Directed by | |||
| Jerry Paris | |||
Writing credits | ||
| Neal Israel | (characters created by) & | |
| Pat Proft | (characters created by) | |
| Barry W. Blaustein | (written by) (as Barry Blaustein) & | |
| David Sheffield | (written by) | |
Produced by | |||
| John Goldwyn | .... | executive producer | |
| Leonard C. Kroll | .... | co-producer (as Leonard Kroll) | |
| Paul Maslansky | .... | producer | |
Original Music by | |||
| Robert Folk | |||
Cinematography by | |||
| James Crabe | (director of photography) | ||
Film Editing by | |||
| Bob Wyman | |||
Casting by | |||
| Pamela Basker | |||
| Fern Champion | |||
Production Design by | |||
| Trevor Williams | |||
Set Decoration by | |||
| Robert C. Furginson | (as Bob Furginson) | ||
| Dennis W. Peeples | (as Dennis Peeples) | ||
Costume Design by | |||
| Bernie Pollack | |||
Makeup Department | |||
| Stephen Abrums | .... | makeup artist (as Steve Abrums) | |
| Michael F. Blake | .... | makeup artist | |
| Dorothea Long | .... | hair stylist | |
| Elizabeth Rabe | .... | second hair stylist (uncredited) | |
Production Management | |||
| Sascha Schneider | .... | production manager | |
Art Department | |||
| Mike Garcia | .... | lead man | |
| Larry Johnson | .... | set dresser | |
| Richard Lind | .... | construction coordinator | |
| Tom Miller | .... | assistant property master (as Thomas Miller) | |
| Steve Nelson | .... | set dresser | |
| Sal Sommatino | .... | property master | |
| Serge Genitempo | .... | stand-by painter (uncredited) | |
| Drew Struzan | .... | poster artist (uncredited) | |
| Randal Woodward | .... | lead painter (uncredited) | |
Sound Department | |||
| Stuart Chasmar | .... | sound editor (as Stu Chasmar) | |
| Gail Clark Burch | .... | adr editor (as Gail Clark) | |
| Ringo De Van Nuys | .... | boom operator | |
| Dennis Diltz | .... | sound editor | |
| Dan Finnerty | .... | sound editor | |
| Edward Hirsch | .... | sound editor (as Ed Hirsch) | |
| Michael Jiron | .... | rerecording mixer | |
| Adam Johnston | .... | assistant sound editor | |
| Dale Johnston | .... | supervising sound editor | |
| David Kelson | .... | sound recordist | |
| Charles McCann | .... | sound editor (as Charels W. McCann) | |
| Bill Nelson | .... | production sound mixer | |
| Tom Ruff | .... | adr mixer | |
| Allen L. Stone | .... | rerecording mixer (as Allen Stone) | |
| Richard Weaver | .... | rerecording mixer | |
| Dan Harville | .... | post-production sound designer (uncredited) | |
Special Effects by | |||
| James Fredburg | .... | special effects | |
| John J. Hawkins | .... | special effects | |
| Richard Ratliff | .... | special effects coordinator | |
| John Robles | .... | special effects (as John B. Robles) | |
| Steve Wolke | .... | special effects (as Steven Wolke) | |
Stunts | |||
| Daniel W. Barringer | .... | stunts (as Daniel Barringer) | |
| Kenny Bates | .... | stunts (as Kenneth Bates) | |
| Ted Duncan | .... | stunts | |
| Joe Dunne | .... | stunt coordinator | |
| Robert Elmore | .... | stunts (as Bob Elmore) | |
| Gene Hartline | .... | stunts | |
| Hubie Kerns Jr. | .... | stunts (as Hubie Kerns) | |
| David LeBell | .... | stunts (as David Lebell) | |
| Tom Morga | .... | stunts | |
| Alan Oliney | .... | stunts | |
| Victor Paul | .... | stunts | |
| Bernie Pock | .... | stunts (as Bernhard Pock) | |
| Karen Price | .... | stunts | |
| Spiro Razatos | .... | stunts | |
| Angelo Reno | .... | stunts | |
| Wink Roberts | .... | stunts | |
| Dar Robinson | .... | stunts | |
| Thomas Rosales Jr. | .... | stunts (as Thomas Rosales) | |
| Bill M. Ryusaki | .... | stunts (as Bill Ryusaki) | |
| Brian J. Williams | .... | stunts (as Brian Williams) | |
| Cindy Wills | .... | stunts | |
| Michael M. Vendrell | .... | stunt double (uncredited) | |
Camera and Electrical Department | |||
| Richard J. Beban | .... | second camera assistant | |
| Mike Benson | .... | camera operator (as Michael A. Benson) | |
| John W. Brumshagen | .... | gaffer (as John Brumshagen) | |
| Tom Cox | .... | best boy (as Thomas P. Cox) | |
| Johnny London Jr. | .... | grip (as John London Jr.) | |
| John London | .... | key grip (as John E. London) | |
| Elliott Marks | .... | still photographer | |
| Tom May | .... | best boy (as Tom May II) | |
| Tom D. May | .... | best boy (as Tom May II) | |
| Dennis McLean | .... | dolly grip | |
| Glen Noorda | .... | grip | |
| Joseph E. Thibo | .... | first camera assistant | |
| Alex Rodriguez | .... | set lighting technician (uncredited) | |
| Dennis Young | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Tom Dickason | .... | wardrobe | |
| Kathy O'Rear | .... | wardrobe | |
| Nick Scarano | .... | wardrobe | |
Editorial Department | |||
| Donah Bassett | .... | negative cutting | |
| Don Guidice | .... | additional editing | |
| Jack Harnish | .... | additional editing | |
| Christopher Kroll | .... | assistant film editor | |
| Kristin McCray | .... | assistant film editor (as Kristen McCray) | |
| Richard Ritchie | .... | color timer | |
| Ben Williams | .... | assistant film editor | |
Music Department | |||
| Christopher Brooks | .... | music editor | |
| David Chackler | .... | music supervisor | |
| Robert Fernandez | .... | scoring mixer | |
| Paula Spang | .... | music coordinator | |
| George Doering | .... | musician (uncredited) | |
| James Thatcher | .... | musician: French horn (uncredited) | |
Transportation Department | |||
| Bob Hendrix | .... | transportation coordinator | |
| Ed Wirth | .... | transportation captain (as Eddie Wirth) | |
Other crew | |||
| Rob Bloch | .... | dog trainer | |
| Kenneth E. Fix | .... | location manager (as Kenneth Fix) | |
| Patricia Johnson | .... | publicist | |
| Kevin Jones | .... | production associate | |
| Uriy Kuztnetsov | .... | production associate | |
| Kelliann Ladd | .... | production associate | |
| Kim Lindemeon | .... | dog trainer (as Kim Lindemoen) | |
| Dolores Morris | .... | assistant: Mr. Paris | |
| Ray Quiroz | .... | script supervisor | |
| Susan Roether | .... | production secretary | |
| Richard Rosenberg | .... | location manager | |
| Jan Tucker | .... | craft service (uncredited) | |
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| Police Academy | Rush Hour 2 | Police Academy 4: Citizens on Patrol | Police Academy 3: Back in Training | Rush Hour |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Police Academy is such a classic, it has some of the best laughs and is just such a great time to watch it wither it's by yourself or with a group of friends. So I couldn't resist, I had to see the sequels, but I was really nervous when I kept checking all the ratings for the sequels, they're all pretty low and below average. So I was expecting Police Academy 2: Their First Assignment to be absolutely bad, but actually I did laugh quite a bit. I admit this was below what the first one was with the laughs and the story, but I felt like it was a decent follow up with the first Police Academy movie. It was cool to see the old gang back together and just having fun like they did in the first film. The story is a little weak but it's still a lot of fun to watch and has some great laughs.
A violent, well, um, if that's the right word, a violent gang has moved in on the town and are just making it into a havoc for anyone to live in. They are also making a mockery of the police, well, that's not too hard to do since they're pretty incompetent, so the chief wants a new team. He is given the class of '84, who haven't had any good jobs since they graduated, but now they are back together to get this gang out of town. At first they just end up screwing just as badly, but come together to be the best police force in town.
Police Academy 2: Their First Assignment in my opinion is a fun movie, I think the 4.8 rating is a little harsh, I understand the low 5's, but I think the reason why is because it is a little less than the first Police Academy movie, now of course I would say to stick with the original for right now, but I wouldn't shy you away from the sequel. Anyone who says they didn't laugh once during this movie must be lying, because the scene where they put super glue in their Sergent's shampoo was beyond hilarious, it's a classic. So just go ahead and have fun with this movie, I think you'll enjoy it.
5/10