God has had just about enough of the human's attitude so he will destroy the planet very soon. It is up to a struggling inventor and a bank teller, both with very amateur criminal minds, to... See full summary »
Scott Barnes (Travolta) is an alcoholic turned social worker hellbent on saving a young boy named Tommy (Lawrence) from self-destructing when he finds out he has begun selling crack in an ... See full summary »
Based on a true story, Tod Lubitch is born with a deficient immune system (which is unlike being born with AIDS). As such, he must spend the rest of his life in a completely sterile ... See full summary »
A clairvoyant thinks she's met her husband to be because she's seen him in her dreams. They marry quickly, and return to the husband's ("the butcher"), home in the city. She has a big ... See full summary »
Life in the small town of Grandview, Illinois is one that is just like any other city or town. Tim Pearson, soon to be graduating high school wants to go to Florida to study oceanography. ... See full summary »
Jamie Lee Curtis,
C. Thomas Howell,
The "Looking for Mr. Goodbody" title of the Rolling Stone article in the film's story referenced the earlier 1977 Looking for Mr. Goodbar (1977), based on the Judith Rossner novel which was about the singles bar scene, whereas this film is about the singles health club scene. See more »
Carly Simon throws her drink in Adam's face over a piece he wrote about her. He later tells his boss at Rolling Stone he has a deal with Simon & Schuster. Simon & Schuster was co-founded by Carly's father. Given Carly's obvious disdain for Adam, it's highly unlikely Simon & Schuster would publish him. See more »
What's wrong with wanting to be the best you can be? What's wrong with wanting to be perfect? What's wrong with wanting to be loved?
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My Goodness, what a bomb! We didn't drop anything this big on Iraq!
Perfect is the story of a Rolling Stone reporter (Travolta) who trips over his ethics, or lack there of while writing two big stories. His first story deals with a computer tycoon in hot water with the U.S. government for selling his products to an Eastern-Bloc country. This angle is played way up considering the lack of details we are told about the situation. No matter, the story you will remember deals with a swanky health club in L.A.. Travolta wishes to write a piece about how health clubs in the 1980s are replacing the singles bars of the 1970s as the #1 place for people to meet. Take that premise and see how long you can stretch it. Director Bridges apparently thought he could drag it out for nearly two hours and still keep our attention.
This film suffers from a severe lack of focus. There are too many location changes to count. There is also too much running around and too much time wasted on insignificant little things. For example, what was up with Travolta's sudden trip to Morocco near the end of the film. It had no purpose what so ever! Another problem this film has is its tendency to drag out every scene to last as long as whatever cheesy 80s dance song is playing in the background. That gets old pretty darn quick.
This film is also hopelessly dated in terms of fashion. If any guy came into my health club wearing tights or a fish-net tank top, he'd probably get beaten up. Bridges & CO also try to recycle a gag that worked in Urban Cowboy. In that film, there was a scene featuring numerous women dressed up for a Dolly Parton look-alike contest. In this film, we get about a hundred people dressed up as Boy George in a scene at a hotel. In Urban Cowboy it worked since there was a legitimate reason for all the people to dress that way. They were at least trying to win a contest. The scene in Perfect is useless and it only serves to date the film even further.
This film was by no means Travolta's worst. Has anyone seen The Experts or Shout? This film did, however, have his most embarrassing scene. In it, he's sweating away in Jamie Lee Curtis's aerobics class and doing a never-ending series of pelvic thrusts to the dance beat. His crotch has obviously been stuffed with a sock, or perhaps the thing Hammer used in his Pumps in a Bump video. Truly hilarious!
Travolta is a talented actor, but he has nothing to work with here. Jamie Lee Curtis is also a great talent, but she is wasted as well. She looks absolutely gorgeous, but her character is so moody and abrasive that we can hardly stand her. The supporting cast of mostly unknowns fills out their respective stereotypical roles as well as they can.
In all, this is a poor film on all levels. It tries to be an insightful look at journalistic ethics and falls flat on its face. It comes off as being little more than a two hour plug for Rolling Stone Magazine. Too Bad.
3 of 10 stars
So sayeth the Hound.
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