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Ornette: Made in America (1985)

7.2
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Ratings: 7.2/10 from 73 users   Metascore: 82/100
Reviews: 1 user | 12 critic | 7 from Metacritic.com

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Title: Ornette: Made in America (1985)

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Edit

Cast

Credited cast:
Ornette Coleman ...
Himself
Demon Marshall ...
Young Ornette
Eugene Tatum ...
Young Ornette
...
Himself
Don Cherry ...
Himself
Denardo Coleman ...
Himself
Jayne Cortez ...
Herself
Brion Gysin ...
Himself
Charlie Haden ...
Himself
Rest of cast listed alphabetically:
Bob Bolen ...
Himself (as Mayor Bob Bolen)
Bern Nix ...
Himself
Dewey Redman ...
Himself
Jamaaladeen Tacuma ...
Herself
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Storyline

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Genres:

Documentary | Music

Certificate:

Unrated
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Details

Country:

Language:

|

Release Date:

21 February 1986 (USA)  »

Also Known As:

Ornette - Zrobione w Ameryce  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.66 : 1
See  »

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User Reviews

Revealing portrait of the controversial jazz player
23 January 2005 | by (Toronto, Canada) – See all my reviews

40 years on, the jury is still out on Ornette Coleman. His "harmolodic" theory was/is one of the foundations of the free jazz movement. His original quartet (with Don Cherry, Charlie Haden and Billy Higgins) was the scourge of the jazz world in the late 1950's... and even today the revolutionary sax player is still a hot topic for debate.

I am not schooled enough in music theory to properly explain free jazz to those who may not know the term, but the best attempt I can say is that free jazz players ignore melody and seem to play in one long line of sound, rather than playing off of each other. (Hope that makes sense...)

Anyhow, there haven't been many films made on free jazz, but of the few I've seen, Shirley Clarke's documentary on Coleman is by far the most thorough in terms of explaining the revolutionary sense of the music. Although I like free jazz, I prefer Cecil Taylor, Art Ensemble of Chicago or Pharoah Sanders to Coleman. He was instrumental in giving voice to this strain of music, but still I think his sound is one of the least interesting of the movement. But that's just my subjective response to the man. The beauty of ORNETTE: MADE IN America is that it doesn't try to change one's mind about him. It is however a fascinating study of a figure who really sacrificed a lot for his unique voice.

The film opens in the present tense with his band Prime Time (which adapted his theories to jazz fusion)- and it is ironically amusing seeing him play before a black-tie crowd in his native Texas. Yes, Coleman has come home again.... and to open arms, however this warm greeting was hard won. In Coleman's own words, the sudden appreciation of his work is this: "I guess if you live long enough, you get to be an elder statesman."

It is enough to see Coleman practice his music in one of the most unholy places in Urbana (an abandoned building often populated by addicts and knife-wielding crazies)- fittingly working on outlaw music among other societal outcasts. However, this film pushes Ornette's legacy even further-- he often comes across as some kind of pop icon or superhero (as best exemplified by the cartoonish image of his likeness flying across a starry backdrop)- while he may be more mainstream than ever, this silly bit pushes it a little too far.

Sadly, ORNETTE MADE IN America is not widely available. My one and only screening of this in 2001 at Toronto's Cinematheque was made available by a film print which came and went under the arm of someone from New York the same day. It is a revealing, complex and somewhat moving portrait of a person who stands by his art regardless of its interpretation.


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