Ornette: Made In America captures Ornette's evolution over three decades. Returning home to Fort Worth, Texas in 1983 as a famed performer and composer, documentary footage, dramatic scenes...
See full summary »
The highlights of a 12-hour interview with Aaron Payne, alias Jason Holliday, a former houseboy, would-be cabaret performer, and self-proclaimed hustler who, while drinking and smoking ... See full summary »
Filmmaker Shirley Clarke ("The Connection") directs this powerful, stark semi-documentary look at the horrors of Harlem ghetto slum life filled with drugs, violence, human misery, and a ... See full summary »
Eugeniusz Rudnik revolutionized the idea of music itself with a pair of scissors and a magnetic tape. As part of the legendary Experimental Studio of Polish Radio, he revealed hidden value ... See full summary »
Stan works in drudgery at a slaughterhouse. His personal life is drab. Dissatisfaction and ennui keep him unresponsive to the needs of his adoring wife, and he must struggle against ... See full summary »
Henry G. Sanders,
Documentary covering a Stax Records-sponsored all-day concert at the 1972 Watts Summer Festival with performances by Stax Records artists such as Isaac Hayes, Rufus Thomas, The Staples Singers, and more.
The Staple Singers,
In 1950, at night, a passenger train kills a man on the tracks. He is Orzechowski, an engineer since 1914. An inquiry immediately follows. Testimony takes the form of flashbacks. Tuszka, ... See full summary »
Ornette: Made In America captures Ornette's evolution over three decades. Returning home to Fort Worth, Texas in 1983 as a famed performer and composer, documentary footage, dramatic scenes, and some of the first music video-style segments ever made, chronicle his boyhood in segregated Texas and his subsequent emergence as an American cultural pioneer and world-class icon. Among those who contribute to the film include William Burroughs, Brion Gysin, Buckminster Fuller, Don Cherry, Yoko Ono, Charlie Haden, Robert Palmer, Jayne Cortez and John Rockwell.
Revealing portrait of the controversial jazz player
40 years on, the jury is still out on Ornette Coleman. His "harmolodic" theory was/is one of the foundations of the free jazz movement. His original quartet (with Don Cherry, Charlie Haden and Billy Higgins) was the scourge of the jazz world in the late 1950's... and even today the revolutionary sax player is still a hot topic for debate.
I am not schooled enough in music theory to properly explain free jazz to those who may not know the term, but the best attempt I can say is that free jazz players ignore melody and seem to play in one long line of sound, rather than playing off of each other. (Hope that makes sense...)
Anyhow, there haven't been many films made on free jazz, but of the few I've seen, Shirley Clarke's documentary on Coleman is by far the most thorough in terms of explaining the revolutionary sense of the music. Although I like free jazz, I prefer Cecil Taylor, Art Ensemble of Chicago or Pharoah Sanders to Coleman. He was instrumental in giving voice to this strain of music, but still I think his sound is one of the least interesting of the movement. But that's just my subjective response to the man. The beauty of ORNETTE: MADE IN America is that it doesn't try to change one's mind about him. It is however a fascinating study of a figure who really sacrificed a lot for his unique voice.
The film opens in the present tense with his band Prime Time (which adapted his theories to jazz fusion)- and it is ironically amusing seeing him play before a black-tie crowd in his native Texas. Yes, Coleman has come home again.... and to open arms, however this warm greeting was hard won. In Coleman's own words, the sudden appreciation of his work is this: "I guess if you live long enough, you get to be an elder statesman."
It is enough to see Coleman practice his music in one of the most unholy places in Urbana (an abandoned building often populated by addicts and knife-wielding crazies)- fittingly working on outlaw music among other societal outcasts. However, this film pushes Ornette's legacy even further-- he often comes across as some kind of pop icon or superhero (as best exemplified by the cartoonish image of his likeness flying across a starry backdrop)- while he may be more mainstream than ever, this silly bit pushes it a little too far.
Sadly, ORNETTE MADE IN America is not widely available. My one and only screening of this in 2001 at Toronto's Cinematheque was made available by a film print which came and went under the arm of someone from New York the same day. It is a revealing, complex and somewhat moving portrait of a person who stands by his art regardless of its interpretation.
6 of 9 people found this review helpful.
Was this review helpful to you?