During shopping for Christmas, Frank and Molly run into each other. This fleeting short moment will start to change their lives, when they recognize each other months later in the train ... See full summary »
Robert De Niro,
An autobiographical look at the breakup of Ephron's marriage to Carl "All the President's Men" Bernstein that was also a best-selling novel. The Ephron character, Rachel is a food writer at... See full summary »
A film is being made of a story, set in 19th century England, about Charles, a biologist who's engaged to be married, but who falls in love with outcast Sarah, whose melancholy makes her ... See full summary »
The story of Karen Silkwood, a metallurgy worker at a plutonium processing plant who was purposefully contaminated, psychologically tortured and possibly murdered to prevent her from exposing blatant worker safety violations at the plant.
Substance-addicted Hollywood actress Suzanne Vale is on the skids. After a spell at a detox centre her film company insists as a condition of continuing to employ her that she live with her... See full summary »
Zina, the daughter of Leon Trotsky by his first wife, is undergoing freudian analysis in Berlin in the 'thirties. Meanwhile Trotsky is in exile in Prinkipo having been driven from power by ... See full summary »
Susan Traherne has been irreparably changed by her wartime experiences as a Resistance fighter. She sets out in the post-war world to make her way to what she wants, no matter who is hurt, or how. Written by
The original Broadway production of "Plenty" by David Hare opened at the Plymouth Theater in New York on January 6, 1983, ran for 92 performances and was nominated for the 1983 Tony Award for the Best Play. See more »
In the night time scene on the bridge wit Susan and Nick, after she's told him she wants to have a child with him, even though the time period is supposed to be early 50s the vehicles passing in the background are clearly contemporary. See more »
David Hare's brilliant stage play has been translated beautifully to the screen. The peculiar English trait of natural melancholy radiates throughout this sad exercise of seeing all through the lens of British class consciousness, repression and despair. The color photography, the performances, the stifling framing of the widescreen shots all add to the oppressive beauty of a story about the self-destruction of a preternaturally beautiful woman. Mery Streep has never been better before or since. Hare makes her intellectual acuity a weapon against herself as she sees through all the ghastly pretenses of a corroding Empire. No insight, no beauty of body, no letting go of formality and pretense can save her from herself. Feminism itself is taken to the burning stake as Streep's character thrashes, Hedda Gabbler like, against walls and prohibitions beyond her understanding. Rarely has such condemnation looked so ravishing.
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