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Directed by | |||
| Tim Burton | |||
Writing credits | ||
| Phil Hartman | (written by) & | |
| Paul Reubens | (written by) & | |
| Michael Varhol | (written by) | |
Produced by | |||
| Richard Gilbert Abramson | .... | producer | |
| William E. McEuen | .... | executive producer | |
| Robert Shapiro | .... | producer | |
Original Music by | |||
| Danny Elfman | |||
Cinematography by | |||
| Victor J. Kemper | (director of photography) | ||
Film Editing by | |||
| Billy Weber | |||
Casting by | |||
| Wallis Nicita | (as Wally Nicita) | ||
Production Design by | |||
| David L. Snyder | |||
Set Decoration by | |||
| Thomas L. Roysden | |||
| Paul Reubens | (uncredited) | ||
Costume Design by | |||
| Aggie Guerard Rodgers | |||
Makeup Department | |||
| Frank Griffin | .... | makeup artist | |
| Linda Trainoff | .... | hair stylist | |
Production Management | |||
| David Silver | .... | unit production manager | |
Art Department | |||
| John Alvin | .... | poster artist | |
| Craig B. Ayers Sr. | .... | greensman | |
| Paul Chadwick | .... | illustrator | |
| Bruce J. Gfeller | .... | construction coordinator | |
| Ronald C. Jacobs | .... | lead man | |
| Steven M. Levine | .... | property master | |
| Margie Stone McShirley | .... | assistant art director | |
| Edson C. Moreno | .... | lead man | |
| David Q. Quick | .... | assistant property master (as David Quick) | |
| James E. Tocci | .... | set designer | |
| Walter Zingelewicz | .... | stand-by painter | |
Sound Department | |||
| Irene Bowers | .... | assistant sound editor | |
| Neil Brody | .... | sound re-recording mixer | |
| Scott Brose | .... | sound re-recording mixer | |
| David B. Cohn | .... | supervising sound editor | |
| Leslie Gaulin | .... | foley editor | |
| Cecelia Hall | .... | supervising sound editor | |
| Petur Hliddal | .... | production sound mixer | |
| Denise Horta | .... | sound editor | |
| David J. Hudson | .... | sound re-recording mixer | |
| Joseph A. Ippolito | .... | sound editor | |
| David Pettijohn | .... | sound editor | |
| Roger Pietschmann | .... | boom operator | |
| Terry Porter | .... | sound re-recording mixer | |
| Edward M. Steidele | .... | foley artist | |
Special Effects by | |||
| Peter Alnez | .... | special effects assistant | |
| Danny Cangemi | .... | special effects assistant | |
| Joe Day | .... | special effects coordinator | |
| Wayne Edgar | .... | special effects assistant | |
| John Frazier | .... | special effects assistant | |
| Chuck Gaspar | .... | special effects supervisor | |
| Elmer Hui | .... | special effects assistant | |
| Thomas Mertz | .... | special effects assistant | |
| Bruce Robles | .... | special effects assistant | |
| Jeffrey A. Wischnack | .... | special effects assistant | |
| Jeffrey A. Wischnack | .... | special effects technician | |
Visual Effects by | |||
| Stephen Chiodo | .... | animated effects consultant | |
| Rick Heinrichs | .... | animated effects supervisor | |
| John Scheele | .... | animated effects consultant | |
| Rocco Gioffre | .... | special visual effects: DQI (uncredited) | |
| Mark Sullivan | .... | special visual effects: DQI (uncredited) | |
| Hoyt Yeatman | .... | special visual effects: DQI (uncredited) | |
Stunts | |||
| Mary Albee | .... | stunts | |
| J.P. Amateau | .... | stunts | |
| Amanda Baxley | .... | stunts | |
| Paul Baxley | .... | stunt coordinator | |
| Alonzo Brown | .... | stunts | |
| Eurlyne Epper | .... | stunts | |
| Corey Michael Eubanks | .... | stunts (as Corey Eubanks) | |
| Theresa Eubanks | .... | stunts | |
| Trace Eubanks | .... | stunts | |
| Marian Green | .... | stunts | |
| Don Happy | .... | stunts | |
| Suzanne Harvey | .... | stunts | |
| Bob Herron | .... | stunts | |
| Shelly Hoffman | .... | stunts | |
| Jeff Imada | .... | stunts | |
| Angelo Lamonea | .... | stunts | |
| Steve Mack | .... | stunts | |
| Joe Margucci | .... | stunts | |
| Salomon I. Marx | .... | stunts | |
| Troy Melton | .... | stunts | |
| Pat Romano | .... | stunts (as Patrick Romano) | |
| Fred Scheiwiller | .... | stunts | |
| Russell Solberg | .... | stunts | |
| Stagg Summers | .... | stunts | |
| Corey Michael Eubanks | .... | stunt double: Paul Reubens (uncredited) | |
| Dean Raphael Ferrandini | .... | stunt double: James Brolin (uncredited) | |
| Spiro Razatos | .... | stunts (uncredited) | |
| Mike Watson | .... | stunt double: Paul Reubens (uncredited) | |
Camera and Electrical Department | |||
| Audie Aragon | .... | best boy grip | |
| Billy Craft | .... | lighting operator | |
| Earl Gilbert | .... | gaffer | |
| Rhio Haessig | .... | best boy | |
| Kyle T. MacDowell | .... | electrician | |
| Patrick Marshall | .... | rigging gaffer | |
| Bill Roe | .... | first assistant camera | |
| Gaylin P. Schultz | .... | key grip | |
| Bernie Schwartz | .... | dolly grip | |
| Peter Sorel | .... | still photographer | |
| Robert C. Thomas | .... | camera operator | |
| Mario Zavala | .... | second assistant camera | |
Animation Department | |||
| Jorgen Klubien | .... | cel animator | |
Costume and Wardrobe Department | |||
| Sandy Berke Jordan | .... | costumer: women | |
| Richard Little | .... | costumer: men | |
| Don Vargas | .... | costumer: men | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
| Claudia Finkle | .... | assistant editor | |
| Richard Ritchie | .... | color timer | |
Music Department | |||
| Bob Badami | .... | music editor | |
| Steve Bartek | .... | music arranger | |
| Danny Elfman | .... | composer: theme music | |
| Robert Fernandez | .... | scoring mixer | |
| Philip Giffin | .... | composer: additional music | |
| Lennie Niehaus | .... | conductor | |
| Lennie Niehaus | .... | orchestrator (uncredited) | |
| Tommy Tedesco | .... | musician: guitar (uncredited) | |
Transportation Department | |||
| Tino Caira | .... | transportation captain | |
| Craig Lietzke | .... | driver | |
| Randy Peters | .... | transportation coordinator | |
| Mario Simon | .... | transportation captain | |
Other crew | |||
| Scott E. Chester | .... | assistant: Mr. Abramson (as Scott Chester) | |
| Stephen Chiodo | .... | animated effects consultant | |
| Jeff Freedman | .... | unit publicist | |
| Anthony Goldschmidt | .... | title designer: main titles | |
| Rick Heinrichs | .... | animated effects supervisor | |
| Jan Kemper | .... | script supervisor | |
| Sam Mercer | .... | location manager | |
| Cristie Miele | .... | animal coordinator | |
| Brian Nelson | .... | assistant: Mr. Reubens | |
| John Scheele | .... | animated effects consultant | |
| Phil Smith | .... | animal trainer | |
| Lee Stitch | .... | production secretary | |
| Valen Watson | .... | assistant: Mr. Shapiro | |
Thanks | |||
| Linda Koulisis | .... | special thanks | |
| Randy Pitkin | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
Man-child Pee-wee Herman lives a magical life but has one possession that he treasures over all the others his bicycle. The envy of the neighbourhood, his bike is his life and he is horrified when he finds it stolen. With the police unwilling to start a statewide search, Pee-wee sets out on an adventure to try and find his bike.
Pee-Wee Herman is a fairly acquired taste and won't please all audiences. I quite liked him here but couldn't have watched his show on a weekly basis. In this film though his `man-child' style and outlandish sense of humour really work out well. The plot is fairly pointless and just sparks off a road trip, which has a series of bizarre characters and adventures along the way.
Tim Burton's darkly comic imagination certainly helps and he gives the whole film an other-worldly feel to the whole thing, whether it be in the delivery of Herman's dreams or just the look of the film as a whole. Not all of it works of course, some of it misfires and isn't as funny as it would like to think that it is, however much of it is weirdly amusing and will be entertaining if you like Herman's style.
Herman can be annoying but here he stays on the right side of irritating and he is amusing in his delivery. He certainly suits the material and his OTT/hyper style helps the audience get into the very silly plot! Support is good and has lots of small roles that are weird and funny.
Overall this film is very much a matter of taste. If you like Herman then you should enjoy this film as it is very well done and is blessed with a real other-worldly touch by a great director in the making.