare
...
Bluestone
Sully Boyar ...
Casco Vascone
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Storyline

Charley Partanna is a hit-man who works for the Prizzis, one of the richest crime syndicate families in the country. Unbeknownst to Charley,the Prizzis just hired Irene Walker, a free-lance killer, to eliminate someone who double-crossed them. When Irene and Charley fall in love their jobs become complicated. Their jobs become impossible when each is given a contract that neither can go through with. Written by Tiff Banks

Plot Summary | Add Synopsis

Taglines:

Hired killers by day. Devoted lovers by night. Until they found their next assignment was each other.

Genres:

Comedy | Crime | Drama | Romance

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

14 June 1985 (USA)  »

Also Known As:

El honor de los Prizzi  »

Box Office

Gross:

$26,700,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?


Goofs

The first time Jack Nicholson and Kathleen Turner's characters have sex, Turner is seen on top of Nicholson naked and her right breast and nipple are clearly visible. After they tumble over together, the next shot of Turner on top shows her wearing a nude colored 'modesty' bra/bandeau. See more »

Quotes

Irene Walker: I can't get over it. What kinda creep wouldn't catch a baby? If it was real it coulda been crippled for life.
Charley Partanna: He wasn't paid to bodyguard the baby.
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Soundtracks

Overture to 'Gianni Schicchi'
Composed by Giacomo Puccini
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User Reviews

 
Genius
5 July 2009 | by (Los Angeles) – See all my reviews

The humor in Prizzi's Honor comes from the everyday humanity of its characters juxtaposed with the fact that the family business entails killing people, so, like in the funeral business, death is discussed (and dealt out) matter-of-factly. The screenplay sparkles throughout, character- driven and organic despite the many plot twists, with a masterful consistency of style. Its point of view is completely amoral, which maybe makes certain 21st century viewers uncomfortable.

Anjelica Huston is a force of nature in the film -- by turns defiant, vulnerable, manipulative, sexual, heartbroken, and innocently delighted. Every moment she's on screen she delivers absolute raw conviction.

The film suffers slightly from the need to condense a novel's worth of material into 2 hours, and maybe certain plot points and motivations could have been a little more developed. For example, Kathleen Turner is strong and believable, but it would have been great to see a little deeper into the darkness and contradictions of her character.

The cast of supporting characters seems to embody facets of John Huston's persona and his dry, macabre sense of humor. William Hickey's performance as the Don is a spectacle unto itself. "Have another cooooookie" LOL. John Randolph (the Jeffrey Tambor of the '80s), Lee Richardson, and Robert Loggia are all flawless.

Fascinating to see Jack Nicholson play completely against type, as a simple-minded and earnest character. He pulls it off brilliantly, although it's a bit puzzling that the Don would entrust him with running the business -- again, probably something that fell through the cracks when adapting the novel.

How weird that none of the online reviews or comments mention the time period. They obviously had a lot of fun with it -- at first it seems to be the 1920s, as Anjelica Huston mentions that as a decorator she does "Art Deco" (a term that I believe was coined well after the actual period in which it was in vogue); then Kathleen Turner tells Jack Nicholson her car is an Excalibur, which is an '80's car made to look like something from the olden days. Later they're driving a Ford van from the '60s. Anjelica at one point goes to meet an informant in full-on Alexis Carrington drag, but most of the sets and costumes are '40s film noir inspired.


5 of 6 people found this review helpful.  Was this review helpful to you?

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Horrendously dull... an appalling film! EddieLarge
Did Angelica deserve the oscar for this? RueMcClanahan
Prefer this or Mr + Mrs Smith.. eighties_child
Why are the comments on this movie so bad? multiple_personality
Nicholson/Turner chemistry imdb-12490
What kind of name is Pprizzi wownanman
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