During shopping for Christmas, Frank and Molly run into each other. This fleeting short moment will start to change their lives, when they recognize each other months later in the train ... See full summary »
Robert De Niro,
An autobiographical look at the breakup of Ephron's marriage to Carl "All the President's Men" Bernstein that was also a best-selling novel. The Ephron character, Rachel is a food writer at... See full summary »
A film is being made of a story, set in 19th century England, about Charles, a biologist who's engaged to be married, but who falls in love with outcast Sarah, whose melancholy makes her ... See full summary »
The story of Karen Silkwood, a metallurgy worker at a plutonium processing plant who was purposefully contaminated, psychologically tortured and possibly murdered to prevent her from exposing blatant worker safety violations at the plant.
Zina, the daughter of Leon Trotsky by his first wife, is undergoing freudian analysis in Berlin in the 'thirties. Meanwhile Trotsky is in exile in Prinkipo having been driven from power by ... See full summary »
Susan Traherne has been irreparably changed by her wartime experiences as a Resistance fighter. She sets out in the post-war world to make her way to what she wants, no matter who is hurt, or how. Written by
Many critics dismissed the movie as being just a filmed version of David Hare's stage play. In fact Hare re-wrote about 60 percent of the material for the film. See more »
In the apartment of Susan and Alice there is a floor lamp looking like the famous Arco designed by Achille Castiglioni. That scene is happening in the 1950s, whereas Arco was designed in 1962. See more »
I would stop f***ing talking if there were anything worth stopping f***ing talking for
I guess I've seen all of Meryl Streep's movies--even the silly one where her head is on backwards--but I think she was never better than in Plenty. It's basically a story about an English woman who risked her young life working for the French underground during the war and had the highest hopes for the world that would follow after the war ended. The film traces her increasing disgust with what in fact did follow.
She takes a succession of jobs--clerk for a shipping company, functionary for QE II's coronation, assistant producer for a TV ad company--while simultaneously married to stiff but devoted British diplomat Charles Dance and intermittently entertained by bohemian Tracy Ullman. Throughout all her disillusionment she hangs on to the memory of a quick affair with an English paratrooper she met in France. A token he gave her becomes the symbol of her hope.
Dance is top-notch as her long-suffering husband, trying to cope with her bouts of instability. Gielgud is excellent as Dance's boss, an ambassador trying to cope with British foreign policy. A short encounter between Streep and a Foreign Service bureaucrat, no less than Ian McKellan, is a sterling scene. Throughout the film the dialogue is as sharp as a razor.
All in all, I can't think of any film which more pointedly contrasts the drama of the war years with the anti-climax of the post-war years. It gives new meaning to The Best Years of Our Lives.
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