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Directed by | |||
| Clint Eastwood | |||
Writing credits | ||
| Michael Butler | (written by) & | |
| Dennis Shryack | (written by) | |
Produced by | |||
| Clint Eastwood | .... | producer | |
| Fritz Manes | .... | executive producer | |
| David Valdes | .... | associate producer | |
Original Music by | |||
| Lennie Niehaus | |||
Cinematography by | |||
| Bruce Surtees | (director of photography) | ||
Film Editing by | |||
| Joel Cox | |||
Production Design by | |||
| Edward C. Carfagno | (as Edward Carfagno) | ||
Set Decoration by | |||
| Ernie Bishop | |||
Makeup Department | |||
| Kathryn Blondell | .... | hair stylist | |
| Barbara Guedel | .... | makeup artist | |
Production Management | |||
| Fritz Manes | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Matt Earl Beesley | .... | second assistant director | |
| L. Dean Jones Jr. | .... | second assistant director | |
| David Valdes | .... | first assistant director | |
Art Department | |||
| Edward Aiona | .... | property master (as Eddie Aiona) | |
| Airick Kredell | .... | lead man | |
| Bob Lawless | .... | stand-by painter | |
| Michael Muscarella | .... | construction coordinator | |
| Robert E. Sessa | .... | set designer (as Bob Sessa) | |
| Jay Newington | .... | set dresser: Sonora (uncredited) | |
| Scott Nifong | .... | props (uncredited) | |
Sound Department | |||
| Rick Alexander | .... | sound re-recording mixer (as Dick Alexander) | |
| Donald L. Bolger | .... | cable man | |
| Les Fresholtz | .... | sound re-recording mixer | |
| Robert G. Henderson | .... | supervising sound effects editor (as Bob Henderson) | |
| C. Darin Knight | .... | sound mixer | |
| Alan Robert Murray | .... | supervising sound effects editor | |
| Vern Poore | .... | sound re-recording mixer | |
| Jules Strasser | .... | boom man | |
| Brooke Henderson Ward | .... | assistant sound editor (as Brooke Henderson) | |
Special Effects by | |||
| Chuck Gaspar | .... | special effects | |
| Jeffrey A. Wischnack | .... | special effects technician (uncredited) | |
Stunts | |||
| Kerrie Cullen | .... | stunts | |
| Tom Ellison | .... | stunts | |
| Bob Herron | .... | stunts | |
| Leroy Hershkowitz | .... | stunts | |
| Walt La Rue | .... | stunts | |
| Buddy Van Horn | .... | stunt coordinator (as Wayne Van Horn) | |
| James Winburn | .... | stunts (as Jim Winburn) | |
| Diamond Farnsworth | .... | stunts (uncredited) | |
| Gene Hartline | .... | stunts (uncredited) | |
| George Orrison | .... | stunt double: Clint Eastwood (uncredited) | |
Camera and Electrical Department | |||
| Ed Ayer | .... | best boy | |
| Kirk Bales | .... | dolly grip (as Kirk E. Bales) | |
| Brad Edmiston | .... | camera assistant | |
| Buzz Feitshans IV | .... | camera assistant | |
| Jack N. Green | .... | camera operator (as Jack Green) | |
| Leo J. Napolitano | .... | additional camera operator (as Leo Napolitano) | |
| Marcia Reed | .... | still photographer | |
| Charles Saldana | .... | key grip | |
| Bruce D. Spellman | .... | second grip (as Bruce Spellman) | |
| Stephen St. John | .... | additional camera operator | |
| Baird Steptoe | .... | camera assistant | |
| Tom Stern | .... | gaffer | |
| Tama Takahashi | .... | camera assistant | |
| Mike Thomas | .... | camera assistant | |
| Bill Young | .... | dolly grip (as William C. Young) | |
| Víctor Pérez | .... | lighting technician (uncredited) | |
Casting Department | |||
| Phyllis Huffman | .... | casting executive | |
| Christopher Gorman | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Darryl M. Athons | .... | wardrobe: men (as Darryl Athons) | |
| Deborah Hopper | .... | wardrobe: women (as Deborah Ann Hopper) | |
| Glenn Wright | .... | costume supervisor | |
Editorial Department | |||
| Jack Garsha | .... | color timer | |
| John Morrisey | .... | assistant film editor | |
Music Department | |||
| Donald Harris | .... | music editor | |
| Robert Fernandez | .... | scoring mixer (uncredited) | |
Transportation Department | |||
| Keith Dillin | .... | transportation captain | |
| H. William Miller | .... | transportation coordinator (as Bill Miller) | |
Other crew | |||
| Marco Barla | .... | unit publicist | |
| Paul A. Calabria | .... | animal handler (as Paul Calabria) | |
| Jay K. Fishburn | .... | wrangler | |
| Judie Hoyt | .... | assistant to producers | |
| Linda Sony Kinney | .... | production secretary | |
| Michael Maurer | .... | assistant to producers | |
| Michael Maurer | .... | auditor | |
| Bill McCamby | .... | first aid | |
| Karin McElhatton | .... | animal handler (as Karin Dew) | |
| Lloyd Nelson | .... | script supervisor | |
| Jim Porter | .... | first aid | |
| Elise Ganz | .... | studio teacher (uncredited) | |
| Bill McCamey | .... | first aid nurse (uncredited) | |
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| High Plains Drifter | Silverado | For a Few Dollars More | Death Rides a Horse | Hang 'Em High |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Western section | IMDb USA section |
Shot on location in Sun Valley, Idaho, and to some esteem to "Shane," "Pale Rider" succeeded with sweeping landscapes and magnificent cinematography, to be an interesting Western that helps to bring back something from Eastwood's mystique
In 1850 California, a small group squatters and their families find themselves terrorized by Coy LaHood (Richard Dysart), who are standing win the way of his progress Desperate, LaHood begins using violence in an unsuccessful attempt to run the peaceful yet determined homesteaders from their land Leading the homesteaders is a decent man Hull Barret (Michael Moriarty), who dreams of a better life for himself, his girlfriend Sarah Wheeler (Carrie Snodgress) and her lovely daughter from a previous marriage, 14-year-old Meagan (Sydney Penny).
Into the lives of these strong-willed people rides a mysterious mantall and lean with something strange in his eyes known only as "The Preacher" (Clint Eastwood). He says little, divulges nothing of his past, but for a man wearing a clerical collar he seems an expert at handling weapons He pulls the miners together and gives them the confidence to defy LaHood even in the face of mounting violence...
Although both Sarah and her daughter become enamored of the pale preacher, he gently rejects their advances and makes them see that Hull is a less capable but far better man There is a good scene when Spider Conwaywent into town alone and running out of steaminvited LaHood to come out and have a drink with him But instead Stockburn and his deputies came out asking him to dance
Richard Dysart creates an all-too-believable villain, and Western veteran John Russell is well-cast as a middle-aged mercenary and his hired guns to face a legendary hero It's an old score and it's time settle it