Susan Traherne has been irreparably changed by her wartime experiences as a Resistance fighter. She sets out in the post-war world to make her way to what she wants, no matter who is hurt, or how. Written by
The original Broadway production of "Plenty" by David Hare opened at the Plymouth Theater in New York on January 6, 1983, ran for 92 performances and was nominated for the 1983 Tony Award for the Best Play. See more »
In the apartment of Susan and Alice there is a floor lamp looking like the famous Arco designed by Achille Castiglioni. That scene is happening in the 1950s, whereas Arco was designed in 1962. See more »
I would stop, I would stop, I would stop fucking talking if I ever heard anybody else say anything worth fucking stopping talking for!
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David Hare's brilliant stage play has been translated beautifully to the screen. The peculiar English trait of natural melancholy radiates throughout this sad exercise of seeing all through the lens of British class consciousness, repression and despair. The color photography, the performances, the stifling framing of the widescreen shots all add to the oppressive beauty of a story about the self-destruction of a preternaturally beautiful woman. Mery Streep has never been better before or since. Hare makes her intellectual acuity a weapon against herself as she sees through all the ghastly pretenses of a corroding Empire. No insight, no beauty of body, no letting go of formality and pretense can save her from herself. Feminism itself is taken to the burning stake as Streep's character thrashes, Hedda Gabbler like, against walls and prohibitions beyond her understanding. Rarely has such condemnation looked so ravishing.
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