A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
As the film opens on an Oklahoma farm during the depression, two simultaneous visitors literally hit the Wagoneer home: a ruinous dust storm and a convertible crazily driven by Red, the ... See full summary »
Nun Sara is on the run in Mexico and is saved from cowboys by Hogan, who is preparing for a future mission to capture a French fort. The pair become good friends, but Sara never does tell him the true reason behind her being outlawed.
A gold mining camp in the California foothills is besieged by a neighboring landowner intent on stealing their claims. A preacher rides into camp and uses all of his powers of persuasion to convince the landowner to give up his attacks on the miners. Written by
David J. Kiseleski <email@example.com>
The first horse assigned to Richard Kiel collapsed the first time he climbed aboard. He was then assigned a stronger horse. See more »
When the preacher approaches Stockburn he unlocks his firearm to re-chamber it. The bullet chamber he chooses is visibly empty yet he locks it in place and kills Marshall Stockburn. However, this could be a deliberate choice by the filmmakers, in line with other suggestions that the Preacher is some kind of mystical character. See more »
The opening to Pale Rider is just excellent, at first all is calm and serene, but then the peace is shattered by the thundering of hooves. A group of men employed by Coy LaHood, tear thru a small mining community, shooting guns and trampling over all in their way. During this callous act of bullying, one of the men shoots and kills young Megan's dog. When Megan buries her beloved pet, she calls to god to send someone to help them against the greedy LaHood, because LaHood is intent on stripping the locals of their claims, and he literally will stop at nothing to get them. Later on Megan is reading from the bible, she reads aloud to her mother about "beholding a pale horse and that the man who sat on it was death", we then see a lone horseman riding towards this under fire place...
Behold the pale horse because the man that sat on him was Clint Eastwood! And that's all you really want to know as regards what drives the film on. It had been quite some time since the movie watching world had witnessed a damn good Western, so it is obvious that Eastwood, knowing the genre inside out, felt it time to remind all and sundry about this engrossing genre and all its little peccadilloes. Riffing on his own High Plains Drifter from 1973 and homaging Shane in the process, Eastwood again uses supernatural leanings to play out this intriguing tale. Pale Rider works well because Eastwood cares for the genre so much, no frame is wasted and the acting on show delivers the necessary amount of quality to enhance the picture's impact. From the thundering opening to the gorgeous final shot, Pale Rider is an expertly crafted Western that still holds up today as a great entry on Eastwoods CV. Pale Rider. 8/10
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