Tito's break-up with Stalin in 1948 marked the beginning of not only confusing, but also very dangerous years for many hard-core Yugoslav communists. A careless remark about the newspaper ... See full summary »
The story follows an underground weapons manufacturer in Belgrade during WWII and evolves into fairly surreal situations. A black marketeer who smuggles the weapons to partisans doesn't ... See full summary »
The first of four installments in the groundbreaking Heartbeat of the World anthology film series. Comprised of several short films by some of the world's most exciting directors, Words ... See full summary »
A young man grows up in Sarajevo in the 1960s, under the shadow of his good, but ailing father, and gets attracted by the world of small-time criminals. They hire him to hide a young ... See full summary »
The story of a ten years old boy who, as most of the children in Yugoslavia of the fifties can hardly imagine his life without the great national leader - marshal Tito. In his school, he ... See full summary »
Ilija Cvorovic, a reformed former Stalinist who spent several years in a prison as a political prisoner, is called in for a routine conversation. He returns home convinced that the police ... See full summary »
Tito's break-up with Stalin in 1948 marked the beginning of not only confusing, but also very dangerous years for many hard-core Yugoslav communists. A careless remark about the newspaper cartoon is enough for Mesha to join many arrested unfortunates. His family is now forced to cope with the situation and wait for his release from prison. The story is told from the perspective of Malik, his young son who believes the mother's story about father being "away on business". Written by
Dragan Antulov <email@example.com>
The background may be confusing to viewers unfamiliar with post-WWII Balkan history, but this was never (thankfully) meant to be a big-screen social studies lesson. The film is a sentimental (but never mawkish) drama of family life behind the Iron Curtain, as seen through the often glazed eyes of an eight-year old Yugoslav boy (prone to episodes of somnambulism) whose father is arrested for making a casual criticism of an editorial cartoon. Rather than taking potshots at easy political targets, director Emir Kusterica focuses instead on smaller, more intimate conflicts, recounting moments of family affection and bitterness with an understated humor transcending national and cultural borders.
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