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In the scene where Meryl Streep and Charles Dance meet for the first time in her apartment in England, after he removes her coat and the camera starts a slow dolly in (right after she says "A commute on the cross-channel ferry"), a wheel of the dolly is visible in the reflection of the painting of the cherubs on the wall. See more »
I would stop, I would stop, I would stop fucking talking if I ever heard anybody else say anything worth fucking stopping talking for!
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This is one film which has grown on me since I saw it on main circuit. It is an intelligent film, which demands a lot of active viewing. Aided with an incisive script by David Hare, it looks at Britain's history from the end of WWII, through to Queen Elizabeth's coronation the Suez Crisis, all counterpointed by the lead character, Susan Treherne (played, in I think one of her best moments, by Meryl Streep.) The film plays on the word "Plenty" and the hope for UK after WWII that there would be plenty - in itself ironic. It is also a study of a woman afflicted by bipolar disorder (manic-depression). This is not the focus of the film; in fact, it is never explicitly stated.... At the time portrayed, psychiatric illness wasn't acknowledged - it tended to be swept under the carpet.
Streep imbues Susan with a dignity, despite her liking to "lose control"; there are excellent performances by Sam Neill (Lazar, her war-time "love"), Tracey Ullman, Sting, Charles Dance (her long-suffering husband) and John Gielgud (as the diplomat who takes the fall for the Suez Crisis.) It's not an easy film, but worth watching and discussing. It must be one of the most underrated films on IMDb.
Do yourself a favour, ACTIVELY engage with this. Don't let this film be overshadowed by Meryl Streep's other films of this time, like the overrated Out of Africa. They don't hold a torch to this film!
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