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Police Academy 2: Their First Assignment (1985)

PG-13 | | Comedy | 29 March 1985 (USA)
When a new gang moves into town it's up to the screwball police team to stop them.


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Cast overview, first billed only:
Zed (as Bob Goldthwait)
Ed Herlihy ...


Mahoney and friends have graduated from the Police Academy (1984) and are issued with their first assignments. As before, their cheerfulness and devotion to duty outweigh any shortcomings, but are they ready to do battle with a band graffiti daubing terrorists? Written by Rhino <rhino@blueyonder.co.uk>

Plot Summary | Plot Synopsis


To protect, to serve... and make you laugh. America's funniest crimebusters are back! See more »




PG-13 | See all certifications »

Parents Guide:





Release Date:

29 March 1985 (USA)  »

Also Known As:

Police Academy II  »


Box Office


$7,600,000 (estimated)

Opening Weekend USA:

$10,675,896, 31 March 1985

Gross USA:

See more on IMDbPro »

Company Credits

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Technical Specs


Sound Mix:



Aspect Ratio:

1.85 : 1
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Did You Know?


When Schtulman throws his sock at the locker, a magnet was placed inside the sock, to ensure it clung to the locker. See more »


After Tackleberry tells Mahoney that he is in love with Kathleen Kirkland, he asks him to "keep this 10-35". 10-35 is the radio code for backup, while 10-36 is the code for confidential information. See more »


Lt. Mauser: That is all. Thanks for your time.
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Officer Hooks: Asshole!
Lt. Mauser: That's two!
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Thin Ice
Performed by Pam Tillis
Written by Tena Clark (as Tena R. Clark) & Wayne Perkins
Produced by Tena Clark (as Tena R. Clark)
Published by Catdaddy Music
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User Reviews

The debut of the Bobcat...
25 August 2004 | by See all my reviews

Ask most people who felt that Police Academy 5 fell flat on its face, and they will tell you that the franchise couldn't cope without its top-billed star, Steve Guttenberg. This is only part of the truth. The fact is that after Police Academy 2, the series had two top-billing stars. The other one was Bobcat Goldthwait, he with the amazing power to convince audiences that screaming and nervous tics constitutes a comedy act. Together, these two could have made any B-grade comedy film a masterpiece, but they soon decided they had better things to do.

Bobcat's performance here is fairly standard stuff for him. Simply act like a brutish thug who obviously took too much acid during the 1970s, and let nature take its course. Given that he only appears in the film's final act after some fairly hilarious shenanigans from the rest of the cast, the fact that his is the most memorable performance in the entire film should tell you a lot.

The rest of the film is all about the original cast, as well as several new faces obviously intended as substitutes for the old that weren't brought back, acting out a situation where they're no longer misfits looking for a new path in life, but still trying to make the grade where their superiors are concerned. Never mind that recruits like Tackleberry would never get within shouting distance of passing the Academy's psych screening, it's what they did after the fact that this film covers.

This episode also marks the debut of Michael Winslow's Bruce Lee schtick, which remains a poignant example of how much easier it was to laugh in a world without political correctness. However, instead of a main player, Winslow is relegated to a sideline act for this episode. Which is hardly surprising. In spite of numerous players being excised from the original cast, this sequel looks and feels overcrowded. As a result, each of the Police Academy sequels sees the characters taking turns at development.

In Police Academy 2, Tackleberry gets his turn to be developed, and boy what a turn it is. The concept of this nutter finding a woman, who in turn has an entire family, that shares his enthusiasm for firearms, is one that wouldn't go amiss in a horror film. David Graf was probably one of the most underrated performers in the franchise, making it all the more disappointing that he is not with us to be part of Police Academy 8.

Interestingly, the people in Police Academy films who are set up as the true villain are always those who actively seek advancement, be it by fair means or foul. The heroes, by contrast, are content to remain where they are, and advance quietly from sequel to sequel. Perhaps this is a subtle social commentary? If so, I'd say it came about purely by accident. The idea that a Police Academy writer could do something so clever on purpose is pretty laughable.

In all, Police Academy 2 gets a two out of ten from me. It's not nearly as horrible as those that came after, but it does show that the makers were running out of ideas already.

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