Directed by | |||
| István Szabó | |||
Writing credits(in alphabetical order) | ||
| Péter Dobai | ||
| John Osborne | play "A Patriot for Me" | |
| István Szabó | ||
Produced by | |||
| József Marx | .... | producer | |
Original Music by | |||
| Zdenkó Tamássy | |||
Cinematography by | |||
| Lajos Koltai | |||
Film Editing by | |||
| Zsuzsa Csákány | |||
Production Design by | |||
| József Romvári | |||
Set Decoration by | |||
| László Makai | |||
| Lórántné Mathaidesz | (as Matthaeidesz Lórántné) | ||
| Gyula Tóth | |||
Costume Design by | |||
| Péter Pabst | |||
Makeup Department | |||
| János Németh | .... | makeup artist | |
| Rozalia Szegedi | .... | hair stylist (as Szegedi Rozália) | |
Production Management | |||
| Lajos Óvári | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Mara Luttor | .... | assistant director | |
Art Department | |||
| Gábor Posevitz | .... | props | |
| Lajos E. Szabó | .... | stand-by painter | |
| Tibor Szollár | .... | construction manager | |
Sound Department | |||
| György Fék | .... | sound engineer | |
Stunts | |||
| Sándor Boros | .... | stunts | |
| Péter Katona | .... | stunts | |
| Béla Unger | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Magda B. Müller | .... | still photographer | |
| Gyula Kovács | .... | camera operator | |
| Antal Török | .... | chief lighting technician | |
Costume and Wardrobe Department | |||
| Imre Béres | .... | tailor | |
| Gábor Csiszár | .... | costumer | |
| Uli Fessler | .... | costumer | |
Editorial Department | |||
| Géza Fülöp | .... | color timer | |
Music Department | |||
| János Sándor | .... | conductor | |
| Recent Posts (updated daily) | User |
|---|---|
| The last scene with Redl | liplip |
| Credit title music | Issus123 |
|
|
|
|
|
| Sunshine | Radetzkymarsch | House of Sand and Fog | Il deserto dei tartari | Farewell My Concubine |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb Yugoslavia section |
The film has an interesting (real) story to tell about the Austrian ruling class in the final days of the Austro-Hungarian empire, just before World War I. It does that by the focussing on the fortunes and misfortunes of its central character, Oberst Redl, a career-officer from comparatively humble origins.
The story is interesting, the performances are good, but this is still not a great film. Why? I often felt I was watching an adaptation of a stage play, e.g. the movie moves along at a very slow pace and is equally slow into getting us into the lead character. Moreover, I felt distracted by sets and costumes. Austrian uniforms from that period were very glamorous and so it is quite appropriate to use them, but the viewer is constantly subjected to all this glamour, distracting his or her attention from what the film really wants to say.